Welcome to Seeds and Fuses

Welcome to Seeds and Fuses

 – the poetry and other makings of Anne Enith Cooper

This is the Seeds and Fuses blog. Here I share news of current projects, writing and performance. I also share writing by others, writing prompts, writers on writing, quotes that have moved me and musings on subjects close to my heart. Plus the odd photo and image of my matter poetry.

The blog is on hold due to the pressure of MA assignments. Feel free to browse back posts. Subscribe free, scroll down and find the button at foot of screen, on the right to join the Seeds and Fuses community.

Just quickly before I go I can report my poem How Fungi Unmake and Remake the World and it’s Holy was shortlisted and highly commended in the 2025 Live Canon International Poetry Competition. A first for me!

See the Poetry, Photography and Community & Education pages on this site for a bit of background and my body of work. Enjoy!

Find my bio here https://seedsandfuses.wordpress.com/about/

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Diary: March 2026

Diary: March 2026

My diary posts are the place for a bit of my news and poetry community news, plus my adventures in creativity. This month some some images, thoughts on where we’re at, as a species (!) and browse thru some poetry out now. 

One day last week the sun came out. It was 17 deg C in South London. I went to Brockwell Park and bathed in the sound of children squealing, the colour of new blooms and the soft touch of a sun still low in the sky. I took these images, including the waxing moon half full, high, high above. 


While in the temperate U.K. extreme weather tends to be an overnight temperature swing of some 12- 15 degrees, we are now seeing extreme weather events across the globe with alarming frequency. 

Though let’s not forget the 40-50 consecutive days of rain in the U.K. I think JG Ballad wrote the script for these last few months. His novel The Drowned World (1962) features a post-apocalyptic, with a submerged London caused by relentless solar radiation melting the ice caps, creating a tropical, swamp-like environment. 

These are “events” that cause considerable economic and social damage and yet still climate issues seem to be slipping onto the back burner, bad image perhaps, and climate activists receive long disproportionate sentences. 

Meanwhile just over the pond a big freeze. An article here from the FT that ACTUALLY mentions the cause: the polar vortex and weakened jet stream BOTH of which have been disrupted by climate change but oh no let’s not talk about that!

In Europe it is reported here extreme weather events have hit Spain and Portugal too, in all cases this “weather” is having severe economic and social effects. Power out, planes grounded, people displaced or prevented from movement.

If humanity is to survive the destructive short term profit driven policies we need to start thinking about collective action to get thru this time as the weather and climate of tomorrow depends on the emissions of today which are not yet coming down.

I still believe another world IS possible, but you would be forgiven for thinking it seems further away than ever before. Are we witnessing an inextricable rise of all our dystopias in the hands of bro oligarchs and authoritarians OR the death throes and collapse of an unstable profit driven system teetering with unstable wealth inequalities and barbarism, and what else can you call it when genocide, war and starvation, stalk the world?

We need an imaginative culture, we need to imagine a future in which we are not slaves to the machine or The Man. In this context love, joy and hope in the hands of unity are radical, are revolutionary. And everything is connected so whatever we do however large or small makes a difference. 

Let’s try and change our vocabulary, replace fight/ struggle/resist with seed/ build/grow. Our hands will bleed in this new future, our backs will ache, our legs might buckle from time to time but we will not kneel and bow to destruction. 

OUT NOW

In a timely manner, that can not be accidental, this month sees the publication of the new book Blossom by Rishi Dastidar, also The I of my Storm by Sarah Wederburn and Crossing Paths by Jean Atkinson and Richard Skinner.


#amreading On the Road by Jack Kerouac, with the intention to spark an adventurous spirit

#amwriting, or attempting to write about AI, cyberbio and robotics, things that rather fascinate me

A blog post by Anne Enith Cooper 

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Nurturing Your Practice: I hear you write, pray tell why? 

Nurturing Your Practice: I hear you write, pray tell why? 

Usually here under Nurturing Your Practice I share information from writers far more experienced than me with links to courses and workshops. This is a bit different. We’re looking at the exercise Why I Write. I first came across this many years ago, at a workshop no doubt. I’ve set it as an exercise myself in workshops I’ve facilitated with new writers.

I have a post-it on the wall in my flat which says, “I write because it makes my heart sing.” It’s up there in case I’m seized by the “black dog”, not keen on that expression with its racist overtones, let’s say a raven coloured dog with slavering fangs or three heads like Cerberus, let’s say lost in the “dark night of the soul”. In case, in these circumstances, I lose sight of why I write, or worse lose sight of myself. 

It occurred to me the day I drafted this, faced with an MA assignment on metaphor this term, which I appreciate is a valuable device yet barely use, hence finding myself bewailing, “What on earth am I meant to say?” (I might have to create on post on metaphor!) 

This is not about metaphor rather I noticed the bewailing led to a train of thought considering the assignment as a chore rather than an opportunity to learn and grow, to play and discover. It occurred to me it’s easy feeling under pressure or faced with a deadline to lose sight of the joy of writing or indeed why I write.

We live and operated in a culture that urges the writer to be visible, to be constantly creative not allowing time to lay fallow, as a field does, and so to enrich itself, to digest and rest, which can steal the sense of joy and purpose of writing. In this sense I feel whatever stage one is at in your writing life or career it might be worth revisiting Why I Write as an exercise. 


In addition we are in a culture where sometimes we only value ourself and our work measured by publications or prizes. After all we get paid so well… Is there a sarcasm, emoji, oh look there is!  🙃 For many that might still seem just a dream, to be paid, to progress, that’s ok. (For many years I wasn’t even aware of writers retreats, let alone the possibility of publication or prizes.) 

I imagine “the why” would change over time. I remember a yoga holiday in Ibiza, I met a writer for the BBC, she lived not far from me and we both shared a devotion to the local band Alabama 3 so we connected. I was at the dewy eyed stage of recently declaring I was a Poet, having scribbled a handful of poems and read at an event, with a group of poets no less, the legendary Poets Know it, a benefit for an HIV resource in Lambeth.

I asked the BBC writer what motivated her to write; “…is it the wordplay, the ideas, to make a difference,” something like that. She replied, “I have to pay the mortgage.” I was simultaneously impressed— that she was getting paid— and yet felt I was being hopelessly naive and idealistic.

Orwell may have been the first to pose this question Why I Write in an autobiographical essay published in 1946. Do correct me if some Ancient Greek had formerly considered the subject, Aristotle perhaps, or indeed someone from the Global South. This website, Interesting Literature, notes how Orwell,

“outlines what he sees as four chief motives for anyone becoming a writer: 1) egoism; 2) aesthetic enthusiasm; 3) historical impulse; and 4) political purpose. […] Orwell concludes ‘Why I Write’ by stating that in the decade since 1936 he has tried to turn political writing ‘into an art’. Although he acknowledges that his impulse has not been entirely public-spirited but just as egoistic and ‘vain’ as it is in most writers, he knows that ‘one can write nothing readable unless one constantly struggles to efface one’s own personality.’“


I suggest our motivation at any moment is always mixed, for instance: a bit ego, a bit, “oooh, look mummy what I did today,” a bit genuine enthusiasm, a bit, “oh boy wait til my contemporaries see this,” a bit, “you know what I really do want to make a difference.” 

Our motivation is mixed because we are human and complex and flawed. Because we are not Ram Dass who, it’s alleged, stripped away all his layers of ego in one searing, drug induced experience, until he saw himself as a flame of pure light, of pure consciousness. Yet I think we can go further, deeper, than Orwell did, possibly not as far as Ram Dass did, and ask what does your soul say in response to this question? To write from the soul, try this: 

Set a timer if you like, sit in a comfortable position with your notebook close by, close your eyes and take deep belly breaths. It’s likely many thoughts will spin around, “What am I going to eat tonight?… So Trump is mentioned in the Epstein Files more times than Jesus in the Bible… Do I need to shop today? … I wonder what was the last thing the Mars rover saw…? 

You might have thoughts about admin, child care, health appointments. Try not to follow these thoughts or be bothered by them, just bring yourself back to your breath and if if helps, as Ram Dass urges us, just “be here now.” From time to time you might hear thoughts with a different tenor, a softer voice. 

When that happens, or even if it doesn’t, slowly open your eyes, move something, take up the pen or pencil, conveniently placed beside you, and write, “I write because” and just keep writing, following the freewrite method from Natalie Goldberg in Writing Down the Bones, don’t stop, don’t cross out or edit, don’t worry about your spelling or punctuation, dont censor yourself and don’t worry about making sense, or as Nick Makoha, author ofThe New Carthaginians, put it one time at Malika’s Poetry Kitchen, paraphrasing, “I’ll tell you what we’re going to do tonight. Tonight we’re going to make a mess.” Yes, make a mess and see what comes.

And don’t worry if, at times in your writing life or career, it feels like you hit a wall, and find on that wall, inscribed in a sawtoothed  horrorshow font, the words, What is the Point? Or, What am I meant to do Now? Or, Why do I do this? I doubt you are alone. Come back to the exercise Why I Write. 


When I am lost I sometimes hear an attitude I found articulated in Reddit while searching for sources. I’m not there right now! Thank god for small mercies! Though it was kind of reassuring to know I was not the only person on the planet that had felt like this. Should you ever find yourself in this obscure circle of hell there are a myriad of compassionate and helpful replies to this post as well. Here we go,

“What is the purpose of writing in a modern world where we have infinite amounts of content at our fingertips?  For some reason, I am feeling very overwhelmed by the amount of stories, writing, art, and entertaining that are already in the world. People constantly talk about how much “content” there is in the world and no one person could ever actually understand even a fraction of it.

Given the situation of a modern world where we have infinite amount of information at our finger tips, what is the purpose of trying to create art? It’s not like the world necessarily needs my art (this is assuming I could create something of value). Even if it’s a “masterpiece”, even masterpieces aren’t truly that unique…”


To conclude, I suspect doubt and self doubt are part of the process. One might say the other side of a coin called faith, whether it be faith in a higher power than us or indeed in our higher self that inexplicably feels a need to write. Faith in the quiet voice that comes through when we retreat from the noise of the world, ignore our nagging inner critic and the saboteur that tells us it’s not good enough, that we are not enough. When we surrender to that calling and find the joy in writing again.

Further Reading


A blog post by Anne Enith Cooper 

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Writing Prompt: The Immortal Jellyfish

Writing Prompt: The Immortal Jellyfish

The jellyfish has got to be one of the strangest creatures on this blue, green, golden planet. And it just got stranger. In the 1980’s students Christian Sommer and Giorgio Bavestrello found evidence that suggested the Turritopsis dohrnii, a tiny little thing, less than five mm in diameter, seems to have developed the ability to reverse the aging process, defying traditional life cycle of birth, maturity, and death. 

Facing damage, stress or starvation, this jellyfish drops to the ocean floor and regenerates. It can transform back into a juvenile stage through a process known as transdifferentiation. It can go back and forth between the mature and juvenile stages indefinitely, so unless it gets eaten or succumbs to disease, it can theoretically live forever. A bit wow don’t you think. 

You’d be forgiven for thinking this is where science meets philosophy, mystery and magic. More info here https://www.nhm.ac.uk/discover/immortal-jellyfish-secret-to-cheating-death.html

This is Turritopsis rubra, a jellyfish that is very closely related to T. dohrnii. © Tony Wills  via Wikimedia Commons (CC BY-SA 4.0)

So, how about use the image, or details in the article and set a timer for ten or fifteen minutes and freewrite, you might want to write from the point of view of a young student making this miraculous discovery. Or from the point of view of the jellyfish. Since we have no idea how a jellyfish thinks or might think, the field is open to you. Or you might want to take the shape and colour and use that as a starting point. It might be the themes of regeneration and immortality that grab you.

Rules of the freewrite after Natalie Goldberg in Writing Down the Bones

  • Keep your hand moving, don’t stop or cross out
  • Don’t worry about spelling or grammar. 
  • Don’t think, just write
  • Go for the Jugular.
  • Follow the words, just see what comes. 

When you have finished consider what you have just made. Is it for just for fun or does it feel it needs development? Does it welcome a form?

Just play with your words until you find a form of words that satisfies you. 

If you found this prompt useful or interesting and would like to share a few lines from your freewrite comment below!

A blog post by Anne Enith Cooper 

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Diary: February 2026

Diary: February 2026

My diary posts are the place for a bit of my news and poetry community news, plus my adventures in creativity. 

I’m late with this, my apologies, a bladder infection has knocked me sideways. Never underestimate what a bladder infection can do to your body and mind. 

In the last few days though while I surrendered to the unwelcome malaise there has been some welcome news in this time of polycrisis, by which I mean the rise of the right, the climate emergency, soaring income and wealth inequality and a world seemingly filling up with deep fakes, AI slush and other forms of “content saturation.” Not to mention misinformation and disinformation or rather “alternative facts…”

So what was the news? Oh yes!

Flying across social media yesterday the announcement that six of the Filton 24, members of Palestine Action,  charged over breaking into an Elbit Systems arms factory in Filton, near Bristol, in August 2024 have been acquitted or found not convicted at trial. More info: https://filtonactionists.com/

Defend our Juries reported

“After 8 full days of deliberation, the jury have acquitted Charlotte Head, Samuel Corner, Ellie (Leona) Kamio, Fatema Zainab Rajwani, Zoe Rogers and Jordan Devlin of the most serious charge, aggravated burglary. 

The jury did not convict Charlotte Head, Samuel Corner and Ellie Kamio of Violent Disorder and acquitted Fatema Zainab Rajwani, Zoe Rogers and Jordan Devlin of the same charge. 

The jury also “refused to convict” any of the defendants of criminal damage, despite five of them admitting in court to destroying Israeli weapons and equipment belonging to Israel’s biggest weapons firm, Elbit Systems. […]

It appears the jury agreed that the defendants sole intention was to use items, including sledgehammers, as tools to disarm Israeli weapons to “prevent violence”.”

OUT NOW

Nature Matters: Vital Poems from the Global Majority edited by Mona Arshi and Karen McCarthy Woolf

“Revitalising conversations around environmentalism and ecopoetics, this new gathering of African, Asian and Caribbean diaspora voices is both urgent and inspirational.

There has been a welcome surge of nature writing in recent years. Yet this has raised questions as to whose voices are privileged and heard in a space predominantly occupied by Western European traditions and authors. In Nature Matters, poets Mona Arshi and Karen McCarthy Woolf seek to redress this imbalance. Their genre-enriching anthology presents brand-new commissions alongside formative works from the past fifty years that invite us to reconsider nature poetry from global-majority perspectives. Image-rich and formally diverse, the poems explore fundamental and ecological themes including climate crisis and the Anthropocene; urban nature, solitude and alienation; protest and radical empathy; Indigenous wisdom and alternative histories. Faber and Faber


#amreading maybe i’ll call gillian anderson by Rhian Elizabeth and the anthology 100 Poems For The 21st Century edited by Charlotte Cosgrove

#amwriting poems which explore doubt and uncertainty 

A blog post by Anne Enith Cooper 

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Nurturing your practice: the unreliable narrator

Nurturing your practice: the unreliable narrator

I’ve been contemplating the unreliable narrator for a while. Not so much what is it, though The LIAR Framework, from Story Buzz gives us a working definition, arguably somewhat crude and lacking nuance, a starting point perhaps. 

I imagine as adept readers and viewers we are all familiar with examples, rather I’ve been wondering how do you create an unreliable narrator and indeed why would you want to. 

I came across this from Jericho Writers which answers these questions and more. 

My interest, I think, grew contemplation of unreliable narrators in an age of polycrisis with “alternative facts” and factory levels of disinformation generated and shared by powerful people over social media. 

This, from Adriane Leigh, takes a different slant on an aspect of this time, which has also been described as post postmodern, and makes an interesting read highlighting the way social media has the tendency to drive us all to turn our lives into “ content” we all “spin” like a subeditor on a deadline, where even as Leigh puts it, “authenticity becomes tone,” making us all unreliable narrators.

I’m interested in if an unreliable narrator could be used and developed in poetry given its nature; a tendency towards the short form with a condensed or distilled content. Then I discover the title poem of Faithful and Virtuous Night, by Louise Glück. Here is something masterful, nuanced and well crafted. 


This resource from the Young Poets Network explores the subject well, offering activity that “challenges you to experiment with truth and lies to create poetry that twists, turns and deceives…”

Have you employed an unreliable narrator in your practice? 

How did that work out for you?

Did you draw on real world examples?

Comment below!

A blog post by Anne Enith Cooper 

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Writers on Writing: Ursula K. Le Guin

Writers on Writing: Ursula K. Le Guin

“Socrates said, ‘The misuse of language induces evil in the soul.’ He wasn’t talking about grammar. To misuse language is to use it the way politicians and advertisers do, for profit, without taking responsibility for what the words mean. Language used as a means to get power or make money goes wrong: it lies. Language used as an end in itself, to sing a poem or tell a story, goes right, goes towards the truth.

A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.”

–Ursula K. Le Guin

Image credit unknown.

Ursula K. Le Guin (1929–2018) was a celebrated American author known for her groundbreaking science fiction and fantasy, including the Earthsea series, The Left Hand of Darkness, and The Dispossessed. With a career spanning over 50 years, letters her work explores themes of gender, anthropology, and sociology. Her works with intricate world building also expresses environmentalist and Taoist ideas. She received numerous awards  including eight Hugo Awards, six Nebula Awards and twenty-five Locus Awards for her work.

A blog post by Anne Enith Cooper 

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Diary: January 2026

Diary: January 2026

HaPPy NeW YeaR!°*”˜˜”*° ~Bonne Année! °*”˜˜”*°~ Feliz año nuevo~°*”˜˜”*° Glückliche Neujahr°*”˜˜”*° ~ Srećna nova godina °*”˜˜”*°~ feliz ano novo°*”˜˜”*°С Новым Годом °*”˜˜”*°~ yeni yılınız kutlu olsun°*”˜˜”*°~ ਨਵੇਂ ਸਾਲ ਦੀਆਂ ਵਧਾਈਆਂ °*”˜˜”*° ~ سال نو مبارک°*”˜˜”*° ~ szczęśliwego nowego °*”˜˜”*°~ rokunaya sar Mubarak °*”˜˜”*°~З новым годам °*”˜˜”*°~ عام سعيد°*”˜˜”*°~subho nababarsho°*”˜˜”*° ~gelukkig nieuwjaar°*”˜˜”*° ~Καλή Χρονιά °*”˜˜”*°~ שנה טובה°*”˜˜”*°~ あけまして おめでとう ございます°*”˜˜”*°~ 新年快了 °*”˜˜”*°~ 新年好 °*”˜˜”*° ~честита нова година°*”˜˜”*° ~ mwaka mzuri °*”˜˜”*°~itumelele ngwaga o mosha°*”˜˜”*°~godt nyttår°*”˜˜”*°~selamat tahun baru °*”˜˜”*°~ umyaka omucha omuhle °*”˜˜”*° ~ buon anno°*”˜˜”*° ~ boldog új évet °*”˜˜”*°~ nav varsh ki subhkamna

Wishing everyone a happy year to come. If I’m 100% honest not been really feeling the new year vibe. Nevertheless I figure we still need to make this world anew, grow and build something better, celebrate our unique talents and experiences and know our worth. I’ve been trying to learn to live gently, in balence, and, I forget who coined this expression, “force nothing and let nothing be forced.”

Image source https://www.samuelscicluna.com/how-to-photograph-the-milkyway/2018/12/8/how-to-photograph-the-milkyway

I had a brief break before Christmas visiting Hammamet and Carthage in Tunisia where I spent my time reading, writing and exploring. The former was enchanting the latter interesting yet frustrating as I hadn’t done enough research and didn’t really have enough time to really make the most of it.

I discovered Carthage, which they pronounce as Car’targe, means new town. And that there is a legend about the establishment of Carthage; Dido and the hide, which echoes one from the ancient history of Stevenage, the first New town in the U.K.

Of a night I’m revisiting the series Homeland, having caught up on series seven and eight I went back to series one. It feels a bit like time travel thru the real events the series bounces off — the post 9/11 world and the war on terror. It ran from 2011 to 2020. 

In unhappier news Lambeth Council chose December to launch a new assault on our collective sanity on the council estate where I live. It took the form of a fake consultation they now call a “survey” over the options for regeneration which they now call “renewal.” Options they made clear at their exhibition we don’t get to choose, rather they will choose then ask us to “have our say” on their decision in July. This is how the “Cooperative Council” in the London Borough of Lambeth rolls. 

Just over a year ago Brixton Buzz reported,

“The Kerslake Review, which took place in December 2022, was a pivotal moment for the Council’s housing strategy. […]

These recommendations have led to a fundamental reshaping of Lambeth’s estate regeneration plans, effectively putting many estates back to square one. […]

the Council has pledged to restart these projects with a new approach, emphasising resident involvement from the ground up. […] 

the Council aims to build trust and transparency with local communities.”
Well I’m sorry to sound like a teenager but it’s been an “epic fail.”

See the full report here

OUT NOW

Wastelands, the first full collection from Poets for the Planet member Susie Campbell, published by Guillemot. She describes it as “a hybrid of visual and text-based work,” exploring “different kinds of ‘wasteland’ and the entanglement between inner and outer places of waste and depletion.” 

You can read more on Susie Campbell’s Substack blog and The book can be ordered from the Guillemot website here

News from Poets for the Planet here featuring, among other things, our proposal to hold a benefit for Gaza, “If there are no olive trees there can be no olive branch” see here

#amreading that is dipping into, Earth Prayers: Encounters In Poetry with the Natural World edited by Carole Ann Duffy. 

#amwriting furiously as I have an MA assignment due Friday 16th January, a submission of ten poems and a self reflective essay. It’s like putting a jigsaw together, but first, you have to make the jigsaw pieces. 

A blog post by Anne Enith Cooper 

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Diary: December 2025

Diary: December 2025

My diary posts are the place for a bit of my news and poetry community news, plus my adventures in creativity. 

My intentions for this month are to slow down, breathe, stretch and keep my step count up. Personally I find it kind of hard to slow down when the earth keeps spinning, when the world feels like it’s going full tilt bonkers, enhanced by the social media. I’ve also got an MA assignment to undertake. Going to try and keep this short and sweet if I can. First some personal comments on anxiety and following that news of a couple of poems I’ve had accepted for publication and a couple of books I recommend.

WHEN THINGS GET TRICKY

Last month I was experiencing considerable debilitating anxiety the sort that wakes you at unholy hours of the morning and though you say to yourself, “it’s just chemicals” it nevertheless remains paralysing and exhausting. The worse thing is one can feel, if you’re not careful, anxiety about the anxiety. Fortunately it seems to have passed. There was some light in the darkness — it prompted me to double down on self care and get out more and connect in the real.

I can’t help but wonder though how many people across the world wake with feelings of dread, doom and gloom. Perhaps witnessing stuff like this. Clinical anxiety can have no obvious or immediate cause. It can be an inner child screaming needing reassurance from the adult you have become, to be told that everything is ok and you are safe even though counterintuitively you know that globally, materially everything doesn’t feel ok. It is no surprise though with a cost of living crisis and climate emergency that many people feel anxiety and depression or out of balance.


I tend to think things feel bad as the light is shining on the darkness in the world revealing horrors that were hitherto hidden. We could for instance put in this category child abuse, violence against women, the relentless wars for oil, the courting of dictators in countries who control the oil, the pandering to fossil fuel companies by governments.

Really feel there’s a battle of light and dark taking place within every one of us and in the world. We are summoned to face and dissolve the darkness within ourselves and have the courage to confront and overcome that in the world. 

GETTING IT OUT THERE

I’ve noticed my work is getting published, what this really means is I’m sending work out to be published. I mention this because it’s a break with the past. A time when I had so little faith in myself, and consequently my work, I rarely submitted. It wasn’t that I had no work out there just that I only submitted when I was asked and even then I would be torn between ‘well if they accepted it must be okay,’ and, ‘they must be desperate!’

I put this change down to two things; firstly having a poem longlisted by Live Canon last year, one I was actually proud of, and secondly and perhaps the deeper reason being the decades I’ve put in doing meditation and therapy seem to have finally born fruit. I’ve noticed other shifts too. Long is the path, rocky can be the path. If you feel you’re getting nowhere, glance back over your shoulder see how far you have come. 

Image: Travis Lincoln

Recently had a poem called Space Bats accepted by Culture Matters link here. Culture Matters is a collective of writers, artists and activists who aim to promote cultural democracy. 

They write, “Culture includes all learned human activities, including the arts like literature, film, theatre, music etc. but also sport, the media, eating and drinking, and religion. […]  It is a vital and fundamental part of human life, bringing us all kinds of entertainment, enlightenment and enjoyment. So the various ways in which cultural activities and experiences are created, distributed and consumed are essential for human development, wellbeing and happiness.”

Another poem entitled  they learned to whistle talking to the birds appears in Digging in the Dirt: Adventures in Ecopoetry. Am proud to have a poem sitting nexts to such stunning work. You can get your copy as an ebook here. Available now.


Digging in the Dirt was the result of a project earlier this year.  Poets for the Planet partnered with Milton Keynes Lit Fest; four fantastic poets; Clare Shaw, Caleb Parkin, Rishi Dastidar, and Jess Mookherjee presented a masterclass discussing their relationship to location and place, and how this is reflected in their poetry and their writing process and practices. Following the class and the scribbling and sculpting, some of the submitted work was collated into the pamphlet.  

All proceeds from sales go to Give Peat a Chance, described as “a fundraiser launched by Yorkshire Wildlife Trust to preserve peatland environments that are thousands of years old.”

OUT NOW

While we consider the planet, the climate, our lives and those of our children it’s worth mentioning the anthology Apocalyptic Landscape. Actually this has been out for a while but felt it was way over due a mention and I recommend. Available here.

It’s no doubt this time has its challenges, though I keep asking myself haven’t all times been challenging for humanity; with plagues, wars, climate disasters?  I’ve been watching the BBC series, Civilisations: Rise andFall, and asking what is constant? What remains when empires fall? If we were to face a collapse, as scholars from numerous disciplines are predicting, what legacy would we leave? 

This book, The Vision: Reflections on the Way of the Soul by Kahlil Gibran, published in 1994, gives an interesting perspective in 24 essays in prose and poetry on beauty, nature, tragedy and immortality and so much more. It is reviewed here in How to Be Human: Kahlil Gibran’s Recipe for Our Spiritual Perfection as a Species by Maria Popova in a recent blog post. 

Season’s greetings all. See you on the other side, I will be back in January with posts on Writers on Writing, Nurturing your Practice and more.  Don’t be afraid of the dark and let the light shine! 

#amreading The Island of Missing Trees by Elif Shafak and Maryville by Joelle Taylor 

#amwriting ecoish poetry like an alien watching the bats contemplating his purpose here on earth and a melted Pantoum which features locusts 

A blog post by Anne Enith Cooper 

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The Writer Speaks: a conversation with Sue Johns

The Writer Speaks: a conversation with Sue Johns

Welcome to the first instalment of The Writer Speaks, this is a space where I aim to talk to contemporary poets about how they get the thing done; get words onto the page and stage. Here I am in conversation with poet Sue Johns. See below for her bio and publications and catch her live on stages in London on a regular basis.

Anne: Hi Sue, thank you so much for agreeing to take part in this venture. One thing that strikes me is that you’ve successfully mastered both page and stage, cutting through that old debate about performance poetry v page poetry.

Sue: Yeah, I’ve managed to connect with both fairly well but the divide is still there. Many poets still sit firmly in one camp or the other. The advantage of that is you become better at and more focused on either page or performance poetry and don’t spread your talents too thinly. I no longer refer to myself as a performance poet, though years ago I certainly was, using characters, outfits, music and visuals. Now I see myself as more writer less entertainer.

Anne: You mentioned in another interview coming from humble beginnings. That is a description I would take issue with, being from a working class family, nothing humble about being working class! Yet when you mention a childhood in a home without books, I relate, to some extent. We had books though none of them were poetry, my grandparents, mill workers, read widely, as did mum and dad when they could.

I remember my dad’s mum saying, “Oooh, you must read The Monkeys Paw,” and how she introduced me to Edgar Allen Poe’s The Fall of the House of Usher with equal enthusiasm. I have a recollection of my mum’s mum saying, “Oh yes, Tender is the Night was a good one,” over her one glass of Christmas Cointreau, us kids sniggering at the title. We were very little! Mum used to take us to the local library on Saturdays, but poetry was another country. How did you encounter literature and poetry? 

Sue: Gosh, it’s hard to remember. I was really encouraged at primary school where I wrote my first poems, though I don’t remember any poetry teaching from my grammar school. My time there coincided with a chaotic home life; one of my brothers died when he was ten and I was eleven, then my parents’ marriage collapsed. I left school at fifteen with two ‘O’ levels, left home at sixteen, but I always had my head in a book; Christmas and birthday presents mainly, neither of my parents read or had books.

In my teens I wrote humorous poetry and after moving to London I became politicised. I moved to back to Cornwall for three years in the 80’s and became a punk poet. On returning to London I became part of the performance poetry scene. I owe a lot to Patric Cunnane, who ran Ragged Trousered Cabaret and to the wonderful Bob Devereux for my first proper gig at St Ives Litfest.

I didn’t really learn anything about poetry or literature until I took an Open University Literature degree in my 40’s. That was a turning point and led to being formally published. The other huge turning point was taking an MA in Writing Poetry through the Poetry School, for which I got a distinction, at age 63. I’m finally catching up on my education! Huge thanks to Tamar Yoselof and Glyn Maxwell.

Anne: Yes, the Poetry School MA is amazing and it has been a big turning point for me too as was Malika’s Poetry Kitchen, it was the first time I’d heard the word “craft” applied to poetry, at first I didn’t get it,  just thought it sounded cool!  I finally understood when Soul Patel presented a workshop with all the elements on one colourful diagram on one page. Over those years I learnt a bit about form and discovered pathways in poetry life that previously I couldn’t even imagine. So, what does craft mean to you? 

Sue: It means everything! For many years ago my craft was writing and performing monologues or working with visual artists. Now it’s understanding the nuts and bolts of poetry: form, metaphor etc. and post MA I’m still learning and soaking that learning up like a sponge, it’s a real pleasure. Which I hope reflects in my work.

Anne: I’m always curious how other writers organise themselves, my practice of reading, writing, editing, and all that, was, until the pandemic, very random and indisciplined, partly due to the bipolar and experiencing chronic fatigue while a lack of self belief meant the practice of submitting was almost nonexistent, tell me do you have a writing routine? What does that look like? 

Sue: There isn’t one, though I do suffer from terrible anxiety which forces me to have some structure or nothing gets done. My main focus is trying to spend enough time on my writing and not being distracted by the mundane. Even since retirement I never seem to have enough time?? My anxiety results in me being a compulsive list maker. This works to my advantage for my poetry. I set deadlines and generally stick to them. As for submissions, this may sound cheesy, but you have to be in it to win it. The more I submit the more I get published.

Anne: Your output has been remarkable. I note you describe Hush as your first full collection but had already published five titles. Hush certainly reads as the work of a confident and accomplished poet; the raw emotional content held in by song like forms, as if the emotion threatens to fall out, spill off the page, yet with a delicacy and humour woven in. How did Hush come about? 

Sue: Prior to Hush I self published a collection, a pamphlet, and several zine style pamphlets. I no longer cite them in bios because the harsh reality is self published work is not acknowledged in the same way. Hush was published by a small press, Morgan’s Eye Press, run solely by the wonderful Agnes Meadows. I felt I was upping the game with that collection. I was very naïve about getting published but have had two pamphlets published since; one with Palewell Press and another Dempsey and Windle and have a second collection doing the rounds. Fingers crossed. The subsequent pamphlets are themed, but Hush is a very personal collection.

Anne: Yes, you refer to the death of your brother in that collection, it’s deeply moving as were other poems about your family and Cornish Heritage. Yes, deeply moving, I’m curious, to put it in poetry workshop lingo, what is your process? Or how do you generate work? For instance, do the words drop out of the ether? Do you use prompts or bounce off current affairs? I think my favourite poem of yours is from the point of view of a barrel bomb in Syria. How did that happen? 

Sue: All of the above. I always have ideas fizzing in my head but I’m useless at carrying around a notebook and recording them. That’s why workshops and poetry prompts are good for me. I respond well to prompts and ekphrastic stimulation. Often, they allow dormant ideas to re surface. Barrel Bomb is an example of writing about difficult subjects without simply stating facts, you can get those, though not always accurately, from the news. I often write as an inanimate object or voices other than my own. Also, I read a lot of poetry!! Of all sorts. You can’t write well if you don’t read. I don’t want to mirror anyone else, but the poetry of others definitely informs my writing. Don’t ask me for favourites we’ll be here until doomsday!

Anne: Ha, ha, we seem to be approaching doomsday at an alarmingly accelerating rate, we’re in Don’t Look Up territory already! Joking aside, you also have an incredible ability to combine the personal and political. I’m thinking of the poem you shared at Fresh: Spring Bloom an event organised by Poets for the Planet, the one with a plastic bag caught on a treetop, how you wove together love for human and the non human, remind me what was that poem called and could you say something about your interest and relationship with eco poetry?

Sue: Again, mixing the personal and the political, gives the political a fresh interpretation and expresses the personal without too much me, me, me! The poem you mention is How You Show Me, combining my frustration at a plastic bag, bits of which remain, years later, at the top of our tree, combined with the lovely things my husband does to help the environment, such as rebel bulb planting. As a member of Poets for the Planet I’ve engaged with and read more eco poets, plus attended more eco poetry workshops. As with political poetry, writing about the environment is more affective if it’s not preachy and predictable.

Anne: I felt the poem went deep and global on the plastic issue. Agree though, wholeheartedly, about preachy and predictable, sometimes I get fixated on facts if researching for eco poetry and have to remember poetry is an art form not an essay! I have a note to self on a mirror which says, “I write because it makes my heart sing.” That helps somehow.

Sue: I love poetry and poets, simple as that. It /they will never make me rich or famous, but it fills me with joy and I can’t imagine a life without them.

Anne: Thank you so much for this Sue! It’s been a pleasure! And good luck with the new book.

Bio

Sue Johns originates from Cornwall where she started performing as a punk poet, in the 1980’s. Sue has also written and performed theatrical monologues and worked on many art/poetry collaborations including Spectre of Abandonment with visual artist Lorraine Clarke, 2014. She is a veteran of the Performance Poetry circuit and has performed at readings and festivals around the country including The Edinburgh Festival and St Ives literary festival. She has an MA in Writing Poetry from Newcastle University/The Poetry School.

 Publications include Hush (Morgan’s Eye Press 2011), Rented, Poems on Prostitution and Dependency (Palewell Press, 2018) and Track Record  (Dempsey & Windle, 2021)

Her work has appeared in a wide range of anthologies such as Ver Poetry Competition, (2022), Can You Hear the People Sing (Palewell Press, 2020), Alter Egos (Bad Betty, 2019) and Welling Up (Palewell Press, 2019) and many magazines including Poetry News, The Morning Star, Southbank Poetry, Dreich, The Atlanta Review, Prole, Brittle Star Magma. The Big Issue, London Grip, Tears in the Fence, Dream Catcher , Black Iris, The Alchemy SpoonMagma and Orbis

A blog post by Anne Enith Cooper 

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Writing Prompt: In a heartbeat

Writing Prompt: In a heartbeat

Found an intriguing article a while back: A ‘heartbeat’ signal is coming from a distant galaxy.

We forget, I believe, that we are part of something much bigger than we can begin to perceive. A part of a planet, a galaxy, a universe. Despite all our technology we still know less than the things we don’t know. In that gap is imagination and hope and potential.


Image credit: NRAO/AUI/ from https://www.space.com/fast-radio-burst-cosmic-heartbeat-chime

Play with this. Set a timer for ten or fifteen minutes and freewrite.

Use the image, the headline, or words from the article as a prompt on the theme of heartbeat. What makes your heart beat? What is the heartbeat of your life, your world or the cosmos you inhabit. 

Rules of the freewrite after Natalie Goldberg in Writing Down the Bones

  • Keep your hand moving, don’t stop or cross out
  • Don’t worry about spelling or grammar. 
  • Don’t think, just write
  • Go for the Jugular.
  • Follow the words, just see what comes. 

When you have finished consider what you have just made. Is it for just for fun or does it feel it needs development? Does it welcome a form?

If you want to take it further or in a new direction create a spider diagram of all the associations you have heartbeat. Using one of more of these rework your draft. Just play with your words until you find a form of words that satisfies you. 

If you found this prompt useful or interesting and would like to share a few lines from your freewrite comment below!

A blog post by Anne Enith Cooper 

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Diary: November 2025

Diary: November 2025

My diary posts are the place for a bit of my news and poetry community news, plus my adventures in creativity. 

What an absurd time to be alive you get up and find the president of the USA has demolished a wing of the White House, with, “no approved plans to rebuild, no permits, no signs of weatherproofing for a construction project begun just before winter, no indication that the history or the paintings or the artifacts in the East Wing were preserved. There is only the destruction of the People’s House.” See  https://heathercoxrichardson.substack.com/p/october-22-2025

While here in the U.K. authoritarianism is trending as a member of the Tory Party talks about deportations like the National Front of the 1970’s, Starmer sounds like Enoch Powel of the 1960’s and Farage rebooted Reform and Farage parrots Trump. He really does. Even UKIP try to make a come back and fail rather miserably. For those not in the U.K. this was the party designed to take Britain out of the EU. Having succeeded they have rebranded themselves as a migrant hating force. Haven’t bothered to update their website but rant on X.

Elsewhere an ice sheet the size of Manhattan was caught on camera slipping away from Greenland. The magnetic field of the planet is warping and no one knows why. It’s creating a new form of lighting and no one knows how, and I read elsewhere that stars in the Milky Way dance in a Mexican Wave as if the entire cosmos is saying Whad up? 

BIG news though!

My poem How fungi unmake and remake the world and it’s holy, dedicated to Merlin Sheldrake, was shortlisted in the 2025 International Live Canon Competition. Needless to say I was elated. 

What is great about this particular competition in my opinion is the poems from the winner, the shortlist and longlist are compiled in an anthology stands as a great example of contemporary writing at this time. 

The anthology is available to preorder now

 https://www.livecanon.co.uk/store/product/2025-prize-anthology

If you like, share your breakthroughs, creative aha moments and wins here and comment below.

What is a win? Not just publication and competitions as far as I I’m concerned can be drafting a new poem, finalising one, could be resurrecting and resolving a long abandoned draft. Figure we need to celebrate the little victories the world doesn’t see. 

COP 30 begins on the 10th November and runs until 21st November 2025. The BBC have produced a COP 30 for Dummies style post see What is COP30 and why does it matter?  which notes, 

“The conference is being held in Brazil for the first time, in Belém in the Amazon rainforest. […] But the choice of Belém has caused significant logistical challenges, due to its poor transport links and lack of affordable hotels. […] The decision to clear a section of Amazon rainforest to build a road, which will be used for the summit, has also proved controversial.”

Yeah that. 

Hard to be optimistic when it is reported, “Only 64 countries have submitted new plans to cut carbon, the UN says, despite all being required to do so ahead of next month’s COP30 summit.” https://www.bbc.co.uk/news/articles/czdrv8m5v4lo?app-referrer=deep-link

There will be protests within and beyond Brazil.

The Climate Justice Coalition have brought together a list of actions and opportunities to make our voices heard wherever you are in the world. They comment,

“It’s a crucial moment for us to build power and take action. So, in coordination with our friends across the globe, the Climate Justice Coalition is bringing together organisations, groups and activists for key moments of convergence on the road to COP30 this year” see the details here

A movement is under way questioning the focus on business opportunities, “A coalition of more than 225 organisations has issued a public letter from Kick Big Polluters Out, urging the COP30 Presidency to put people, not polluters, at the centre of this year’s UN climate talks in Belém

The letter responds to the COP30 President Designate’s seventh open message, which invites global business leaders to the summit and frames climate action as “the Defining Business Opportunity of Our Time.”” https://sustainabilitymag.com/news/why-are-225-organisations-protesting-against-cop30

Let us know of any climate action you are taking. Big or small. Comment below. 

This sounds interesting, Wayne McGregor: On The Other Earth 


“A 57 minute, virtual choreographic installation experienced within a 360° 3D screen, refracting, evolving, and reimagining dance performance in a startlingly original new form.” Taking place at the Stone Nest 136 Shaftesbury Avenue, London, W1D 5EZ 30th October 2025 until 22nd February 2026 https://www.somersethouse.org.uk/whats-on/wayne-mcgregor-on-the-other-earth

#amreading The Stories of Raymond Carver by the aforementioned and the poetry collection Wellwater by Karen Solie

#amwriting poems which play with voice, some cheerful little missives in the voice of climate denial, indifference and doubt.

How about you? What are you reading and writing. Comment below.

A blog post by Anne Enith Cooper 

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Nurturing Your Practice: mixed media

Nurturing Your Practice: mixed media

Mixed media — does it grab you? As a reader or a writer. What is it anyway? 

Well it can be collage, montage, black out poetry or any kind of altered book art. It can also include sounds and music but let’s stick to 2D art for now. I do like this from Froyle Davies @froyleart on insta, see courses a https://linktr.ee/FroyleArt


It is really yours to define in my opinion. It’s freedom. You might think it’s too much freedom or “why would I want to dabble with colour and texture and fonts  when I’ve already got line breaks to make decisions about, voice, meter, and punctuation! I mean punctuation is like a word!, (According to our MA tutor, what does that even mean?) Oh, Lordy!”

I think the key is working intuitively, forget logic and reason, play. Perhaps it’s not the outcome that matters but the process… perhaps the process can feed back into text based work. I’ve played a bit with collage and montage when words failed me and the results were, well, unexpected. You can see examples of my matter poetry here

It occurs to me that in a time where language is being abused and bent backwards, where truth is in the gallows and net zero is just sooooo inconvenient, where democracy is threatened (in the U.K. to some degree, across Europe to some degree, in the US more explicitly) where inflatable frogs stand as mirror to absurdity and resistance to tyranny can our poetry reflect the fractured narratives, the turmoil, light a path out of crazy? 

Anonymous meme

And how? And are words enough? Can our practice bring back the awe and wonder of the natural. Or represent our grief for the destruction of people and planet? Our enduring love? Am very taken by this creation by JoDee Luna.


Came across this course: Poetry & Place – The Language of Mixed Media with Eva Kalien which offers to help you “Tap into your intuition, and create with a new sense of freedom.” It’s self paced and online with eight week tutor access. 

So play, enjoy. Comment below if you have experimented with this kind of thing and what you learnt, or how it felt? 

A blog post by Anne Enith Cooper 

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Poetry by me: Sicilian Salad in the Anthropocene

Poetry by me: Sicilian Salad in the Anthropocene


Begin early, pace yourself. Mop your brow

often. Peel a grapefruit, two blood oranges,  

slice into segments, place in a bowl, cover.


If you need to take a seat, breathe and sip

water, then trim a bulb of fennel,

cut into quarters. Slice a red onion,


olives, green and red chillis. Wash and chop

fresh basil and parsley —a luxury—

so rare these days, broiling on the hillsides;


such might survive in shaded areas

of your orto. Otherwise stay indoors.

Draw the blinds and thank the heavens!


Arrange the fruit on a plate, top with onion,

fennel, chilli, olives and herbs. If, by now,

you are having trouble breathing 


drink more water, perhaps lie down a little.

If you have no air con, first make sure to paint

a white cross on your front door and pray


for the wind catcher, who sweeps down

from the mountains, clad in colours of limestone,

spreading her arms to catch the heat,


taking it in through her ribs, cooling it

in her colossal lungs. Ask her to blow

her icy breath through the keyhole. 


When you rise again, finish the dish

with seasoning, a squeeze of lemon juice,

a splash of olive oil.

Note: On the 12th August 2021 a pharmacy in a Sicilian town displayed a temperature of 51 degree Celsius.

This poem was promoted by the found image below. I reference it in the note at the end of the poem. I saw this and wondered how does a person operate in this heat? What does it do to the body? Took a deep dive into that. There’s a lot of info…

Apparently cells begin to break down at temperatures around 43–45°C, with damage accelerating significantly above this range. At approximately 50°C, the primary mechanism of cell death shifts from natural processes to irreversible to premature cell death; the living tissue injured and the cell digesting its own components. Above 58°C, cells die almost immediately. This includes brain cells. 

Pretty scary huh? 


Sicilian Salad in the Anthropocene was longlisted for the 2024 Live Canon International Poetry Prize and included in their anthology. So unexpected was this I missed email regarding the proof reading stage and it’s not published under my full name, which is a bit of a shame.

The inclusion of the wind catcher in this poem was one of those poetic mysteries, hard for me to recall at what point it became personified. 

The windcatcher is an ancient Persian technology involving a tower and a slated opening at the top. Basically hot air rises and escapes while cool air enters the wind facing tower and drops to the bottom. 

I discovered this in a morning of extensive hyperfocus research. I found an article that reported wind catchers of this style were being constructed on the island of Sicily. It’s worth a read https://www.sustainablemediterraneanconstruction.eu/en/rivista/ A brilliant example of a sustainable technology for the future. And hence it, or she, made an entrance to the poem. 

Do you write poems about the body or featuring new technologies. I’d be interested to hear. Do your poems ever take a leap? 

A blog post by Anne Enith Cooper 

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Writers on Writing: There Will be Blood

Writers on Writing: There Will be Blood

Welcome back to Writers on Writing!

Let’s look at a classic quote, often attributed to Hemingway. “There is nothing to writing. All you do is sit down at a typewriter and bleed.” 

Image credit: Anne Enith Cooper

Hemingway was part of the  “Lost Generation” the demographic coming of age during World War One, experiencing a profound sense of disillusionment and aimlessness in the aftermath, some turning to hedonism and escapism. 

These sentiments were expressed by F. Scott Fitzgerald, John Dos Passos and Ernest Hemingway, who popularized the phrase by including it in the epigraph of his novel The Sun Also Rises.

The term was coined by Gertrude Stein to describe a group of American writers, artists, and intellectuals, many of whom immigrated to Paris during the 1920s, whose work reflected the shattering of pre-war moral values and the breakdown of traditional societal structures.

And yet their works, set against the backdrop of the “Roaring Twenties,” critiquing traditional values and the American Dream, have provided us with an enduring legacy which continues to influence literature and culture, shaping our understanding of modernism and the complexities of the early 20th century.

The origin and meaning of the quote are fiercely debated. We will look at both. 

This is worth a read, here James Scott Bell in Do You Bleed on the Page? suggests it fitted the public perception of Hemingway, “You know, the running-with-the-bulls guy, the likes-to-box guy. He’d be all about blood.” 

Image credit: ABC News

The Hemingway Society themselves continue to debate the issue concluding it was probably attributed to him after his death. Steve Paul in the post, Quotation Controversy: Writing and Bleeding notes, “The Hemingway legacy is long and wide, and the myths and fantasies that have grown around him are endless and often irrepressible.  The bull-fighting warrior lover. The heroic soldier. The six-toed cats.” See https://www.hemingwaysociety.org/quotation-controversy-writing-and-bleeding

Hemingway believed in writing truthfully and authentically so it is perhaps no surprise this quote is attributed to him. “Bleeding” on the page suggests both the intense emotional and physical effort required for writing and the need to open ourselves up emotionally and expose our inner selves when we write. And by doing so achieve connection with our readers. 

Some would say it suggests there nothing to it. Writing that is. I respectfully disagree. Let’s look at it again, “There is nothing to writing. All you do is sit down at a typewriter and bleed.” I would argue in these brief words so much is conveyed visually and viscerally. 

Jenny in To Write is to Bleed on Medium puts it in this eloquent manner:

“Bleeding means revealing what others cannot see, what they have never seen, and what you might be afraid to see. You must not be afraid to be vulnerable. You must accept the blood you pour onto the paper as your own. You must write with no other intention than to relieve your poor soul from the constraints of logic and theory and embrace the words that you arrange so feverishly in front of you as the very particles from which you are made.”


In essence, the quote is a powerful metaphor for the emotional depth and personal vulnerability required in writing, the idea that good writing stems from a raw and honest emotions. In that sense it does matter to me who wrote it. 

The American author and speaker Natalie Goldberg, presents in her influential book on the craft of writing, Writing Down the Bones, her “Rules for the Freewrite”. The last one, tipping her hat to Hemingway perhaps, the instruction, “Go for the jugular.” 


In your writing do you go for the jugular? Or do you self censor? Do you hear yourself saying, “I can’t write that?” If you do, I suggest take that risk, that is precisely where you will find the greatest raw energy and truth. 

Tell us if you feel you’ve held back in your writing. Comment below, scroll down, see button on the right. Or how it felt when you let it bleed, let it flow, let it be.

A blog post by Anne Enith Cooper 

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Diary: October 2025

Diary: October 2025

The blog is back.  It’s been a while. I didn’t anticipate taking a break for so long. Is there anybody out there?  I wouldn’t blame you for feeling abandoned… health stuff was the issue, it was complicated…

In the meantime I’ve restructured the blog to create a greater focus on the craft and process of writing adding a new special feature The Writer Speaks in which I’ll be talking to contemporary poets about there take on these subjects and more. The first in this series will be announced soon. I’ve returned to my MA in Writing Poetry and increased my step count with a marked increase in my physical and mental health. 

What do you do to keep a healthy body and healthy mind and enable flow in your writing? 

So “wa gwarn”, as they say in these parts, with my health? After the dental antibiotics and covid in the summer, which led to IBS and intense brain fog, had issues with wrist and shoulder, too much? The Amish have a saying, paraphrasing, “God will mold you but first he will melt you.” Well let’s just say I felt truly melted. 

The exercises for wrist and shoulder, after X-ray and seeing a physio, I integrated into my somewhat inconsistent chi yoga practice. While healing I was aware how the “block” in one part of my body impacted on my ability to think and articulate, mind and body are truly linked. 

The change of season is visible as leaves turn from green to gold, audible as the wind in the trees sounds like rushing streams, tangible as temperatures drop. Feels too soon, way too soon, in my opinion, and I’m already wondering when will be the next time my skin can soak up the sun. 

The Hunter’s Moon approaches, also known as the Blood Moon, the Dying Grass Moon, the Seeds Fall Moon. It’s predicted to be the biggest supermoon of the year. Moon watchers check this: Story here

Does the moon feature in your writing or practice? If so drop a line, tell me how it inspires you.


Tomorrow is National Poetry Day in the U.K. and the theme is Play. There’s always a lot going on info here 

#amreading Island Songs by Alex Wheatle, Faithful and Virtuous Night by Louise Gluck and weird news about an orca attacks on a shipping vessel

#amwriting poems about crows and ravens and can’t but help but delve into myth and legend.

What are you reading? What are you writing? Let me know!

Subscribe free to receive posts on Writers on Writing and Nurturing Your Process later this month. (Subscribe button at bottom right of screen.) and in the meantime whatever you are writing play with your words and enjoy it. 

A blog post by Anne Enith Cooper 

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Poetry by me: Out of the Matrix

Poetry by me: Out of the Matrix

At the end of last year I posted a visual poem in my insta @anne_enith called Out of the Matrix with the hashtag we are all Neo and an accompanying text, see below image. Not sure if I shared it here. All twelve images, found and original, comprise the poem.

A year on it seems to me the turbulence created by a changing climate is reflected in the geopolitical world; a two hour coup in South Korea, the “lightning offensive” that finally brought down the brutal Assad regime, the French and German parliaments in crisis months after an election. The effect of these changes ricochets across the world as new alignments are formed. 

In this context we have also seen the re-election of Trump, a convicted felon, an absurdity and obscenity in an insane system that seems at times out of control. And here in the U.K. a government that talks of change yet sounds much like the previous government and many of its policies are little different.

We are, I believe, witnessing increasing turbulence. It can seem frightening, it can seem very dark at times with the rise of the right and the effects of the climate emergency all around us. Yet in the cracks, fissures produced by this turbulence, I believe, are the opportunities to make the world anew.

Great changes are, I believe, unfolding, often quietly. See evidence of this in the book The Tao of Revolution, in the Reel News series of films American Climate Rebels and in the struggle of exGKN workers in Italy who are fighting to achieve a just transition under workers control and in the course of that struggle have involved over 100 000 people from the region, nationally and internationally. Further info here https://insorgiamo.org/

Yet despite these inspiring examples it’s hard to see at the moment how we might reach a healthier future with justice, equality and peace and sustainability. This visual poem attempts to envision aspects and values of that future in a time of illusion. I feel the illusions we need to shake is that the way we are governed, the way state and business interact, is normal, that this is business as normal, the way we plunder the earth is sustainable. The biggest illusion is that this kind of neoliberal casino capitalism and the idea infinite growth on a finite planet can go on and cannot be changed.

Out of the Matrix

We truly live in a world of illusion. The Buddha said it first so I’m not saying anything new. Actually he said, “We live in illusion and the appearance of things. There is a reality. We are that reality. When you understand this, you see that you are nothing, and being nothing, you are everything.”

Though I believe the veils of illusion are falling. We’re told we have democracy, freedom, plenty we can see how lacking is that. We do technically live in a world of plenty but as the seminal near future dystopia author William Gibson astutely noted, “The future is already here – it’s just not very evenly distributed.“ Goes without saying, nor is the present. 

The worst kind of illusion or delusion is our lack of seeing clearly. I know this only too well. Our meditation teacher would put it like this, “Who is in the drinking seat when one perceives, speaks, acts?” The person you have become or ego? A wounded inner child? A wounded adult child? Fear? Anxiety? Insecurity?  We carry some degree of these inside us.

How do the traumatised, and we’re all traumatised some way; war babies or children of war babies, while the legacy of slavery abides in the blood of so many, etched into last names. How can we make it out of the Matrix and co-create a new world? When war stalks the world? In a #climateemergency? 

It’s five years since the IPCC report that suggested we had ten years to avoid breaching the 1.5 limit in global warming. And already it’s breached. There’s no route map, no blueprint, perhaps this visual poem, can suggest a destination, a future with love, light, peace, kindness and return to the awe and wonder of nature.

A blog post by Anne Enith Cooper 

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Diary: December 2024

Diary: December 2024

The diary features on OUT NOW, COMING UP and NURTURING YOUR PRACTICE still hold as a result of, now six months of presumed RSI which has caused considerable pain in my right wrist, arm and shoulder. Following appointment with physio had X-rays but still waiting for results. So please ignore bad grammar or syntax and excuse typos.

I mention these health concerns as I feel there is a lesson for us all, not just me, as we age we may face serious health concerns. And a need to deal with these with an attitude of detachment and equanimity. I say this in the knowledge of how hard I find that at times and how easy it is for that to become complacency! 

I noticed recently my GP surgery had a new answerphone message promoting self care, I’m all for self care but the challenge is to know when that is enough and when not, and where and how to demand the professional care when it’s needed. Whether it’s physical or mental health. 


Sharing a very special selection of climate and eco books for the festive season. These are our personal favourites from the Rebel Library team. 

“Over the course of an amazing year for climate and ecological books in all genres, and to celebrate the first anniversary of the Library, we’ve decided to share some of the books we’ve enjoyed most – both old and new. So if you’re looking to give someone special a book for Christmas, here are some of our favourites, all of which you can find in your local independent bookstore: https://bookshop.org/pages/bookstores”

You can find the full list at https://rebellibrary.com/dec-2024/

So that’s it folks til January. For those London based or close by there is of course the TS Eliot Prize Reading in January to kick us out of our winter stupor. Info and tickets here https://www.southbankcentre.co.uk/whats-on/ts-eliot-prize-shortlist-readings/ and it appears there is a live stream for those of you far afield https://www.southbankcentre.co.uk/whats-on/ts-eliot-prize-readings-live-stream/

Sending love and light. 

A blog post by Anne Enith Cooper 

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Photography: The Moon and brief thoughts on Lorca and the Moon

Photography: The Moon and brief thoughts on Lorca and the Moon


This image was created with my little iPhone. Generally my attempts to capture something of the magic, mystery and beauty of the full moon have been an epic fail.

I can’t honestly say why this one was successful and therefore would be at a loss to reproduce it. The image has been cropped but has had no edits or filter applied.

I like the watercolour effect produced, perhaps by slightly zooming in, and the shape of the clouds. I suspect the cloud cover gave it the colour and somehow sharpened the edges of the moon, which have been lost in previous attempts and led to glare.

Sharing also a few words from a poem in progress, read it needs a lot of work, called Lorca’s Grave. Though ostensibly based on a memory of The Camino de Santiago, it’s I think about language, memory and resistance.

“buy two books of poetry by Lorca.

Don’t notice at first

poetry is written

not in Spanish

but Galician.

I care not, as now

I can say the word for moon 

in Galician, la luna, la luna becomes

la lua, la lua.

those words 

liquor on my tongue.”

Lorca used the imagery of the moon frequently, often personified or as witness, to symbolise change, femininity and death. This is an interest text on his symbolism https://en.actualidadliteratura.com/brief-analysis-of-Lorca-symbols/


A blog post by Anne Enith Cooper 

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Diary: November 2024

Diary: November 2024

Diary features OUT NOW, COMING UP and NURTURING YOUR PRACTICE are still hold as a result of, now five months of presumed RSI, it only seems to be getting, sporadically, worse probably due continuing clicking and swiping. I’ve seen a physio who fears a fracture and has agreed to send me for X-ray, update will follow…

In October when recurrent arm pain and random yet frequent neighbour noise and consequent sleep deprivation were getting a bit much I joined the 30 strong U.K. contingent organised by Reel News, in a solidarity visit to the exGKN factory in Florence. We took part in their international assembly. Bit of an extreme step in the circumstances, I was struggling, and wasn’t sure if it was a wise move, but it was good for my mental health though exhausting physically. 

The ex car workers of GKN are at the centre of what they call a convergence, the result of their relentless solidarity of other struggles of social and climate movements. 

Image by Dave Smith, Blacklist Support Group and co-author of Blacklisted: The Secret War Between Big Business and Union Activists

Image by Phil Rowen, London Transport Regional Political Officer and RMT

They are attempting to achieve A JUST TRANSITION UNDER WORKERS CONTROL producing solar panels and cargo bikes. They have been in occupation now for over three years, which they call assembly, under the slogan INSORGIAMO — WE RISE UP.

A crucial decision will be taken this month about the future and next steps of this struggle at an assembly and festival of “rage or hope.” They have said, “If you bury us we will become seeds.” 

For more background and more information Watch the REEL NEWS films on line

At the Rebel Library this month our guest librarian is Wren James, the Carnegie-longlisted British author of many Young Adult novels. Writing as Lauren James, their novels include Last Seen OnlineGreen Rising and The Quiet at the End of the World. Find her recommendations here https://rebellibrary.com/nov-2024/ including The Future We Choose: Surviving the Climate Crisis by Christiana Figueres and Tom Rivett-Carnac and Wilding by Isabella Tree and our poem of the month, never forget by Akhila Bandlora

I managed to get along to Kairos London, “a new London space exploring radical ideas for social and cultural change in response to the climate and nature crises.” They held a week events marking the launch of their library. I made it to one which took the form of readings and discussion in an informal space. For information about their events go to https://www.kairos.london/

Life goes on albeit  s l o w l y  and on the whole cautiously with the keyboard…

A blog post by Anne Enith Cooper 

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Quote: James Baldwin

Quote: James Baldwin


James Baldwin.

In May 1963 journalist Jane Howard published a profile of James Baldwin in “LIFE” magazine including this quote.

“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was Dostoevsky and Dickens who taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who ever had been alive. Only if we face these open wounds in ourselves can we understand them in other people. An artist is a sort of emotional or spiritual historian.”

Perhaps my favourite author of all time. Find his bio here https://www.biography.com/authors-writers/james-baldwin

Image featured here https://www.southbankcentre.co.uk/magazine/5-things-to-know-about-james-baldwin/


A blog post by Anne Enith Cooper 

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Diary: October 2024

Diary: October 2024

Diary posts featuring OUT NOW, COMING UP and NURTURING YOUR PRACTICE are on hold as a result of, after four months of presumed RSI, which only seems to be getting worse despite the stretches et al prob due to the unending clicking and swiping.  

I can report though in October our XR Rebel library featured Nature Writing and the Wainright Prize.

“There has been such an explosion in nature writing in the past decade that every month brings a wealth of exciting new titles. But which to choose? This is where literary prizes can play a key role in the decisions of librarians, booksellers and readers. 

The Wainwright Prize is awarded annually to books which most successfully inspire readers to embrace nature and the outdoors and develop a respect for the environment. This month of our picks include the three winners from 2024, and two other titles we all love.” 

Our poem for the month is Dog Days Gone by Salena Godden, from her collection With Love, Grief and Fury, published by Canongate in May 2024. You can find all this at https://rebellibrary.com/oct-2024/

As we approach an aniversary I imagine no one wants to mark the world feels more precarious than ever with violent storms and the threat of escalation of violence in the Middle East. And still action from the most powerful countries in the world on the climate emergency is inadequate and still the most powerful countries in the world back the slaughter, starvation and GENOCIDE in Gaza. 


Sharing links to these two films

Where Olive Trees Weep

https://kinema.com/events/where-olive-trees-weep-p4ty6b?

The Night Won’t End 

https://youtu.be/ECFpW5zoFXA?si=kvnK5ckbvy_n5cOG


A blog post by Anne Enith Cooper 

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Autobio: When is a plan not a plan?

Autobio: When is a plan not a plan?

Back in July I was beginning recovery from the nasty collision of fierce dental antibiotics and covid which had the unfortunate effect of what felt like ripping up my immune system, my gut in particular. And the consequent effect of a fluctuating degree of fatigue and brain fog. Not helped by severe RSI in wrist, arm and shoulder. Still recovering in truth. And consequently had to defer a year of MA. Which was not the plan. 

Back then I was alternating watching, of an evening, NARCOS on Netflix and back episodes of Casualty, yeah really, mad I know, for some reason it did have a kinda self soothing effect. Perhaps it’s the — well this is bad but not THAT bad — factor. NARCOS Mexico was somewhat disturbing, more so than the original series based in Columbia, as the first series of NARCO Mexico coincided with the time I was over there, on my own, as a naive 25 year old and suggested just how close I, unknowingly, came to the drug trade. 

I was aware of certain things before I left; the desaparecidos in Central America. I met a group in Mexico City campaigning for the disappeared. It hadn’t sunk in exactly what they were doing with only a meagre grasp on the language, based on two thirds of Hugo’s  Spanish in Three Months, (got as far as the conditional tense which is pretty tricky) and a Spanish translation of Lenin’s The State and Revolution. Both I took with me. 

It transpired the group whom I met leafleting on the street were campaigning for the disappeared in Mexico. A fact that only became apparent when I visited the home of one of them. The visit was interrupted by a police raid while we were toasting tacos. They ushered me with them into a back room leading off another room and turned the lights off. When they turned them on again I looked around. An entire wall of the room was covered with photos of men. A woman said to me, “This one is my brother,” another said, “This one is my cousin.” The peso dropped. 

I was aware of the growing Zapatista movement, and chanced upon some of them in a bar in San Cristobel de las Casas. We spent the evening drinking and singing rebel songs. It was only on my return I realised exactly who they were. Though no guns were in evidence, only the red neckties, red stars, raised fists. I’d assumed perhaps this was what the local people do of a night. It wasn’t unlike what we might have done at home but the songs were better. Let’s face it the left back then rarely broke into song…

I was aware of the the recent earthquake but blissfully ignorant of the cocaine trade. Well not entirely. Traveller’s I met, mainly men, would frequently talk of smuggling gear out, it was pretty laughable to be honest, say in say a ball point pen, in a condom stuck up their arse, that kind of nonsense, none of us aware, as made apparent in the sprawling drama documentary that is NARCOS Mexico, it was leaving the country BY THE TONNE! 

In Series 2 Episode 9, of NARCOS Mexico drug lord Miguel Ángel Félix Gallardo, known as Felix, says to his ex wife, “I’m nearly there.” He is about to move 70 tonnes of cocaine thru Mexico. He had the government his pocket, and during the 1988 election, conspired to use computer technology to fix emerging results, to demoralise opposing voters, amounting to voter suppression. He was effectively the most powerful man in the country ensuring the continuation of the of the PRI party in the country when it faced considerable opposition.

Returning to my story, I recall one afternoon in the sleepy village of Zipolite, when the boss, a single parent with four kids, of the small restaurant where I worked in exchange for my hammock, had gone to the bank. She reined over her small restaurant with a fierce attitude. Anyone getting drunk or aggressive and she’d go after them with a broom. Drugs were strictly forbidden.

Image Adam Jones Zipolite 2014 https://www.flickr.com/photos/adam_jones/15562568956/in/photostream/

With her absent all the rules were broken. I was clearing tables when I noticed lines on the table, chopped up and overheard someone saying, “Ah, el rosa, muy bien, lo mejor!” basically, “Ah, the pink, very good, the best!” I’d got it into my head though that these drugs were coming in from the U.S. not the other way round. I heard them say this batch were from Puerto Angel, north of us, and this assumption was reinforced by a convo with a guy I’d been introduced by a guy I suspected was the local shaman. This visitor told me he worked in import, export *wink wink*.

Remember that conversation well. He had an American accent when speaking English, he was fluent. This led me to ask where he was from. He said, simply, “America,” I said, “Oh, which state?” He replied, “I am from here, I am an American, we are all Americans.” Adding, something like, “this is not Latin America…” a term I had used, “that is colonial language, this is America.” This was just one of many moments that disrupted my ideas about Mexican identity, it was many years before I was to read The Labyrinth of Solitude by Octavio Paz which explores this.

My intention on this trip was in part was to gather stories and send them back but I was so clueless. I had no contact with an editor or publisher. In truth I had little idea of what publications might have been interested. I scribbled notes in a journal. There was no internet in 1986. One young American guy was travelling with a typewriter. I began to realise I hadn’t thought this thru. 

I thought I had a plan, it was pretty vague; city, beach, pyramids… more like an intention, though it was not my intention to spent three months in Mexico, to get a job, I didn’t need the money, though staying with a family gave me safety and security, I had not intended to sleep in a hammock a month, a few days max, or to go into a journey into other dimensions but that’s another story partly enunciated in my long poem Que Onda. 

This recent health calamity experience kind of underlines for me that an intention is not a plan. And makes me wonder if I’m still making the same mistakes. Since June I’ve had the intention TO GET WELL again and yet at the end of this week my arm was worse than ever, energy on the floor. While the ipad was telling me last week my screen time was down 21%. Mind you the recovery has not been helped by the erratic and extreme anti social behaviour of my neighbour and finally after tolerating this for two years, trying to reason with her I’m going official on it. 

I have learnt to type with the left hand to some degree but sometimes half way thru a task I forget. CLEARLY I NEED A PLAN not a vague notion of recovery, more than sporadic yoga, decluttering, shiatsu and file management. Sporadic everything except shopping, eating, meditation, sleeping and Netflix.

Wasn’t planning to write this today, but there you go, something of a #freewrite though edited for typos, but it’s led me to the insights I needed… Excuse any typos, bad grammar, crappy punctuation, typing with the left hand is tricky and I’m tired but felt compelled to share this.

A blog post by Anne Enith Cooper 

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Diary: September 2024

Diary: September 2024

My diary posts are the place for a bit of my news and opinion, poetry community news, plus my adventures in creativity. 

September has crept up on me, still in recovery from various ailments, so keeping this short & sweet, well maybe though now is more like sweet and sour as genocide in Gaza is virtually live streamed, drought, flood and wars are sweep across Africa, largely ignored… and we’ve seen the ugly face of far right rage in the U.K. Yet, and to paraphrase Maya Angelo, and still we rise, in an intifada, or great shaking, of love for justice, peace, equality and a sustainable planet. 

I rather like this

COMING UP 

National Poetry Day U.K. comes round again soon, Thursday the 3rd October info here https://poetrysociety.org.uk/education/national-poetry-day/

OUT NOW

Blackbird Singing at Dusk by Wendy Pratt is described as “a bold exploration of place within nature through themes of rural working-class identity and the female body, alongside explorations of loss and the repetitive nature of time.” Published by Nine Arches Press. 


NURTURING YOUR PRACTICE 

Check out Cath Drakes workshops and masterclasses at The Veranda 

Finally if, like me, you are not very good at getting work out in the world you might find this of worth https://poetryschool.com/theblog/where-to-submit-your-poetry-in-2023-2024/

#am writing poems about solar tech, the moon, that kind of thing

#am reading  Venomous Lumpsucker by Ned Beauman, a satirical dystopian fiction

A blog post by Anne Enith Cooper 

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Quote: John Trudell

Quote: John Trudell


John Trudell was a Native American author, poet, actor, musician, and political activist. He was the spokesperson for Indians of All Tribes and instrumental in its occupation of Alcatraz beginning in 1969, broadcasting as Radio Free Alcatraz. During most of the 1970s, he served as the chair of the national American Indian Movement based in Minneapolis, Minnesota from 1973 to 1979.

From his bio: “Among the illusions Trudell quickly abandoned was that military service was a way of buying into the American dream. He then had a series of unsatisfying educational experiences. “I was in a holding pattern,” he said, until 1969, when his sense of indigenous roots and connections was galvanized by the Indians of All Tribes Occupation of Alcatraz Island. That event, for which Trudell acted as national spokesman, was the first time that the plight of Native Americans was brought into mainstream American consciousness. And along with the recognition of the media came the attention of the U.S. government, particularly that of the F.B.I.

The occupation of Alcatraz Island eventually wound down, ending in 1971. But something more lasting was poised to replace it: the American Indian Movement, of which Trudell served as National Chairman from 1973 to 1979. The government response to A.I.M. was swift: Trudell bluntly states, “They waged war against us. They hunted us down. They killed, jailed, destroyed, by any means necessary. They saw that magical thing that happened with Alcatraz…all of a sudden all this spirit is popping up and gaining momentum through A.I.M., and this is why the spirit-hunters, those who hunt free thought, came after us.” A 17,000 page F.B.I. file bearing Trudell’s name remains a testament to his years under government scrutiny.”

See https://www.johntrudell.com/biography

His earth walk took place between February 15, 1946  and December 8, 2015. He lives on here, find his full bio and list of works. Find his poem Cry Your Tears (and links to other works) here

A blog post by Anne Enith Cooper 

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Diary: August

Diary: August

Generally my diary posts are the place for a bit of my news and opinion, poetry community news, plus my adventures in creativity, including sections on publications out now, events coming up and resources to nurture your practice.

However like last month this is also going to be short and sweet as still in recovery from what can only be described as a clusterfuck of ailments which has stretched my ability for equanimity to its limits. 

Covid has put about a decade on me and an hour in the sun another five years. As the world was in IT meltdown I went to the park with my book ‘The Old Drift’ by Namwali Serpell, one of the picks in our Rebel Library theme of insects for What We’re Reading Now last month see https://rebellibrary.com/july-2024/ Though I still felt really rubbish the park was very quiet and the air sweet. It was the furthest I’d been for a fortnight.

Due to the RSI element of the calamity I’ve not been writing much so took to playing with apps and images to bide my time. Am trialing a new app. It’s called Photoleap. It’s more than filters but the filters were my first stop. Here is an image from Dahab, my home from home for many years.


The original was cropped and lighting and contrast adjusted. The jeep that got us round South Sinai that spring, including one memorable 17 point turn on a road super steep and narrow with the sea lapping no one side sheer cliff the other side. If youre into this kind of thing, foto apps, it appears one can layer up effects, see top right. I anticipate hours of fun, but right now a little filter fun and I feel feverish again.

The XR Rebel Library theme this month is slow, sustainable and responsible travel, here is our selection for What We’re Reading Now this month https://rebellibrary.com/august-2024/

Our XR rebel library team is growing and recently teamed up with Kairos, a wonderful reading library in the heart of London. Kairos is at 84 Tottenham Court Road and holds live in person events for more info re all events, to join the book club and to sign up to the newsletter go to https://www.kairos.london/


A blog post by Anne Enith Cooper 

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Poetry by Others: Refaat Alareer

Poetry by Others: Refaat Alareer


Refaat Alareer gained his PhD with a dissertation on the poetry of John Donne. He taught English Literature at the Islamic University of Gaza, now destroyed. He is the editor of two collections of writing by his students, Gaza Writes Back and Gaza Unsilenced (both published by Just World Books). His journalism featured in The New York Times, and he appeared on the BBC, ABC News, and Democracy Now.

A collection of his poetry and prose entitled If I must Die was complied by Yousef M Ajamal and was published posthumously by OR Books

ISBN 1682196216, 9781682196212


A blog post by Anne Enith Cooper 

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Diary: July 2024

Diary: July 2024

My diary posts are generally the place for a bit of my news and poetry community news, plus my adventures in creativity. However this month on account of a collision of health issues, it’s super late and it’s going to be relatively short and sweet.  

In brief a poorly treated infected tooth resulted in insane pain prior to, during and after the MA Summer School in Newcastle, and a visit from paramedics to check my heart and just days later the onset of covid. 

I was advised never neglect a tooth infection in can result in infections elsewhere in the body and even heart attack.

Now I’m at that disagreeable state of recovery from bug, where rest is sought but not always sourced leading to a state of ennui, a kind of state of tiredness, restlessness and boredom. 

The bug turns out to be covid coupled with or colliding with reaction to heavy duty dental antibiotics which have driven me to an untimely encounter with my dark gods. 

They are not as fierce as in the past rather than confronting me with an existential crisis that says nothing has any meaning, everything is pointless, even life itself, no, rather they question the value of poetry, my poetry specifically, but throwing some heavy duty punches at the art form itself. 

This I don’t need with our third and last MA poetry assignment of the year due at the end of the month. Though miracles do happen.

Just when I was at the zenith of my discontent I received from Frank Cutter aka funk cutter aka madknitter a recording of a performance way back in the day in Lewisham which I share here, at the time I was known as…


And I’m reminded love conquers all as it’s been my neighbours and good friends that have helped practically and in raising my spirits. Be well and if you’re not love and light to you

A blog post by Anne Enith Cooper 

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Comment: Reform UK, the Far Right Threat and an alternative rising in Florence 

Comment: Reform UK, the Far Right Threat and an alternative rising in Florence 

With elections in the UK, France, India and the USA we are seeing again the presence of so called “populist” leaders. I have been thinking about how they get a foothold despite divisive, scapegoating policies and propaganda. Let’s look at where we at at in the U.K. 

I figure all we need to know about Britain today after 14 years of Tory rule and five decades of neoliberal “the market will provide” economics emerges in this one headline, ‘My state pension was £880 – and my rent was £1,000’: how a 70-year-old man became homeless in Britain, by Tom Clark, published in the Guardian last week. 


It is sub-headed, “Tony Sinclair had worked all his life – but still found himself sleeping rough. Then even his tent was taken away from him.”

If you are in the UK you may recall the recent pronouncement from Suella Braverman that sleeping rough is a “lifestyle choice” that led to this aggressive practice of clearing tents. In my opinion the new right in the Tory party cling to the shirt tails of the far right in Britain and pave the way for their rise. 

Recently Nigel Farage, leader of Reform UK, in an “I’m back” election interview said, “Britain is broken,” he has a point. The danger is people will hear that and think his policies are the answer. Just a few days ago in the community hall someone said to me, “That Worage, Turage, what’s ‘is name? ‘E sounds all right.”  I replied, paraphrasing, “When he says Britain is broken he has a point but Reform will go on to scapegoat people like you, our Muslim brothers and sisters and neighbours, all our friends and neighbours of colour.” Someone else added, “And how long will it be before his version of stop the boats becomes repatriate!”

Repatriate was the call of the National Front (NF) in the 1970’s, the call of the British National Party (BNP) decades later, though they did it oh so politely. Some people may think Reform has their interests at heart, but Farage is cut from the same cloth as the BNP, the NF and their forerunners the British Union of Fascists, (BUF) because the far right are very good, it would seem from history, at appealing to those in the working class who feel disenfranchised, disenchanted and disaffected.

In Peaky Blinders series five we were introduced to Oswald Mosley, who left the Labour Party to form the BUF. Series creator, Steven Knight comments, “Mosley wasn’t somebody spouting things that people didn’t want to hear but rather someone who people did listen to. That’s what was so terrifying.” This is worth a read Who was Sir Oswald Mosley? https://www.bbc.co.uk/news/stories-49405924

Image from The Irish Times “British politician Sir Oswald Ernald Mosley (1896 – 1980) inspects members of his British Union of Fascists in Royal Mint Street, London.” 1936

There is a powerful scene in the film Ridley Road which shows just how this is done. How Mosley, in an attempt at a comeback in 1962, appealed to the organised working class just as Enoch Powel would. Yes, these examples are fictional but the events portrayed happened.

 

Image of real events in Ridley Road 1962. Photo Alamy

Mosley infamously took 3000 of his Black Shirts to march on the East End of London in 1936 in what came to be known as The Battle of Cable Street. There they were confronted by an alliance of anti fascists; trade unionists, Jewish organisations, socialists, communists and unaffiliated individuals, estimated in number between 100 000 to 300 000, who raised the slogan of the Spanish Republicans, “No Pasaren!” They will not Pass! They did not. 

Yes Britain is broken, our NHS, nurseries, schools, hospitals social services, social care, underfunded forced to rely on “internal markets, “ and cut, cut, cut. The result of that is redundancies and those that are left so overworked many end up with physical or mental health problems while whole councils in Britain are facing bankruptcy. Our courts are backlogged prisons overcrowded and even the Home Office and Departments of Work and Pensions backlogged. 

Sometimes one story, such as the one cited above, a microcosm of the whole mess deals the consequences of this economic policy pursed since the mid 1970’s and political misrule. Farage and the far right are not the answer. 

It is no surprise really the far right is rising across Europe, across the world as people “feel the pinch.” We, progressives, talk of inequalities between the Global North and Global South, and yes they are massive but there are too huge inequalities within the Global North and the likes of Farage, Marine Le Penn, Trump and indeed Modi understand all too well this is fertile ground for them to put down their toxic roots into that troubled soil.

We argue #AnotherWorldIsNecessary. Indeed but

#AnotherWorldIsPossible only if we fight for it and built it now.

I believe we get a glimpse of another world growing in our climate and social movements. We saw it too in community mutual aid projects during the pandemic and in grassroots projects that have sprung up to counter austerity that provide meals and welfare advice, and others than offer repairs.

An example, happening now, in industry is the GKN factory in Florence, Italy. They are demonstrating another way out of the neoliberal capitalist mess. This is from the UWU, the independent member led trade union, “for workers of trade unions, professional associations and others linked to the labour movement in the United Kingdom.”

“We are alerting all UWU members to a very important dispute taking place in Florence, Italy. Workers at the GKN Florence factory have been in occupation for nearly three years. The workers are demanding government intervention to bring the factory under workers’ control. Their struggle culminated in the workers forming an assembly of citizens, workers, students, climate and social movements, to demand a new model and a just transition. […] This actvity has also been at the forefront of the fight against fascism in Italy.” My emphasis.

For more information on this inspiring struggle watch the film Reel News collective have produced here, full 22 minute version

We are, at this time, truly, in my opinion, in a battle of light against darkness. Be the light! What you can do to show solidarity and support 

1) Spread the word of what the workers are trying to achieve by sharing this video, and following them on social media; website insorgiamo.org, Facebook coordinamentogknfirenze, Instagram @collettivofabbricagkn.

2) Donate to the popular share issue to raise 1,000,000 euros and become part of the assembly that will run the factory – nearly 800,000 euros raised so far. IMPORTANT: THE CLOSING DATE IS JUNE 30 … You can pledge money in the UK at https://www.gofundme.com/f/support-gkn-autoworkers-just-transition-struggle or in other countries go to insorgiamo.org/100×10-000

3) Order a cargo bike for a donation. The cargo bikes are now in production – get one for your group, give the workers feedback on its functioning and promote the campaign at the same time. Order one, and get more info at https://insorgiamo.org/cargo-bike/

4) Keep 12 July free, when the third anniversary of the occupation will be celebrated in Florence – and an organised international presence is planned from all over Europe.

A blog post by Anne Enith Cooper 

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Diary: June 2024

Diary: June 2024

My diary posts are the place for a bit of my news and opinion and poetry community news, plus my adventures in creativity. 

Featuring new titles in Out Now, a couple of events coming up in London and New York, and suggestions for Nurturing Your Practice. Before that I’d just like to say about a year ago I shared a meme in Facebook that said, roughly translated, “Great changes always come with a great shaking. It’s not the end of the world it’s the beginning of a new one.”

A year on we find ourselves, I believe, in the midst of a great shaking. I say this not to minimise, in any sense, the catalyst for this — a genocide in Gaza, the horror unfolding virtually live streamed onto our mobile devices. Not to dismiss the daily suffering and physical and mental torture, the countless deaths, summary executions, the mass graves. 


However the global response in my opinion has been inspiring and uplifting in these dark times and I am certain we will look back on this time the same way we do on the time of the Occupy Movement which coincided with the Arab Spring in 2011.

The anti war protests during the American War in Vietnam have been cited in the press. which coincided with revolutionary events in 1968 across the world. There are now over 500 Palestine Solidarity Camps at Universities globally. A Freedom Flotilla takes to the seas to break the siege. What is not certain is the shape of the world on the other side of this but geopolitical tectonic plates are shifting.

Meanwhile across the world our movements are connected like never before, our banners call for dignity, peace, respect, beauty, love, freedom, a sustainable earth. To “mourn the dead and fight like hell for the living.”


OUT NOW

Reading Poets: a new anthology edited by Vic Pickup

Available to preorder now from https://tworiverspress.com/shop/reading-poets-a-new-anthology/

This new anthology features work from 37 emerging and established Reading poets. Edited by award-winning poet Vic Pickup, this book presents a vibrant and diverse collection, reflecting the energy and variety of the town’s arts scene.


Congratulations to Freya Bantiff’s for All Appears Ordinary,  winner of the 2023 New Poets’ Prize. Published this month.

“Nothing is truly ordinary in this extraordinary pamphlet, where owls are ‘light as an eyelash blown for luck’ and where illness and pain can be rinsed and washed away like stains. These poems keep the faith that language can illuminate anything – from everyday acts of love like the removal of nits from a child’s head to the extinction of a species.” – Kim Moore

COMING UP

Thursday 13th June 2024 19:00 – 21:00 BST

Lost Souls Open Mic, The Exhibit, 12 Balham Station Road, SW12 9SG

Their invitation says, “Step into the spotlight and let your words dance with the rhythm of the soul. Whether you’re a seasoned poet or a newcomer to the stage, this is your opportunity to share your voice, your truth, and your creativity with an appreciative audience. 


No matter your background or your beliefs, all are welcomed with open arms. From the poignant to the playful, the profound to the personal, there’s space for every style and every story. Let your verses weave a tapestry of emotions, connecting hearts and minds in a celebration of the human experience.

Our stage is a sanctuary for free expression, where diversity thrives and individuality shines. Join us for a night of inspiration, connection, and community at our poetry event where every voice is heard and every word is cherished.”

More details here

Sunday June 9th 2024 15.00 – 17.00 EDT

Poets’ Corner Open Mic Presents Mike Jurkovic – Poet, Pundit, Provocateur

Presented by Poets & Writers, this event features Mike Jurkovic, the author of many full-length collections such as Buckshot Reckoning, mooncussers, AmericanMental (Luchador Press, 2023, 2022, 2020). His anthologies include Calling All Poets 20th Anniversary Anthology, (CAPS Press); Reflecting Pool: Poets & the Creative Process (Codhill Press, 2018), and Like Light: 25 Years of Poetry & Prose (Bright Hill Press, 2018). Mike is President of Calling All Poets in New Paltz, NY, now in its 25th year. He is also a 2016 Pushcart nominee and his online CD reviews appear at  All AboutJazz and Lightwood Press. After his reading is an open mic. Registration available on-site on the day of the reading. 

Saturday 8th and Sunday 9th June 2024 Various times BST

Poetry in the Gardens, part of the 25th London Open Gardens 

Featuring 

NURTURING YOUR PRACTICE 

The Poetry Room: Online poetry Group with Anthony Anaxagoras June 2024

The purpose of The Poetry Room is to find innovative ways of getting poems up on their feet by leading prompts focused themes and subjects. The Poetry Room is a four-week online mini course facilitated by Anthony Anaxagorou. 

It consists of generative workshops, poets will meet for two hours — on a Thursday afternoon for June 2024 — where Anthony will discuss a number of elements aimed at enhancing poetic practice. Poets will be given a set time to respond to the prompt which will then be followed by a secondary instruction and a sharing.

Image Copyright © 2002 – 2024 Topping & Company Booksellers Limited.

Subjects will include writing around the lyric event, working with material from other disciplines such as history, philosophy, and reportage, how to incorporate humour and dialogue in poetry, avoiding realism and anecdote, and looking at a more orbital way of writing into a subject. 

The course is open to all, from those just beginning their poetry journey to the more advanced. Each course is limited to 15 participants.

Course Fee: £230 Duration and Registration: The Poetry Room four-week courses will run bi-monthly and course delivery will be via Zoom. Course dates: Thursday 6, 13, 20 and 27 June 2024, 2–4pm UK.  More details here

Writing from Your Heart and Soul: The Poetry Healing Course with Susan Frybort June 2024

A transformative 4-week online workshop designed to help you discover healing and resolution through writing poetry. Encouragement and support for anyone ready to embark on a personal journey to access their inner voice and poetic expression.

Be well as the world shakes. Let’s stand firm, let our rage become compassion, our grief become our reason for living, our love become the ship on which we sail to the new world. All hands on deck! #AllEyesOnRafah

A blog post by Anne Enith Cooper 

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Comment: THE RWANDA PLAN – from tragedy to farce 

Comment: THE RWANDA PLAN – from tragedy to farce 

– long read, been cogitating over this a while!

For those outside the U.K. this is a plan to deport people arriving in the U.K. by illegal routes, specifically on “small boats” from France, to Rwanda; an impoverished country with a dubious human rights record and a history of GENOCIDE,  without any assessment of their asylum status as required under international human rights legislation. 

 In brief

100% Immoral, unethical, inhumane and cruel

100% A Kafkaesque nightmare

100% Almost certainly illegal, in and out of British courts for TWO YEARS

100% Hugely expensive cost £1.8m for each asylum seeker 

100% Definitely impractical 

As yet no company, I understand, has agreed to make their planes available. This is revealing, “Rwandan state airline ‘turns down’ UK proposal to transport asylum seekers — The airline was worried about ‘potential damage to their brand’, according to reports” Leaving the government to consider a charter from the MOD.

Rwanda has reportedly sold two thirds of accommodation earmarked for people “removed” from the U.K. Though the Rwandan government deny this.

The Home Office has only managed to assess a fraction of people seeking asylum or those, in their minds, eligible for this immoral, unethical, inhumane and cruel plan.

And furthermore “the capacity of the proposed facility in Rwanda is 200 people annually, representing just 0.7% of 2023 small boat arrivals.”

Yet the British prime Minister, Rishi Sunak, stated in April, “The numbers will start off small but there will be a regular rhythm of flights… thousands of people will eventually be removed to Rwanda and the deterrent effect will kick in,” at a “late-night showdown” over the Rwanda Bill in parliament.

The government continue to assert it’s happening, in April a spokesperson said: “We have robust operational plans in place to get flights off the ground to Rwanda in spring.” See source above. 

We are being lied to over this issue on a daily basis by this government. This government, so reluctant to “tax and spend”, which is the job of government in my opinion, are spending much need resources, time, energy and tax money on this rather than our schools, housing, prisons, social services, hospitals and highways. 

FACT: Only 0.3% of people currently in the U.K. arrived by “small boats” 

According to government figures, “In 2022, 89,000 people requested asylum, 45% of those arrived on “small boats” and “Asylum seekers are 0.6% of the UK’s total population.” yougov.co.uk

In 2023 it’s widely reported 29,437 migrants arrived on the Kent coast from France in small boats – about a third fewer than the figure for the previous year.

All this parliamentary TIME, ENERGY and MONEY over 0.3% of the U.K. population.


Such is the trust in our prime minister Full Fact are fact checking him on the issue. Sunak claims the passage of the bill acts as a deterrent yet figures for this year again from Full Fact suggest otherwise “provisional figures show that over the first quarter of 2024 5,435 people arrived by small boat, compared to 3,793 in the first quarter of 2023—an increase of 43%.”

The majority of asylum seekers historically have arrived by illegal methods because there are few legal routes and because when people war, conflict or persecution there’s rarely time to pick up documentation. 

Meanwhile Freedom from Torture have launched a campaign to pressure pressuring carrier MOD AirTanker to rule themselves out as for the transportation of asylum seekers to Kigali. 

And now this in the Guardian on the 19th May this year

“The Rwandan government has barred a senior human rights researcher from entering the country, prompting accusations that officials are seeking to dodge independent scrutiny just weeks before the UK government is due to send asylum seekers there for the first time.

Rwandan immigration authorities denied entry to Clementine de Montjoye, a senior researcher in Human Rights Watch’s Africa division, when she arrived at Kigali International Airport on 13 May.

The east African government has defended its actions by accusing Human Rights Watch (HRW), which works in more than 90 countries, of fabricating its research.”

I feel I need say no more. Actually I will this is not just a human rights assault but a crisis of democracy. Any government that has to go up against its own courts, time and again, amending proposed legislation to pursue a scheme which can only produce unaccountable distress to people who are already traumatised, who in the process neglect the issues that people really care about, that stir up far right protests at asylum hostels and hotels do not deserve to be in power. And where is the opposition on this?

Sadly though Starmer “has pledged to scrap the government’s Rwanda scheme “straight away” if his party wins the election.” He went on to say, “he will establish a new Border Security Command to work with Border Force, MI5 and the National Crime Agency on prosecuting gangs operating small boat routes.”

In other words keep them out, maintain little Britain, no one is welcome here even if you are fleeing war, conflict, persecution! No mention of legal routes.

As the world changes, tectonic plates shifting geopolitically, as the world warms it’s time for the West to take account of its colonial past, the effect of its emissions and the wars which are the legacy of borders created by the West or Global South and stand up and take responsibility and show some humanity.

A blog post by Anne Enith Cooper 

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Diary: May 2024

Diary: May 2024

My diary posts are the place for a bit of my news and poetry community news, plus my adventures in creativity. 

Hey all, going to keep this intro brief as I’m spinning plates. Am writing and reworking furiously, I say that much of the time I’m able to maintain a state of what the Taoists call Wu Wei, or effortless activity, this is great progress and leads to good flow if I remember to eat… Our XR Rebel Library feature, What We’re Reading is out now go to https://rebellibrary.com/may-2024/ this month we look at “the ethics of mass-producing and consuming our fellow-creatures as our theme” entitled Blood, Bone and Gore and featuring the stunning poem Dry Spell by Rebecca Hawkes

First the poetry and writing stuff upfront then some comments on the growing Gaza Solidarity Camps which have been referred to as the “USA intifada” now global, and Freedom Flotilla for Gaza.

OUT NOW

Two new titles from Bloodaxe that look absolutely fascinating and are on my shopping list, burgeoning bookcase permitting, are 

May Swim by Katie Donovan and Fantastic Voyage by Amanda Dalton

Release date: 23rd May 2024


more info: https://www.bloodaxebooks.com/ecs/new_titles/comingsoon

COMING UP

Sunday 12th May Poets for the Planet are making waves with an appearance at the Tunbridge Litfest.  Festival programme here

NURTURING YOUR PRACTICE 

For those wanting to take a leap this Carol Ann Duffy’s WRITING POETRY might appeal, with 25 video lessons and 88-page course notes it’s a steal at £79

You can learn at your own pace with deadlines. I’ve not personally taken this course but how often do you get to work with a former Poet Laureate? 

https://www.bbcmaestro.com/courses/carol-ann-duffy/writing-poetry

IN OTHER NEWS

Is This the Third Intifada? 

Intifada translates as uprising/ shaking

While the atrocities in Gaza continue and are relentless it would seem there has been an upswing in peace protests, swelled by celebrations of international workers day. Video from Reel News of the London protest on May 1st here

In the past few months there has been a growing number of solidarity camps for Gaza in universities calling for a ceasefire and divestment from companies linked to Israel mostly in the USA, “66 Universities (56 in US, 4 in UK, 2 in France, 2 in Australia and 1 in Canada) Last revised on April 28th.” Video footage here

Following vicious attacks by police on protests calling for a ceasefire at campuses in California and the most recently, from what I can make out, at Columbia University New York on Tuesday https://www.theguardian.com/us-news/2024/apr/30/new-york-police-columbia-university-student-protests protests are now spreading globally. 

The Washington Post reported yesterday, “From Kuwait to Lebanon, in Egypt and Ramallah, students have occupied central locations on campuses and on Monday and Tuesday waved placards calling for an end to the war in Gaza and divestment by their universities from companies that do business with Israel.

Similar protests have taken place at Sorbonne University in Paris and elsewhere, including Italy, Britain, Canada and Australia, as the global student demographic piles pressure on administrators and governments almost seven months into the war. Some of those protesting said they were directly inspired by U.S. students.”

https://www.washingtonpost.com/world/2024/04/30/college-protest-middle-east-gaza

Meanwhile support for the student protests is growing. Al Jazeera report, “Nearly 190 advocacy organisations laud students’ ‘courage’ amid ongoing crackdown on encampments across US universities.”

https://www.aljazeera.com/news/2024/4/29/us-advocacy-groups-back-palestine-solidarity-campus-protests-amid-gaza-war

While the Middle East Monitor note “UN rights chief ‘troubled’ by ‘heavy-handed’ suppression of US student protests”

Meanwhile the Freedom Flotilla carrying 5 500 tonnes of aid to Gaza including three ambulances and a fire engine is battling bureaucracy in order to set sail. There are over 1000 people aiming to sail on the flotilla of three ships from 36 nations, funded by donations from four million people across the world. For updates and how to support go to https://freedomflotilla.org/i-want-to-help/

A year ago a friend in Mexico sent me a meme which translated to “great changes always come with a great shaking. It’s not the end of the world it’s the beginning of a new one. A year on we find ourselves in the midst of a great shaking. I Have no doubt what we are living through is historic. 

While we must not forget the horrors that have caused this, a genocide live streamed on our screens, I am certain we will look back on this time the same way we do on the time of the Occupy Movement which coincided with the Arab Spring. And comparisons are being made in the US press to the anti war protests during the American War in Vietnam which coincided with world shaking and revolutionary events in 1968 across the world. I could go on. What is not certain is the shape of the world on the other side of this. 

Our movements are connected like never before, our banners call for dignity, peace, respect, beauty, love, freedom, a sustainable earth. 

Let’s stand firm as the world shakes, let our rage become compassion, let our grief become our reason for living, let our love become the ship on which we sail to the new world. Love is what we must hold onto at this time above all else. All hands on deck! 

#Love and #Solidarity know no borders

Image: “A Massachusetts Institute of Technology student hangs a sign on a barricade surrounding a protest encampment in support of Palestinians on April 28, 2024 in Cambridge, Massachusetts, the United States” [Amanda Sabga/Reuters]

A blog post by Anne Enith Cooper 

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Writing Prompt: Scientists discover gigantic ocean 700 km beneath the Earth’s surface

Writing Prompt: Scientists discover gigantic ocean 700 km beneath the Earth’s surface

When we talk of saving the planet, which still sounds to me like a bad line in a B movie —but yeah I guess that’s where we’re at— I think we tend to forget two thirds of the surface of this blue, green, golden planet are ocean. That makes this discovery all the more fascinating. 

Scientists discover gigantic ocean 700 km beneath the Earth’s surface

(Photo : Photo by Jonathan Borba on Unsplash)

https://timesofindia.indiatimes.com/travel/travel-news/scientists-discover-gigantic-ocean-700-km-beneath-the-earths-surface/articleshow/108999227.cms

My first thought was I wonder what lives down there? Life is nothing if not tenacious. Since we don’t know I figure you can take it anywhere. Do the life forms you find, imagine, have a voice? Bounce off this idea or the headline or the article itself, as a writing prompt and freewrite. Go deep. 

Rules of the Freewrite after Natalie Goldberg in Writing Down the Bones 

Set a timer for ten or fifteen minutes, stick to whichever you choose and just write. 

  • Keep your hand moving, don’t stop or cross out
  • Don’t worry about spelling or grammar. 
  • Don’t think, just write
  • Go for the Jugular.
  • Follow the words, just see what comes.

When you have finished consider what you have just made. Is it is enough as an exercise or does it feel it needs development? Does it welcome a form? 

If you feel drawn to it rework your draft. Play with your words, have fun, find a form of words that satisfies you. 

A blog post by Anne Enith Cooper 

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Diary: April 2024

Diary: April 2024

By way of intro I head back to London in a few days, notes on a publication out soon, events coming up and a suggestion for nurturing your practice follow. So back to the good old “Smoke.” The first thing I noticed about the air here in Agadir, in comparison with the U.K., well London in particular, was how clean, fresh and lacking in that deadening humidity it is, even when it rained.

Last week I took at a tour to Paradise Valley in the Atlas Mountains. Legend has it that it was named as such by Jimi Hendrix, described as a “beautiful natural park situated around 35 kilometres from the city of Agadir dotted with rivers, palm trees and rocks…. famous for its natural pools of translucent water…” 


The road runs parallel to the river that has carved this extensive valley. The river appears to have run dry for the most part and at a casual look on arrival it seemed the water levels were low in comparison to the glossy pics in Trip Adviser et al. Here a Facebook post from 2021 notes, “Paradise Valley in Agadir is coming back to life again after a severe and prolonged drought.” But for how long? 

Our guide mentioned a German company wanted to buy the rights to the water source. Shudder! If drought continues it will not just be the tourist attractions effected as this report suggests, “As the country enters its sixth straight year of drought, a new report singles out Morocco as an area of “severe concern;” the water crisis threatens economic and food security with no end in sight.”

So often, it feels to me, that in an attempt to create a better world; a fairer world with sustainability, justice and equality, we are doing no more than just holding the line. We are reactive and defensive, we call ourselves “the resistance” we are often anti rather than pro. 

In that context I read the following with interest. “Calls for international criminal court to end ‘impunity’ for environmental crimes.” This strikes me as a positive move. A note of optimism, a sense of getting ahead of the problems.

OUT NOW

A Darker Way by Grahame Davies 

Publication date: April 15th 2024

Publisher Seren Books writes, “Grahame Davies’s  A Darker Way is a second volume after a well-received debut. The collection of poems and songs which traces a hard-won but redemptive path between idealism and irony, failure and faith. Davies is a poet in the bardic tradition who speaks to and for the community, exploring what it is to be human. 

“A Darker Way  also includes work arising from Davies’s Welsh roots. For example, ‘Wrth Ddŵr a Thân’ (‘By Water and Fire’) was commissioned by the Senedd for its 2016 opening and references the Pierhead Building’s mural ‘Wrth Ddŵr a Thân’, commemorating the country’s coal, steel and maritime industries.   

“The spiritual, even the supernatural, is never far from the surface in these poems, but Davies never settles for the simplistic. Belief and unbelief are held in a creative tension, as the poet faces ‘a mystery all the greater for the answer / a darkness all the deeper for the star.’ “

COMING UP

Monday 8th April, 6.30 – 10.00pm BST

An open Mike event By Gobjaw Poetry Collective who write, 

Welcome, Poets. The Gobjaw Poetry Collective is bringing another Open mic poetry night . Come join us for a night of expression at The George Tavern! Whether you’re a seasoned poet or a newbie looking to share your work, our open mic event is the perfect place to share your inner world. Grab a drink, grab the mic, and let your words flow in front of a supportive audience. Meet fellow poetry enthusiasts, snap your fingers in appreciation, and soak in some poetry. Don’t miss out on this opportunity to be part of the Gobjaw Poetry Collective community and immerse yourself in the power of spoken word. See you there! Xoxo Goblin Gurl”


Tickets are free, book here https://www.eventbrite.com/e/gobjaw-poetry-collective-open-mic-poetry-night-tickets-869883423737

Sunday April 14th 2.00- 3.00pm GMT

One for parents and kids from Children’s Laureate Joseph Coelho, a poetry performance that shows us that poems are made to be read OUT LOUD!

“Joseph will lead an interactive and engaging reading from his ‘Out Loud’ poetry series before penning a new poem with the help of the audience. Have fun guessing riddles, powering up your poetry skills, and discovering all sorts of clever ways to perform poetry!


The event will be followed by a book signing. Doors will open from 1:30pm. Please note that children must be accompanied by an adult (reserve a free accompanying adult ticket) for the duration of the event.” 

More info here https://www.eventbrite.com/e/poetry-out-loud-with-joseph-coelho-tickets-863924951787?aff=ebdssbdestsearch&keep_tld=1

NURTURING YOUR PRACTICE 

Saturday April 20th 2:30 – 5:30pm GMT

Tell Me A Tale 2024 – Autobiographical Epic Poetry with Yomi Sode

TELL ME A TALE is a course for any person who is interested in developing their skills in telling stories live.  Storytellers will work with Olivier nominated director and theatremaker , Tristan Fynn-Aiduenu and a number of special guests, will lead you through eight fun, energetic and revelatory sessions that will teach you how to use energy, intention, comprehension and imagination to become a better storyteller.


More info here https://www.eventbrite.com/e/tell-me-a-tale-2024-autobiographical-epic-poetry-with-yomi-sode-tickets-863388537357?aff=ebdssbdestsearch&keep_tld=1

A blog post by Anne Enith Cooper 

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Autobio: Indian Summer — a short story

Autobio: Indian Summer — a short story

The air shimmers just below the level of the trees.  I’m laying on Clapham Common.  It’s like in those movies when you are about to see a mirage. As children a mirage in a movie was cause for much excitement, awe and wonder. Mum gave us an explanation that involved the journey of a hapless traveller desperate for water sighting an oasis only to discover it was nothing but illusion. This just added to the fascination. The unreal appearing so real. The real a devastating disappointment. I figured Mum knew a thing or two. When we sat rapt, watching a Western, she told us, with that serious look on her face, “Not all Indians were bad.” When we watched The Last of the Mohicans, we found out she was right. 

             I notice a woman pass a bottle to her companion; it’s cherry-red contents resemble something I imagine rocket fuel might look like. A boy holds a girl upside down from the waist, takes stumbling steps forward while she giggles. Families of varying composition stroll past. I’ve been language spotting. So far; Italian, Spanish, Russian and something that might be Portuguese or Polish. 

 My mind drifts to other parks, gardens, beaches; the heat of the sun the common denominator and this moment becomes the archetypal summers day; footballs, bottles of water, Frisbee, except it is not summer, it is nearly October. Someone passing remarks, “Lovely for this time of the year – unbelievable!” 

See my fourteen-year-old self laying in the back garden and wanting everything next week. Mum saying,

“Don’t lie out there too long – you just watch yourself.” 

“I am. I’m not even pink. I’ll never get brown.”

“Just give it a few years, you’ll have a lovely tan. That’s enough for one day.”

“Just a bit longer.”

“No. Enough’s enough. Come and give me a hand.”

“But some people lie in the sun all day.”

“Just do as y’told.” She snaps, “Would you put your hand in the fire if other people did?”

In the philosophy of the Tao, pronounced Dao, the basis of Chinese medicine, late summer is granted the status of a season, its attributes being; yellow, damp, singing, pensiveness, sweetness and fragrance. According to this school of thought all seasons have attributes. I’ve been pensive, I guess. For three days I’ve spent the best part of the day in bed in a fugue of ill temper and exhaustion telling myself that it will pass. I’ve been craving chocolate and the colours of the sunset; crimson, peach and tangerine. I paint my toenails bronze, watch films from the ‘40’s full of melodrama, murder and roses. When the feeling doesn’t pass I force myself out, to put a halt to this malaise. 

You see, my mother is dying.

Since she told us in April, after the initial shock, I’d been taken over by the preoccupation that Vesuvius would erupt again. It was due, overdue in fact. I’d wanted to go for years, now I’m concerned I’ll miss my chance. I’d read how in Pompeii the lava slid into the sea producing pumice, that as people hid or fled, the acrid fumes filled their lungs and set like concrete, their bodies preserved at the moments of their deaths. 

When I walked to the summit of that volcano in the summer, I decided, each footstep will be a prayer for the impossible. Returned with a piece of the dark rock I find at the top, mounted it in a perspex box giving it to Mum hoping it holds my prayer. I didn’t mention the significance. On the phone only the other day she said, “I’ve never felt so good – these steroids – wish they’d put me on them years ago…” There was a crackling under her voice. Though I heard it all I could say was, “That’s great.” Knowing it’s not long now.

The last time I lay in the sun was on a beach in Palermo, Sicily in August. Earlier that day I’d been enchanted, no – more than that – enspelled, by the face of a stranger. He had the look of my last lover, or an aspect of him, that might have been it. That liaison so brief, so intermittent, it begged the term relationship. I saw in him a wild horse, fire and ice in his warm eyes that sometimes darted like those of a lizard.  In his embrace I felt like wrapped in summer.

At one point, fleetingly, I imagined if we had a baby she would be the incarnation of Christ. Feet on the ground? Not so much.  Making toast with him felt as sacred as when we made love and his words seemed to carry a wisdom I could only barely conceive. Yet there was always an otherness I could never reach. Perhaps his schizophrenia. Aching at the loss, I confided in Mum and she had replied, “Loving is ok, but not longing. That’s the worst thing.” 

I wondered if or when she ever longed for someone. 

I only caught a glimpse of the stranger, there was something Arabic, African and Mediterranean about his features as if a number of ancient bloodlines had fused in him. I breathed in the mystery; its scent was sweet and charred. His eyes held mine for an instant and burned. I wanted to flee, at the same time I wanted to cast myself into his soul. Fear and desire fought and tumbled in a tremendous frenzy. All I can recall now was the way he seemed to lean to one side, as if slightly off balance, as he walked alongside his companion, a man of similar height and build. I felt like I was losing my footing. 

Before Palermo I’d stayed in the two-star Hotel Viola in Naples, with cockroaches the size of Brazil nuts and lace curtains. My base to take the day trip to Vesuvius. They were kind to me though when I explained I’d prefer not to have room service because sometimes can’t get moving early and sometimes go back to bed in the afternoon; this fatigue is nothing new it has accompanied me for some fifteen years now but its quality and intensity changes frequently. 

I went to Naples under the tutelage of Walter Benjamin, with whom I’d become a little obsessed, or is it love? Whom I refer to affectionately as WB. Intrigued by his concept of porosity in the 1925 essay about Naple’s life; a mingling of public and private, the “interpenetration of day and night, noise and peace, outer light and inner darkness, street and home.” 

I had arrived by train, crossed the Piazza Garibaldi, inadvertently walking through the enormous homeless city that spreads out from the railway station. Some families had laid carpeting between walls they’d made by taping cardboard to the railings. As I noticed this, I felt a mixture of curiosity and guilt that one might when peeping through a gap in the curtains into the front room of a permanent home and wonder what WB would have made of Naples today. 

I’ve been making notes of the goings on here in the park since I arrived. Now I imagine WB comes over to me, sits besides me silent. At some point I will tell someone, at a reading at the poetry café, that WB visits me as a ghost in a short story, this story of course. Guess I want to seem the intellectual, avantguard. I remember how once I’d tried to tell mum and dad about my writing when we were slightly tipsy after a make-up drink in a Yorkshire village. Went to meet them, got off at the wrong stop, they were furious having to drive twenty miles there, and back, to pick me up, presumably Dad was gagging for a pint. Unappreciative of my ingenuity to engage the guard of the train to call the station. I’d said, “I’m so so sorry, it was dark, I knew the train stopped but I couldn’t see the platform… couldn’t see anything… I was writing,  I’m writing a story, it’s about love, beauty, and the poll tax riot…” 

“Never mind that now,” Mum had said, looking anxious, adding with some urgency, “It’s just… you were my first born.” I don’t finish that story; often the way. Perhaps my bipolar. Of course, we don’t know that then, though Mum clearly suspected something was up. I didn’t know what she meant by first born.  What, was she trying to say?  I still don’t know.

Actually, come to think about it, the last time I lay in the sun was in our back garden about a month ago. Mum came out, pulled up a chair and sat besides me. She was wearing turquoise jogging bottoms, a white cotton tee-shirt and pale green cardigan which she’d pulled across her and held in place with her arms crossed. In the late afternoon light I could see just how much weight she’d lost; her collar bone juts out, the skin of her neck hangs loose.  I was laying naked on the lounger close to the back wall of the house. Mum said, “What are you doing right back here?” 

“I don’t think they like it.”  I say, pointing next door.

They are the new neighbours; Emma, a single parent, the twins and her entourage, a gaggle off friends all in their twenties. 

Mum says, “Oh, wouldn’t have thought they’d mind.”  

“Hmm,” I reply, “They’re a different generation, Emma just walked past, she sort of looked the other way…”

I’m smiling thinking, I’m forty-one now though it doesn’t seem long ago Mum would have said, “You did what! What about the neighbours?” 

And I’d have said, “What about the neighbours, there’s nothing wrong with my body, bloody hypocrites. Bet they all read the Sun!” 

Hearing the abrupt reply, “Well I doubt Dorothy and Arthur do, they vote Labour so just cover yourself up in future.”   

Emma has moved in to Dorothy and Arthur’s.

“What’s your book?” Mum says. 

I hold it up so she can see the cover. It’s Marshall Berman’s All That is Solid Melts into Air. It’s met with a blank stare.

“What’s it about?” 

“Well, modernity, I guess, you know… modern life, capitalism, cities, how things have changed…” Mum is frowning. I continue, “It’s based on a quote from Marx, hold on, I’ve got it…” flipping through the book, “ah, here it is, ‘All fixed, fast, frozen,’ no forget that, ‘All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real condition of life and his relations with his kind.’ He means…” 

“Well, I don’t know about that. Nothing much changes here. A few ‘av died I s’pose… and did I tell you Harry and Maud got onto to the council about Emma?” 

“Really, why?” 

“About the bin bags. Well, I mean, when you’ve got two littl’uns, same age, running around you don’t have time for much else. So I told him… his nibs,” she nods across the gardens, “If you want ‘em shifted do it yourself, he was right put out…”

“What did he say?” 

“Nothing. Didn’t even blink. He was the same when your dad told him ‘e ‘ad the Union Jack the wrong way up.” 

“Really, so what did…” 

There’s a broad smile on my face, Mum has an impish grin.

“It’s not repeatable…” she replies. 

Dad, who’d been asleep in the armchair in the living room the other side of the French windows, pipes up with, “I told ‘im ‘e’s a stoopid, naars-ty little fascist. Bloody eedjut ‘e is!” 

We can see the flag, it hangs limp on a pole above the garden shed two doors down. We are both laughing silently; Mum holding her side, I’ve got my hand over my mouth. 

Mum wipes away a tear and sighs, “Oh dear.”  

We hear Dad stretch, groan and heave himself out of the armchair, “Right, I’m putting the kettle on,” he says and it occurs to me that terraced council housing has a certain porosity.

“Harry’s ninety next year you know,” Mum remarks after a while. “And Maud’ll be eighty-five. Would you credit it?” 

We both fell silent. 

Since I arrived the park has filled up; the ground seethes with children, nursing mothers, couples, groups of friends. My skin, no stranger to the sun now, is already getting darker. That’s why I’m here; this might be the last tanning day of the year. All That Is Solid Melts Into Air lies at my side, untouched. I’ve decided nothing is solid. It was Berman who introduced me to WB and his porosity. It occurs to me life in summer has a porosity – I’ve been watching it all afternoon. Thinking even life and death, usually pretty clear cut, attain porosity under certain circumstances. We all know we will die, but rarely how or where or when. With Mum’s diagnosis the how has been determined, the where and when are proscribed. In this way death seeps into life. They say, don’t they, that nothing is certain but death and taxes. Mum said that a few weeks ago, then I said, grasping for words, “Are you afraid?” 

“Well,” she said, “you know you’ve got to go, but…” 

My book abandoned I read in The Observer that in Cancun, Mexico, in the blazing heat Lee Kyung-hae, a young man from South Korea, plunged a knife into his heart during a protest at the World Trade Organisation. It’s reported other protesters made a shrine between two concrete blocks at the feet of the riot police, the so-called “ring of steel” designed to keep sanity out of the building, it doesn’t work, the talks break down.

Back in his hometown the tenant farmers of Jangsu come to pay their last respects bearing sticks of incense. The walls of his house are decked in yellow and white flowers sent from agricultural associations, Korean War veterans and old school friends.  Among them a message of condolence from the prime minister and a banner that reads, “Stop WTO agriculture negotiations which are killing millions of Korean farmers.”

This is the year of the biggest peace protest in history, some thirty million people assembling in six hundred or more cities and towns in February. Many thought it had made no difference when the bombs started dropping in Iraq in March. Reading about the WTO it’s clear to me we are not defeated but diffused. We are global. I thought the world would never be the same again after the mass protests in February. It wasn’t – after Mum’s news in April. 

             I cast my mind back to the call for these simultaneous protests announced at the Campo Di Marte stadium in Florence, just under a year ago, after a march of more than a million on a bitterly cold bright day, led by the parents of Carlo Giuliani. The march followed an international conference in Florence organised by The European Social Forum. I recall the defiant proclamation ringing out; questo e la nostra primavera. This is our Spring. Repeated in thirty-two languages.

When I found out the march had been reported internationally frantically tried to find a phone box. Mum was like Zeus in her fury. Predictably they’d heard about it on Radio Four. Finally after my protestations she relented somewhat saying, “It’s not YOU I’m worried about, it’s the police, they don’t mess around over there.”

The police, were conspicuous by their absence. The Italian newspapers the following day ran eight-page articles claiming two million marched. No one really knew the real figure but it was simply to big to attack. At the protest at the G8 summit in Genoa just over a year ago Carlo Giuliani wasn’t the only casualty, many others were gassed and beaten. Guess Mum and Dad heard about this too. How was I to know that? I’d sat there on the sofa next to mum, her knitting needles in hand, Dad ensconced in his armchair behind The Telegraph, she had said, “What are you doing?”

“I’m learning Italian.”

“Oh, I thought you were learning Spanish.”

In this way the plan was revealed. The conference anyway. I took care to detail; that I was going with trusted friends, we had booked an apartment. That we’d be in the company of NGO’s, charities, trade unionists, not just The Left. That it was important.

 I recall the social centre the night before the march. The tension, under the strains of the Internationale and Bella Ciao played by a brass band in an open air courtyard, was palpable; we haven’t come prepared, we don’t have gas masks, no one talks about that. We don’t talk about the next day at all. We don’t even have warm clothes, at least I don’t, no one tells me about the march until we arrive plus for some reason it doesn’t occur to me Italy in November will be a mere four degrees. 

On the phone I wanted to say, “Mum you don’t understand… I met the partisans on the march, the Florentine partisans, the ones that drove the Nazis out of the city… Some of them are still alive. I spoke to a woman that looked just like your mother.”  Instead, hungry and sleep deprived; my mind in a blaze of sensation, new ideas, languages and memory; remembering Dad saying, when we were all drunk at home on a Friday night, “Now yer Mum, if the Nazis ‘ad invaded here, she would ‘ave blown up the train tracks, I wouldn’t, but she would ‘ave tried…” 

And Mum saying, “Well I don’t know about that…” Remembering a few years after that Mum telling me gleefully she had found out that The Sacred Heart Convert, where she was schooled, secretly operated a convalescent home for British women who worked the French Resistance, “Those women… those brave women.” Reciting, The Code Poem for the French Resistance by Leo Marx. Which she will instruct me to read at her funeral.

I managed to say, “I’ve got so much to tell you.”

“Just get back safe,” she ordered then softening, “We’ll talk about it when you get home.”

We didn’t. It was lost in a glare and stony silence on the subject. 

Something changed though by February. For once Mum doesn’t say, “Just be careful.” When I told her that same afternoon when we came in from the garden that we are going to march again, against Bush in November, she says, “Just remember, I’ll be by your side.” For a fraction of a second I really thought she meant she’d be gone by then.  Then she told me about the international patent that prevented Third World countries from manufacturing HIV/Aids drugs at a fraction of the cost. Animated for a few minutes; Dad was watching her, his face a mixture of awe and concern, I looked on, smiling at her fire.

Finally, she added, “Those poor countries, it’s criminal,” and leant back, spent. I scrambled to say, “I’ve heard about it, I didn’t understand it before. I do now.”

I’m not sure she heard me.

As the afternoon draws on I become aware of faint stains of music that float across from the Colourscape festival in a multicoloured, inflatable maze. Wisps of cloud drift above, lanky youths bouncing a football amble past prostrate girls. A motorbike leans by the side of a tree, a teenager takes a piss beside it, walking back to his friends he punches the air.  A man crosses in front of me pushing a bicycle, one child balanced precariously on the saddle, another in tow. 

           In a few hours this heat will be gone, the dispersed camaraderie I feel so distant from will disappear. In a few weeks the leaves will fall from the trees, some are turning already; for now, we all collectively conspire to collude that this is still summer. 

“Just carry on as normal.” Mum had said when she told us, “That’s what you can do.” I nodded. She smiled, a weak smile. It doesn’t seem enough yet we do. We carry on leaving things unsaid, talking at cross purposes, sometimes missing the point and occasionally, these days, connecting.

 Only after Mum has died will I remember it was her that told me as a teen about Sylvia Pankhurst, Rosa Parks and Anne Frank. Only then will I remember all of us watching our favourite family films together when we were still children; The Great Escape, Spartacus and the Inn of the Sixth Happiness, time and again, during the latter, holding back tears we are afraid to shed in front of each other. 

As I watch the cycling antics, amateur acrobatics and kite flying, I’m asking myself what is constant? The sun? Up to a point. Love? Change? Surely that’s a contradiction? Who was it who said, the only constancy is change? Was it Marx?  It might have been Lao Tse. The summer will be back, I muse, until the sun burns out. Somewhere walking the streets of other sundrenched cities, there’s a man I will never know but can’t forget, another I loved but failed to understand. 

I know where Mum and Dad are. I always do. Whether it was the steroids or the prayer that is giving her an Indian summer, she will be at the corner of the sofa, Dad besides her in his armchair with a pint. Between them the small, round coffee table that belonged to Dad’s mother and the standard lamp he made when he was a teenager. Like always. Except now there’s blister strips of painkillers on the table and behind it two canisters of oxygen lean against the wall.

***

It’s now twenty years today since mum passed and she is still with me every day. I thought last year it was twenty years. That anniversary passed without grief, only love. And strangely I’ve noticed I know her now better than I ever did back then. Sometimes I hear her voice. I remember her obscure sayings that baffled us as children. She still guides me and influences my work and life in every aspect.

Jean Margaret Cooper, née Whittaker, in the centre of the image, Stevenage Old Town, circa 1955, looking not unlike the images of Italian Partisans I found returning from Florence, minus the guns of course. The same skirts, the same hair, the same look of confidence and optimism. Rest in peace mum and thank you for my life.


A shorter version of this story was published in 2012 in the anthology Out is the Word that I curated at SHARP, the Social, Hope and Recovery Project. It was the outcome of The Word is Out, a two year mental health writing project, a co-production of mental health staff and services users. Published with this as my bio at the time, something she didn’t live to see.

Anne Cooper is a writer, poet and educator. For over a decade Anne performed regularly with the group Poets Know It, also appearing in libraries, pubs, and various other venues in London including an art gallery and the Brockwell Lido. She has had poetry broadcast on Resonance fm and the Islam Channel. She is the author of Touched, a collection of poetry published by Survivors Press in 2006, the founder of The Way of Words creative writing workshops and editor of their anthology, And Then There Was Light, published in 2008 presenting the work of 24 Lambeth writers. In addition she has facilitated workshops at Lambeth Mind, Survivors Poetry and coproduced and facilitated workshops for The Word is Out. Anne believes passionately that another world is possible and that, in this insane world, where reason and justice stand on their heads, sanity is being in balance and seeing clearly; writing, yoga, shiatsu and meds help her with this. 

A blog post by Anne Enith Cooper 

Find my bio here

Contact me here

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Comment: The Cost of Living et al

Comment: The Cost of Living et al

So we’ve had the budget in the U.K. and, who would have thought, more retrogressive tax cuts rolled out; that is to say tax cuts that benefit the well paid more than the less well paid. This is not unexpected. What is bugging me is a consensus which seems to be growing in both major parties that says Taxation Baad! Spending Baaad! What is the purpose of government if not to tax and spend? If not to oversee where funding is required and supply it?

We’ve had nearly 50 years now of the neoliberal experiment that purports the market will provide and ensure prosperity, and the state will intervene to make that as easy as possible. The result: income inequality is soaring and anyone who works in or uses the NHS, schools, social services, local councils in general, prisons, courts, transport could tell you how desperate these services are for funding. So that’s got to be pretty much all of us isn’t it? In one way or another. The public sector has been cut to the bone, and now one in five councils face bankruptcy, the very decaying carcasses being carved up.

At the same time, in the hailed remedy for all ills, the good old free market, the major oil and gas companies are making record profits while people shiver in their homes and the earth burns.


My energy supplier British Gas made a staggering ten fold increase in profit last year, “Centrica released figures on Thursday showing that British Gas, which supplies energy to UK households and businesses, showed its profits jumped to £751m in 2023, up from £72m a year earlier.” And there was I patting myself on the back for saving the planet a smidge, while simultaneously saving a quite a few hundred quid, by keeping my thermostat at 18 degrees! U Switch here I come! 

While government subsidies introduced in response to the cost of living crisis, what happened to them? Payments to were wound up last month. Let’s face it we’re all doing so well aren’t we? Especially the low paid, the precarious workers, those too old or sick or disabled to work. There’s no food banks, there’s no homelessness, no housing crisis, oh please ignor my caustic tone!

Couldn’t help but laugh hearing the U.K. has been deemed the second most unhappy country in the world just below Uzbekistan. I’m somewhat bemused though by this, after all we don’t have to put up with Berlusconi, Putin or Trump. Perhaps it’s the “inclement” weather, ULEZ or the fact certain elected representatives are veering so far to the right they might as well join Reform U.K. Oh too late one of them has! While the Home Secretary, former Home Secretary and the Prime Minister haven’t quite said, “Rivers of blood,” yet use words just as caustic, just as dangerous. The latter in a piece of pure theatre, rolling out the lectern outside Number 10, as the light faded, to speak of “protecting democracy” and the danger of extremism read: Palestine protesters calling for a ceasefire.


The other day I got down to Streatham to get my bloods done. Blood test not transfusion or anything tricky like that. Lithium level, kidney and liver function. It’s the deal I have with the NHS since the mid 90’s; I take the meds and they give me the blood tests to see they’re not damaging my organs. The best thing about this quarterly trip is the clinic is like literally (soz for the Americanism) five minutes from Poundland and the Streatham Poundland is immense. 

It’s like a day out! I guess it’s a case of you can take the girl out of Stevenage but you can’t take Stevenage out of the girl. Not that we had Poundland back then but we did have Woolworths and oh how I lament the demise of that. Mind you when I stood in the queue I overheard a women on her phone saying, “‘E’s at this stage where it’s all want, want, want, an’ ‘e don’t get we just don’t ‘av it.” An echo of, “It’s all want, want, want and money doesn’t grow on trees you know, “ as I, as a child, stared wistfully at the apple tree in the back garden, through the kitchen window, wondering why I’m being told the blatantly obvious. And back then in the 1970’s there really were no food banks, homelessness, no housing crisis.

Later at the bus stop overhear another women on the phone saying to a child, I assumed, “There’s a tenner on the card, it is working! Just stick it in, give a good shove.” A tenner on the card, how long is that going to last? At this point I just felt like a tourist in poverty porn land or had just tuned into some poverty porn reality TV. Not that there hasn’t been times I had the electric on a card, would go to three shops just to get 5p off the price of a can of baked beans. A time too ill to be working really, on reflection, with a recent diagnosis of bipolar, a recent MA, struggling as a self employed tutor/workshop facilitator wondering if I’d be better off going back to cleaning and life modelling, flirting with the idea of table dancing. 

There was almost an incident in the queue in Poundland between a European Deliveroo worker and two women, probably black British from the accents. The queue stretched right back up the isle. The Deliveroo guy appeared to be either unaware of queuing protocol or unwilling to queue and was hovering at the front of the queue, it was getting very heated. Arms flying, voices raised. At one point I heard one of the women say, “If you don’t speak English I ain’t talking to you.” Then she crossed her arms and turned her back. It was becoming apparent he didn’t or wouldn’t.  

I heard him say, while gesturing to the women to go ahead of him, “Sigue, sigue!” The Portuguese for follow/proceed, but he was still resolutely refusing to move. At this point I called out, “Hablas espanol?” “Do you speak Spanish?”using the familiar form of the verb. He looked round, saw me, turned away again. Then I added, “Usted?” The polite form of “you,” he turned back, approached. I then tried to say, “The end of the queue is there,“ but couldn’t remember the word for queue! 

Embarrassingly it came out as, “The end, there.” Which sounded more like an order than a helpful suggestion. I think he got my drift, replied with something completely unintelligible in an air of irritation and stomped off back to his spot, hovering near the front of the queue to the annoyance of other customers. I know it all might seem a storm in a tea cup, apologies for that cliche, but I couldn’t help thinking: Well here we are in cost of living crisis Britain; people on zero hours contracts, battling mothers wondering how to get through the Easter break without treats, feeling lucky if they can keep the lecky on, for a space in the queue. 


I do like Streatham High Street though. Still a few independent shops and cafes, old fashioned pubs, among the charity shops and pawnbroker. Apart from the air quality that is. It has benches along the side of the road. Never noticed them before. Though I imagine sitting there too long might take of a few years of your life. If it’s anything like Brixton High Street which exceeds annual emission levels in the first five days of the year.

I got a weeks worth of fruit and veg for a fiver from a stall on the corner of the street. The guy that served me looked so cold and so unhappy, he may have been Mediterranean or perhaps Middle Eastern. The blossom on trees at the side of the road was saying Spring, the cutting wind saying Winter. So I said, “Hello! Chilly isn’t it?” He said, “Eh?” I said, “Nippy…” Blank look. “Cold!” I say rubbing my arms, “Ah,” he replied.

It’s such a nexus, culturally and transport wise. I only had five minutes to wait for the little 201, it was number 10 on the screen when I arrived at the bus stop. The guy sitting next to me was talking to his mate on the phone in English while urging his rather unattractive bull terrier to, “Sientate! Sientate!” Spanish for “Sit down. Sit down.” For some reason this immensely amused me. 

A bit of an aside though it leads back in. Getting on the bus, an oldish white guy, about my age, stepped back making way for me, bags swinging, saying, “After you,“ in a soft Irish accent. I was thinking that’s an old punk if I ever saw one. It wasn’t his appearance or attitude, more a feeling. I sat down my the middle doors. When he moved to get off he was standing right in front of me. I don’t know what came over me but I felt to say to him, “Excuse me, I was looking at you wondering if you used to be a punk, am I right?” 

He smiled, perhaps noticing the safely pin holding my coat together, said, “Aye, you’re right enough,” paused, took a deep breath and added, “So long ago.” And I said, “Yes, but doesn’t that time back then stretch out in the memory.” He touched my hand resting on the bus rail as he prepared to leave. Kissed my hand and said, “Love and peace.” And I, smiling, replied, “Love and peace.” And he got off. 

Later still I remember the cover a Clash single with the words, “Hate and War,” which I’m sure he was obliquely referencing. And how we understood only too well those words reflected not our desires or intentions but were a statement of what we were living through back then. “Hate and war/ The only things we got today/ And if I close my eyes/ It will not go away/ You have to deal with it/ It is the currency”. Remembering how The Clash railed against poverty and oppression. 


And yet here we are forty years on with poverty, energy insecurity and malnutrition the currency for so many. I reflect on how Gandhi referring to underdeveloped countries, said, “Poverty is the worst form of violence.” And yes it is because it limits, it grinds you down. And now we’re living through hate and war again, poverty has become globalised like everything else and “telling it like it is” is no longer enough. I reckon we need also to articulate what could be. 

Let’s forget the cost of living for a few moments and consider the value of living, of life. It’s an opportunity to “know thyself” as Socrates advised us. An opportunity to “be here now” as Ram Dass put it. An opportunity to learn and grow and change within and without. And as many spiritual traditions suggest, “to accept reality as it is and change it.” Is that a contradiction? I don’t think so. It means to me to not deny the existence of climate change, the housing crisis, poverty, inequality, racism, misogyny, transphobia, homophobia. And they are all connected.

Only by accepting what is can we even begin to change these things. Some pay a very high price to change what is. Some give their life or freedom. Some spend their whole lives in the struggle. Arguably it’s very hard when you’re struggling to make ends meet to engage in activism and yet while hardship leads some to lash out or draw in, it does invite others to question, build solidarity, strengthen connections.

Surely the nature of this system is becoming clearer every day, when you can’t afford to heat your home and the energy supplier and energy companies are raking it with record profits subsided by a government promoting more oil rigs and coal mines, flying in the face of internationally agreed targets to prevent further climate change. A government threatening to try and find wriggle room in order to break international contracts with the EU, a government desperately seeking a scapegoat. Look out! First they came for the people on “small boats…”

It’s time to consider not only that another world is possible, but to embody, live and proclaim its values, birth them into being; justice, equality, empathy, compassion, dignity, respect, love and peace. And that is already happening. I’ve witnessed “dignity, respect” on the banners of the Independistas in Barcelona and precarious workers outside the Ministry of Justice in London, the words “empathy, beauty, compassion” on banners on XR rebellions, and “peace, love” on banners and placards on the Palestine Solidarity protests. 

While we all call for justice and equality, in the name of George Floyd, Sarah Everard, Breonna Taylor, Chris Kaba and the names of the countless unnamed subjected to violence and oppression, because, to use an old trade union slogan, “an injury to one is an injury to all.”


Our movements, which are evolving into “a movement of movements”are organically linked, connected, co-creating the new world within the old and emblazoning the streets with its values. And this, this is priceless. 

A blog post by Anne Enith Cooper 

Find my bio here

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Diary: March 2024

Diary: March 2024

My diary posts are the place for a bit of my news and poetry community news, plus my adventures in creativity. 

As February drifts into March I find myself thinking winter has passed swifter than I imagined, but has it? I recall last Spring was the most dark and miserable I think I can ever remember since my mum died, and the summer was not much better and as a sun seeker, a sun worshipper, however zen I try to be about the seasons I have to confess winter is something I endure rather than enjoy. 

I’ll be heading off at the end of the month for a break beneath the Atlas Mountains, above the Western Sahara, to a small city kissing the ocean. One where days and nights are almost of equal length, a permanent equinox at that latitude.

Since I’m going alone it is my intention to spend the mornings reading, a poetry collection per day is the plan, and spend afternoons and evenings exploring and relaxing and might pop in to the local hamman. 

I may write. How can I not write something, as Barthes once said, the writer on holiday is a myth. From the widely available Mythologies by Roland Barthes. I recommend it’s highly entertaining and thought provoking.

So where is the light in our poetry world as the days lengthen and the nights get shorter? 

OUT NOW

The Moon That Turns You Back by Hala Alyan 


Release date: March 12th from Ecco Press

Hala Alyan is a Palestinian-American writer, poet, and clinical psychologist who specializes in trauma, addiction, and cross-cultural behavior. Her writing covers aspects of identity and the effects of displacement, particularly within the Palestinian diaspora. She is the author of The Arsonists’ City and The Twenty-Ninth Year. Published by Harper Collins. The author describes the book as follows, 

“This new collection of poetry that traces the fragmentation of memory, archive, and family-past, present, future-in the face of displacement and war.

A diaspora of memories runs through this poetry collection–a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form–small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

These poems take stock of who and what can displace you from home and from your own body–and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?”

Available for preorder now

https://bookshop.org/p/books/the-moon-that-turns-you-back-poems-hala-alyan/20165263

Soul Feast: a new anthology 


Release date: March 21st from Bloodaxe Books who write 

“Soul Feast is a companion anthology to Soul Food, offering up a further feast of thoughtful poems to stir the mind and feed the spirit, bringing hope and light in dark, uncertain times.

This book’s inspiration – Soul Food – achieved its wide popularity by word of mouth. For many thousands of readers feeling adrift in the early years of the 21st century, the poems in that book offered support and sustenance. What followed has been even more destructive and disorientating: wars, pandemic, oppression, persecution of peoples and minorities, mass migration, dishonest government, financial meltdown, and looming environmental catastrophe.

There are even more voices of hope and healing, of love and tolerance, kindness and compassion, sanity and solace, to be heard and felt in the poems of Soul Feast. This new compilation shows how poetry can help sustain our search for meaning in times of spiritual starvation. All these poems are universal illuminations of the meaning of life, speaking to readers of all faiths as well as to seekers and non-believers.

Drawn from many traditions, Soul Feast includes work by poets ranging from Lal Ded and Tukaram to Pessoa, Borges, Cummings and Langston Hughes, as well as poems by celebrated contemporary poets such as Ellen Bass, Imtiaz Dharker, Jane Hirshfield and Naomi Shihab Nye. This is a book to keep by the bedside or to keep with you when travelling.”

Available for preorder now. 

COMING UP

The first weekend of March sees Glyn Maxwell’s play Boatman Town, A new version of Everyman, directed by Helen Eastman open in the U.K. 

“Creation Theatre presents the world premiere of Glyn Maxwell’s Boatman Town. It is set in an English pub, so we are touring the production to the pubs of Oxfordshire and beyond. Pick from a variety of different locations, times and venues, and join us for a unique hour of theatre. If you can’t make it to the show in person, then you can book a ticket to watch a filmed version, which will be available for three days in March.”

Dates

Saturday 2 March, The Bar in The Barn Theatre, Welwyn Garden City, 8pm BOOK TICKETS

Sunday 3 March, The Bedford, Balham, London, 2pm BOOK TICKETS
Monday 4 March, The Bedford, Balham, London, 8pm BOOK TICKETS
Tuesday 5 March, The Bedford, Balham, London, 8pm BOOK TICKETS

Friday 8 March, James Street Tavern, Oxford, 7pm BOOK TICKETS
Saturday 9 March, James Street Tavern, Oxford, 2pm BOOK TICKETS & 6pm BOOK TICKETS
Sunday 10 March, James Street Tavern, Oxford, 2pm BOOK TICKETS & 6pm BOOK TICKETS

Live Canon write, “We are proud to have published Glyn Maxwell’s new play ‘Boatman Town, after Everyman’ and copies are now on sale here (£7): https://www.livecanon.co.uk/store/product/boatman-town-by-glyn-maxwell-after-the-summoning-of-everyman

You can read Glyn’s foreword to the play on our blog here

NURTURING YOUR PRACTICE

From Nine Arches Press 

Poetry Spa at Nuneaton Museum & Art Gallery – enjoy an inspiring day with poet Olga Dermott-Bond alongside regular Poetry Spa host, Roz Goddard.

A copy of Frieze by Olga Dermott-Bond is part of the ticket price and prepare for friendly discussion, absorption in poetry and a creative writing workshop.

The day starts with gently reading. Then a small group of other book lovers people to experience the benefits of focused reading in Nuneaton Museum & Art Gallery (the venue is an 12 minute walk from Nuneaton station and has nearby car parking in Riversley Park or on Clinic Road).

Whatever you get up to this month, do what you love and love what you do. We can find happiness and contentment in the time of climate emergency and multiple crises. Enjoy!

A blog post by Anne Enith Cooper 

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Poetry by Others: Mosab Abu Toha

Poetry by Others: Mosab Abu Toha

As a poet or writer, at any moment, one grasps for words, grasps is actually the wrong word entirely, suggesting a certain desperation, let’s say the mind reaches out for the precise word or words that convey or attempt to convey the jumbled mass of thought and feeling.

Sometimes words come unbidden in a sluce or stream then once down on the white space of the page we reach for the syntax/ register/ diction/ metrics/ rhythm that will suggest something beyond words as music does.

In the face of such atrocities that are unfolding in Gaza all words can seem inadequate yet many in the front line of do find words and I share this in the spirit of solidarity. Poetry is about image and sometimes it is the small details that open the heart. I found this poem today in twitter posted by Caroline Bird in November 2023 

Mosab Abu Toha was kidnapped by the IDF, on his way to Rafah with his family. He was imprisoned, beaten and miraculously returned to his family after detention.


“Last year, Abu Toha published his debut book of poetry, Things You May Find Hidden in My Ear. It won an American Book Award, Palestine Book Award, and Arrowsmith Press’s 2023 Derek Walcott Poetry Prize, and was a finalist for the National Book Critics Circle Award.”

More poetry by Mosab Abu Toha  https://www.poetryfoundation.org/poetrymagazine/poems/155508/my-grandfather-and-home

On his arrest and the situation in Gaza in his own words https://www.pbs.org/newshour/show/palestinian-poet-mosab-abu-toha-on-all-hes-lost-in-gaza-and-hopes-for-his-homeland

Follow in X/Twitter @MosabAbuToha and instagram @mosab_abutoha


A blog post by Anne Enith Cooper 

Find my bio here

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Diary: February 2024

Diary: February 2024

My diary posts are the place for a bit of my news and poetry community news, plus my adventures in creativity. 

Some suggestions of publications out soon, events coming up and opportunities to nurture your practice follow. Here is some self reflection on last term as I go back to school. If you wanna skip this scroll down to OUT NOW.

I reflect on my time keeping and process and conclude that there is a part of my brain that can make plans, schedule activities and record deadlines in the diary and yet a part of me that seems uber reluctant to follow the plans and schedules. 

Whilst it does adhere to deadlines on the whole it’s often a last minute scramble. Not so much with the last assessment which was conducted like a military regime though in the last 30 minutes there was a scramble to acquire free pdf software as the one installed took this opportunity to not cooperate. 

At the weekend I create a document called, “REQUIREMENTS” a week by week detailed record of tasks I need to undertake for the course on a weekly basis for this second term. I did this last term and didn’t even look back at the document until week eight. This was despite printing it out  storing it at the back of my diary. Realise I could write a note each Monday saying, “CONSULT REQUIREMENTS.” That might do it. 

I wonder where this reluctance lies. The reluctance to follow the plan? Is it a bipolar/ADHD symptom or some wayward part? A child part perhaps that just wants to run through the meadows, pick daisies, make a daisy chain and find shapes in the clouds. Or throw my head back and catch rain drops in my mouth, get naked in the rain and roll down the hill, probably not, but dance in the rain, yes. 

Or as Baudelaire says here, “It is time to be drunk! So as not to be the martyred slaves of time, be drunk, be continually drunk! On wine, on poetry or on virtue as you wish.” https://poets.org/poem/be-drunk Perhaps it’s a part as Baudelaire puts it, that wants to be permanently drunk. That might have worked for him but I figure I’m drunk enough already. 

We are expected on the course to carry out self reflection on our learning. This feeds into the assessments. This morning I revisited the assessment submitted. This is new, usually when I submit work, which is rare, there’s an impulse to immediately go back to the document and with cringing agony notice further edits required or the worst typos! 

Observing the essay, think, not bad, that paragraph is in the wrong place, ooops a closed bracket fell out. And reflect on the poems. The poems took leaps under the pressure of the deadline and though that meant an order > chaos > greater order process.  Alarming, with the deadline swooping towards me I found myself in the “chaos” phase, yet it suggests to me a certain pressure is what made the leaps possible, maybe a few commas were misplaced. 

So I’m thinking “Be drunk” when you write, be sober when you edit. The other day it came to me like this, “Write fast, edit slowly, deliberately.” I wonder if this has application for living in general. I figure if you’re gonna be drunk on anything be drunk on love. If you’re gonna self reflect be gentle with yourself. If you gonna plan and schedule be flexible because you are only human not a machine. Know sometimes less is more. 

When I studied for my A levels I created a nine hour a day plan, three hours per subject, six days a week. Occasionally mother would ask if I was “getting on with it,” I didn’t show her the schedule, guess she didn’t ask. We were learning to trust each other. Perhaps she might have urged me to be more realistic. 

I remember lying in the back garden wondering if there was ANY POINT AT ALL given our government was suggesting we take measures to “Protect and Survive” a nuclear war. Yet still I plowed on I can only assume the thought of parental wrath out bid the threat of nuclear destruction. Suffice it to say I didn’t do well in those exams. 

Writing at this time of a climate emergency and multiple crises rather that making me think, ‘is there any point’ actually spurs me on though I get frustrated sometimes how long it takes to resolve a poem, though that’s nothing new. What is new perhaps is a renewed commitment, made during the pandemic, is to go gently. 

Like walking the Camino de Santiago, used as a metaphor in my essay, there is so much beauty on the path and sometimes it make sense to linger longer at certain places. And a reminder it’s not about the destination, it’s about the journey, always, in all endeavours. 

OUT NOW

From Seren Books, Cormorant by Elizabeth Parker publication date, February 26, 2024 info: https://www.serenbooks.com/book/cormorant/

“Elizabeth Parker’s second collection explores its titular bird from all angles: from diving cormorants to cormorants in flight, cormorants in motion and also in stillness. The bird itself is always untameable and irreducible to human impressions, but is bound through poetry with a family history, legacy, and losses.


Family is a key focus of this collection. Parker traces the journeys of her ancestors from Ireland to Liverpool docks and from The Midlands, the bloodlines meeting in London, the family then moving to The Forest of Dean and, finally, the poet starting her own family in Bristol. Parker plays close attention to the city and its inhabitants, human or more-than-human. There is a powerful depth to place here, which is full of carefully observed details about an independent natural world and how humans interact with it.

Through examinations of nature and the human, of shared losses and histories, Parker shows us how to regard the world compassionately. As she considers the miracle of the cormorant, she reminds us of the importance of wonder, offering an uplifting antidote to difficult times.”

This Is the Honey : An Anthology of Contemporary Black Poets edited by Kwame Alexander Publication date, 24th February 2024 info:

“In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of anthems for our time, at turns tender and piercing, and deeply inspiring throughout. Featuring work from well-loved poets such as Claudia Rankine, Ross Gay, Jericho Brown, Warsan Shire, Amanda Gorman, Terrance Hayes, and Nikki Giovanni, This is the Honey is a rich and abundant offering of language from the poets giving voice to generations of resilient joy. This essential collection, in the tradition of Dudley Randall’s The Black Poets and E.


Ethelbert Miller’s In Search of Color Everywhere, contains poems exploring joy, love, origin, resistance, and praise. Jacqueline A.Trimble likens “Black woman joy” with indigo, tassels, foxes, and peacock plumes. Tyree Day, Nate Marshall, and Elizabeth Acevedo reflect on the meaning of “home” through food, from Cuban rice and beans to fried chicken gizzards.

Clint Smith, Rachel Long, and Cameron Awkward-Rich enfold us in their intimate musings on love and devotion. From “jewels in the hand” (Patricia Spears Jones) to “butter melting in small pools in the hearts” (Elizabeth Alexander), This is the Honey drips with poignant and delightful imagery, music and raised fists. Marilyn Nelson puts it this way in “How I Discovered Poetry:” “It was like soul-kissing, the way the words / filled my mouth.” This is the Honey is definitive, fresh, and deeply moving, a must-have for any lover of language and a gift for our time.”

COMING UP

Wednesday 7th Feb, 8.00pm National Poetry Library, Level 5, Blue Side, Royal Festival Hall Lierature & poetry £7.00

Spoken Word London at the National Poetry Library, in this special appearance SWL will be looking back at its Anti-Hate Anthology with readings and more.

Hosted by Patrick Cash, Hannah Gordon and Jamal Hassan, the event features performances from poets featured in the anthology and some regulars from the SWL community.

Spoken Word London was a popular open mic night held at Dalston’s legendary queer venue VFD, has given a platform to more than 4,000 artists over a ten-year period. More info here

Thursday 22nd February 7.30pm, Omnibus Theatre, Clapham North Side London SW4 OLH, £6.00

Off the Chest: Poetry Open Mic Night

“Hosted by poets Ella Dorman-Gajic and Iftikhar Latif, Off The Chest is an inclusive poetry night celebrating original voices and poetry that makes a statement.

Their open mic segment offers the opportunity to poets of all backgrounds, stages and ages to take to the stage. You will be able to sign up for the open mic on the night, with a limited number of spots up for grabs. Names will be pulled out of a hat.

This night will also feature sets from two acclaimed poets, including Elle Dillon-Reams (as featured on the Guardian and BBC Radio 6, alongside Arlo Parks and Tim Key). The second feature act will be announced very soon.

Funded by Arts Council England, Off The Chest was founded in 2019, and has since produced multiple poetry nights to sell-out audiences, across London and further afield. Don’t miss their third return to Omnibus Theatre.” More info here

NURTURING YOUR PRACTICE 

Poetry as “Creative Reception” 6-Week Zoom Workshop, Starts Wednesday, February 21st, 2024 Enrolling now

The tutor

“Born to a Mexican mother and Jewish father, Rosebud Ben-Oni is the author of several collections of poetry, including If This Is the Age We End Discovery (March 2021), which won the Alice James Award and was a Finalist for the National Jewish Book Award. In 2023, she received a Café Royal Cultural Foundation grant to write The Atomic Sonnets, a full-length poetry collection based on her chapbook 20 Atomic Sonnets (Black Warrior Review, 2020). Her work appears in POETRY, The American Poetry Review, Academy of American Poets, Tin House, Guernica, Electric Literature, among others. Her poem Dancing with Kiko on the Moon was recently featured in Tracy K. Smith’s The Slowdown. Learn more about Rosebud in the Meet the Teaching Artist series.

How can science and technology shape poetry and unfold the poetic self? In this workshop, we will examine the possibilities of poetry as a science of “creative reception”— that is, how we are (re)defining our connections to reality, each other, artificial intelligence and life outside our planet— and how this kind of imaginative openness can generate new languages that translates our experiences in the 21st century.”

So happy writing to all! If you find your mood low or creativity sluggish at this cold time of low light try taking a walk in nature even if it’s just your back garden or a local park. Note to self: do the same!

A blog post by Anne Enith Cooper 

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Poetry by me: Apocalypse

Poetry by me: Apocalypse

This poem kinda popped out in October or November. It’s had some revision. I’m not sure it’s finished as am aware the first part “tells not shows” while the second part does, I hope, successfully “show not tell.” I feel for the first part to do likewise might entail an epic work the length of Dante’s Inferno…

I’m sharing it here as it’s has received welcome feedback from my MA cohort and gone down well with poets and non poets alike and having posted it publicly in Facebook figure I’ve nothing to lose posting it here. Sharing as an image as WordPress would seriously mess with the formatting.

I discovered recently that while we understand the word apocalypse to mean the catastrophic collaspe or destruction of the world, in theology it is associated variously with the end of days and a final battle of good and evil and the emergence of a new age, while the entomology of the word suggests more. 

The word origin is Greek, apokálupsis or apokálypsis, meaning revelation, or disclosure, an uncovering, literally a “lifting of the veils.” Something I believe we are seeing at this time, as instances of injustices, inequalities, abuses and corruption of institutions, individuals and the colonial project are revealed, suggesting every one of us, in someway, carries trauma, generational, genealogical and personal.

In esoteric traditions it represents a revealing of of divine truth, our true human nature, our interconnectedness and interdependence on each other and all living things. We are yet to see a full scale recognition that the profit driven system is the driver of war and climate change and driving us to the risk of the destruction of our home, planet earth. 




I can’t help thinking that right now the world seems like a dark place. As I write the slaughter in Gaza continues, yesterday a global day of action took place while a two day hearing brought by South Africa took place at The Hague last week accusing the Israeli State of Genocide. There is the light! And figure we need to continue to shed the light on this and other atrocities, shine a light on our own darkness within us and be the light of the world.

Image: London 11/11/2023 Palestine Solidarity Protest

A blog post by Anne Enith Cooper 

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Diary: January 2024

Diary: January 2024

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity including features on what’s out now, upcoming and nurturing your practice. 

Some news of poetry events and opportunities in January follow. First a personal reflection. When the calendar year comes to a close I guess it’s usual to look forward and to look back. Last year was difficult, a bug from hell in November not unlike the one when I returned from Fuertaventura in January (neither covid at least), six weeks on crutches in that cold spring and the long haul to write my MA personal statement, the mountain ranges of self doubt I had to cross to get that done!

It felt in May things were turning around when I met someone that moved me so deeply I could hardly keep my feet on the ground, started working with the XR Rebel Library and finally, after a delay due to a backlog, got the email from Newcastle University saying I’d been offered a place on the MA in Writing Poetry administered by the Poetry School.

The love thing felt equally heartbreaking and mindbending. My head and heart are presently at war which is an uncomfortable place to be though in truth I think it was triggering deep loss, insecurities, trust issues, so much so I’d have to write an essay and there has been learning and growth (on my part at least, no clue about the other who has not been particularly forthcoming.)

I recognise my part in the misunderstandings that took place, I recognise now how much I am still damaged by the emotional motorway pile up that took place in the 90’s. I’m still working to heal and clear the past though every time I think I’ve got there it seems there’s another hill to climb. A friend sent me this poem the other day I kinda relate 

Long Exposure 

Even after letting go 

Of the last bird 

I hesitate 

There is something

In this empty cage

That never gets released

Garous Abdolmalekian

Meanwhile the genocide in Gaza grinds on, all the more reason to surround yourself with loving friends, kindness, empathy and compassion. My good friends have been an amazing support these past few weeks when a deep well of hurt and pain overflowed and threatened to drown me. Eventually I imagine I’ll be able to see this for what it is, a healing crisis but right now it’s hard to have that lofty perspective.

Despite all this I guess the high points of the year were getting my MA place, the XR Rebel Library zoom launch, a writing retreat at Ty Newydd Writing Centre in Wales (though I was exhausted the entire time!) and a yoga break in Corfu with kayaking, visits to the capital and small villages, new writing entitled The Absence: As Barthes Once Said the Writer on Holiday is a Myth (because you don’t leave sorrow behind) and a bit of climate research on attitudes to the recent wildfires.

I never really know what’s on the horizon as I don’t plan too far ahead and can never quite imagine what a new year will bring. Even trips away I rarely decide until a week or two ahead. So who knows what this year will bring. 

When I was away at Agios Gordios the first time I attempted to walk down — I should say staggered — since by the time I arrived was shattered quite frankly, to the cafe/beach/ yoga studio I was told, “Easy, follow the pink line.” And this is an image of what I found. It seems to sum up my life in general, actually no that’s unfair, guidance is never far away if I remain present. So easy to say. So hard to do.


COMING UP

Looking forward to January there’s a few things coming up most notably the TS Eliots, Sunday 14th 7.00pm GMT at the Royal Festival Hall and later in the month from the Poetry Society an invitation to attend a video discussion between Kabila Kapoor and Kyra Pollitt on the future of sign language poetry Looks like it’s live now. 

Also you can book for the launch readings of the Winter Poetry Review (free event) on 25th January at 7.00pm GMT FREE, featuring a great line-up of poets aracelis girmay, Jess Murrain, Oluwaseun Olayiwola and Rachael Allen.


OUT NOW

Something from me. Just posted a new visual poem/collage/montage in my insta  @anne_enith see more of these there. 12 images (collage/montage) entitled – Out of The Matrix – All twelve images, found and original, comprise the poem.


Accompanying text reads: We truly live in a world of illusion. The Buddha said it first so I’m not saying anything new. Actually he said, “We live in illusion and the appearance of things. There is a reality. We are that reality. When you understand this, you see that you are nothing, and being nothing, you are everything.”

Though I believe the veils of illusion are falling. We’re told we have democracy, freedom, plenty we can see how lacking is that. We do technically live in a world of plenty but as the seminal near future dystopia author William Gibson astutely noted, “The future is already here – it’s just not very evenly distributed.“ Goes without saying, nor is the present. 

The worst kind of illusion or delusion is our lack of seeing clearly. I know this only too well. Our meditation teacher would put it like this, “Who is in the drinking seat when one perceives, speaks, acts?” The person you have become or ego? A wounded inner child? A wounded adult child? Fear? Anxiety? Insecurity?  We carry some degree of these inside us.

How do the traumatised, and we’re all traumatised some way; war babies or children of war babies, while the legacy of slavery abides in the blood of so many, etched into last names. How can we make it out of the Matrix and co-create a new world? When war stalks the world? In a #climateemergency? 

It’s five years since the IPCC report that suggested we had ten years to avoid breaching the 1.5 limit in global warming. And already it’s breached. There’s no route map, no blueprint, perhaps this visual poem, can suggest a destination, a future with love, light, peace, kindness and return to the awe and wonder of nature.

NURTURING YOUR PROCESS

You might want to check this out from The Literary Consultancy 

On January 31, 2024 @ 8:00 am – 5:00 pm

“Welcome to our January member-only events, for members of TLC’s platform, Being A Writer. Being A Writer has been running since 2020 and offers writers a safe space to be creative, and to find support. The aim of Being A Writer is to create a community of happier, healthier writers: our focus is on helping writers to cultivate creativity, and boost wellbeing and resilience. All Being A Writer events are co-created, meaning that we programme in direct response to our members’ feedback and needs. Not yet a member? Sign up for a free 30-day trial today and join the writing community with a difference.”

Wishing you all in this year to come; joy, grace, adventures, kindness and comfort, love and light, courage and wisdom, good mental health and peace of mind. Here’s my new year gift to you 

Shawprint GOD GRANT ME SERENITY RETRO METAL TIN FRIDGE MAGNET, 100mm x 75mm, Novelty Gift


God grant me the serenity 

to accept the things I cannot change

the courage to change the things I can

and wisdom to know the difference. 

Reinhold Niebuhr 

A blog post by Anne Enith Cooper 

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Comment: On Poets, Poetry and Palestine 

Comment: On Poets, Poetry and Palestine 

As I write the temporary ceasefire in Israel and Palestine is over. The U.S. and U.K. respectfully vetoed and abstained on a vote at the UN Securing Council to uphold a permanent ceasefire. Meanwhile the United Nations General Assembly voted overwhelmingly yesterday in favour of a resolution calling for a humanitarian ceasefire in Gaza, yet the atrocities continue.

News that I allow to filter through to my consciousness horrifies me. Images of captured Palestinians surrounded by Israeli soldiers, stripped to their underwear, kneeling in the dirt, arms tied behind their back. An image of a child in Gaza laying in the rubble hugging a cat. 

I’ll be honest in the first few days in October I was in a numbed state of shock and if I’m really honest I feel again a grinding sense of loss at times.  Back then I feel into a kind of existential despair and wondering how it is that for so long people across the world, have demanded justice, peace, equality and now this… that led to “what the point?” Which is what I guess despair sounds like, and what is the point of poetry at a time like this. Then came the sorrow, grief and rage and some words flowed again. 

Since I’ve been asking myself what is the role of the poet or artist in a time of war, suffering and multiple crises? I figure there are many answers to this question. We know words have power to evoke love or hate, in essence not just to invite people to think but feel. We know words can appeal to our shared sense of humanity even when that appears to be further away than ever. Our words and arts matter. 

Painting by Palestinian Ismail Shammout


There have been enormous pro Palestinian poetry events held in London and New York City and no doubt else where. Arguably since it is the U.S. and U.K. that are the main obstacle to a ceasefire — our role in the U.K and U.S is of heightened importance, not yet pivotal but significant.

In addition I’d like to share news of an event featuring poets from Israel and Palestine. It’s unclear from the article when or exactly when this event took place but it was reported on the 20th October nevertheless check out the work of these writers. 

Personally I find it hard to imagine picking up the pen when under fire and found this incredible inspiring. The courage! From an article entitled, As the Bombs Fall I Write By Mohammed Moussa Published 8 Jun 2021

“I wrote my first poem in 2014, as Israeli bombs rained down on Gaza, sitting in the corner of my room during the three hours of electricity we had each day, listening to the radio and to the sound of bombs, drones and ambulances. I typed out the words – “I was born in Gaza.” I wanted to talk about what I was going through in the tune of a poet or a poetry lover.…

Growing up in Gaza is inspiring for anyone, but especially for poets – life here is poetry blown into pieces and scattered all over the place.”

So again I ask what is the role of a poet at this time? To write, to act, to shed light on the darkness. To share the work of oppressed people and those facing immediate risk and danger. Find some references to Palestinian poetry in my previous blog post here

I’ve writen little creatively on the subject so I’d like to share this powerful poem from Joseph Fasano. 

It’s so easy to focus only on the suffering and atrocities. This can only evoke pity. No one wants to be pitied. I figure it’s not whether we do or do not write about the darkness but how. Fasano’s poem brings us to compassion and care in a terrifying experience without denying the danger hinted at in the poems devastating ending. 

While Shouting at the Wall, by MC Abdul is an unabated cry of defiance, a portrait of occupation without denying the daily danger people living in Gaza face, “my dad risks his life outside to buy bread.” And bear in mind this video was uploaded two years ago.

MC Abdul aka Abdel-Rahman Al-Shantti was born in Gaza, Palestine. He started rapping and writing songs at age nine gaining popularity when he sang a rap about freedom in front of his school in Gaza. His videos for “Shouting At The Wall” and “Palestine” have gone viral.

Recently I went to a screening organised by a friend of Oliver Stone’s Salvador. In truth I had forgotten that time in the 80’s when people rose from Nicaragua to El Salvador, brutally crushed by CIA backed right wing regimes. Above all though it was a reminder to me of the immense courage people find in situations not of their own making, one of their own choosing.

Elsewhere oil prices are up again, of course they are, as Shell posts $6.2bn profit Oil deals are struck at COP 28. And peace on earth seems like a dream deferred with at least nine armed conflicts in the world at this time, seven of which are in Africa. And don’t expect to see much about that on our screens. It’s enough to make you want to despair. Yet despair is the darkness, hope is the light. We can all be Spartacus, we can all be Neo, we can all edge slowly out of the shadows in our own souls into the light. 

Seasons Greetings. 

A blog post by Anne Enith Cooper 

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Diary: December 2023

Diary: December 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity including features on what’s out now, upcoming and nurturing your practice.

This is going to be short and sweet hopefully as there’s that whole Christmas preparation thing to do for a festival don’t even really hold with beyond the impulse to eat, drink and be merry. 

My MA course has been a bit of a social whirl with readings from the tutors, from first and second years, from recent graduates and now concludes with a final end of term event on the 16th of December. So haven’t had a lot of time to keep up with events elsewhere. 

OUT NOW

From one of my poetry community sisters, we have INHERITANCE, the debut pamphlet for Jasmine Cooray, a Poetry Book Society Recommendation Winter 2023, described as, “a profoundly moving exploration of what is passed down by our forebearers, what is left behind when we lose someone, and what we learn from being loved.” Anthony Joseph

She says, “Absolutely overjoyed to announce that ‘my debut poetry collection ‘Inheritance’ is now out. Look at the beautiful cover!!! Thankyou to @badbettypress for making it happen! And extra thanks to Anthony Joseph for his generous endorsement.”


Available to order here

http://mail01.tinyletterapp.com/JasmineCooray/inheritance-out-for-pre-order-take-2-sorry/22496221-badbettypress.com/product/inheritance-jasmine-cooray/?c=15858f2d-75cc-4da9-a0a6-a1633631cd55

COMING UP 

The Poetry Society are holding an event in Johannesburg on 4th December, new poems will be unveiled as The Poetry Society is supporting Portland Japanese Garden in a South Africa Peace Symposium featuring readings from a commissioned poet Siphokazi Jonas alongside Young Poets Network winners – find out more here.

Free Mind – Spoken Word Wednesday takes place at the The Dalston Lounge, 13 Bradbury St, London

A regular event that, “Free Mind is not just a poetry event, it’s an experience that connects people through the power of words. The atmosphere is electric, and the audience is encouraged to participate and engage with the poets.” 

Book via https://www.eventbrite.co.uk/e/free-mind-spoken-word-wednesday-tickets-654370709407

A heads up the T S Eliot prize readings take place on 14th January 7pm at the Southbank. As Malika Booker puts it, “it’s my kick starter for the year.” Make it yours. 

NURTURING YOUR PRACTICE 

Registration is open for The Climate of Change Poetry Workshops, 2024 – UK morning presented by Cath Drake who writes, “This is a time of great change, and writers are at the forefront of describing and envisaging change. We will explore cherishing and re-envisaging our world. We need innovation, understanding, adaptation and resilience as our climate changes and as we try to do what we can.” 

In the U.K. these take place at 10am London time // 5pm Perth Australia // 7pm Sydney & Brisbane Australia // 6.30pm  Adelaide & Darwin

In addition there is an evening option 6.30pm to 9pm UK time https://www.cathdrake.com/events/climatechangepoetryworkshopsevening/

Poetry Society are offering feedback on poems at a friendly poetry workshop on Zoom with Vanessa Kisuule on 14 December 6pm GMT? Details here

LAST WORD

This is meant to be a season of comfort, peace and joy. It’s hard sometimes to truly believe that, and definitely hard to believe it at a time like this when we takes to our screens of one kind or another. I ardently believe though it seems to be getting darker the veils that have clouded our vision are being lifted. The true meaning of apocalypse.

We see the world as it truly is, tortured and traumatised, we are given the gift to see ourselves as we truly are flawed and wounded, maybe even broken and yet our destiny is nothing less than to create a new world from the rubble of the old, whether politically or personally, and to heal and transform ourselves in the process.

In my opinion there is no one saviour, as god is in all of us and we are all part of god, as much as every blade of grass or limping arthropod. And driven by our collective spirits and will that yearn for respect, recognition, compassion, empathy and love as love conquers all, we are all Neo. Namaste. 

A blog post by Anne Enith Cooper 

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Comment: What is to be done – On Colonialism and Culture

Comment: What is to be done – On Colonialism and Culture

As I write this the current situation in Israel and Palestine is one of a temporary ceasefire. How brief this will be, I shudder to think. Yet while the Hamas attack is still described as terrorism, the Israeli attack is described as self defence. A disparity in all lexicons. In my opinion war is terror, war is a crime yet war crimes according to international law have occurred and will occur again of this ceasefire does not hold. 

What can we do? Protest, petition, donate to humanitarian causes. All theses are useful but as writers, artists and allies in addition we can celebrate the culture of the oppressed. What follows is a limited series of references which you are welcome to share. First let’s think about how oppression works.

A part of oppression is not just the socio economic, political or the physical; imposed borders, western backed coups, imprisonment and torture. It is and always has been the demonisation of a people and the debasement of their culture.

I would argue this has been a project in extremis as regards “the Arab” a systematic project to hide or fail to disclose their achievements in astronomy, mathematics, literature and art, though much of the architecture remains. Who in the right mind would pull down the Alhambra in Grenada?

Perhaps this has been so intense because colonialism of the Middle East was so recent. Many of the borders were drawn in 1945. The words of Gil Scott Heron from Black History/ The World ring in my ears, “Egypt and Libya used to be in Africa/ They’ve been moved to the Middle East” Full lyrics here

Painting by Palestinian Yasmeen Shamout

Colonialism, relies on this, as in the period of slavery, it is necessary to depict “the other” as less than human or subhuman. When the imperialists debased the Arabic culture, with their hook nosed caricatures, ignored their literature and buried their history of astronomy it was to justify their brutal colonialism and thirst for oil. 

Few in the West for instance have heard of The Epic of Gilgamesh. This epic “hero journey” story, from the 12th Century B.C. was recoded in cuneiform in ancient Mesopotamia and is considered the worlds first novel. With over 30 000 words (in English translation) and a debate of what it is to be human I rather think it was unlikely to be the first, rather the first excavated and translated.

In my opinion the West lost so much wisdom and knowledge and the rest of the world has suffered so much as a result of imperialism and colonialism. Witness the genocide in the Amazon! While it is estimated their are one million widows in Iraq following the 2003 invasion by the “Coalition of the Willing” led by the U.S. and U.K.  During the Iran/ Iraq war, which now seems like ancient history in the West at least, both sides were funded by and supplied with arms by the West. 

I also can’t help recall how my mother told me, in one of her fervent history lessons in the steamy kitchen, about the Suez crisis. I didn’t entirely understand the situation beyond her outrage and disgust in the words, “And WE went to war with the French in THEIR [the Eqyptians] country. It was THEIR canal.”

Nowhere is this debasement more apparent than in Hollywood movies with omissions and worse stereotypes epitomised by the early 20th Century movies The Sheikh and The Son of the Sheihk. “The Arab” is depicted as untrustworthy, deceitful, brutal and money grabbing. 

Palestine, incidentally, has had a film industry since 1935. The first film made was a documentary based on the Visit to Palestine of Ibn Saud of Saudi Arabia made by Ibrahim Hassan Sirhan (or Serhan), from Jaffa. Recent titles here

Painting by Palestinian Nabil Anani

As Zena Takieddine, art history writer and editor, puts it “Edward Said was the first to formulate a language for that slippery yet pervasive  kind of racism that exists in the ‘western mind’ towards us Arabs; slippery because it cannot be based on skin-color, nor can it be based on religion, since people of Arab culture come in all colors and in all religions, (which is, in itself, a testimony to a rich civilizational fabric that cannot be reduced or ignored, no matter how hard they try)…. Edward Said explains it all.”

His seminal text Orientalism is described as the, “1978 book by Edward W. Said, in which the author establishes the term “Orientalism” as a critical concept to describe the West’s commonly contemptuous depiction and portrayal of The East, i.e. the Orient.”

The civilisation project relied on the denial that these cultures were already civilised, and of course, on might as right. We will invade your country, our armies, our guns are bigger than yours and you had no idea we were coming to “civilise you.”

An example that persists in architecture is the “couloirs sanitaires” or sanitary corridors, set up by the French around the old cities of Marrakesh and Fes. The attitude is in in the word “sanitary.” It required building a system of roads, that still exist to this day, that circumvent the old city centres. 

The positive here is the old cities remain in tact though in Marrakesh people  line the alleys leading to the main square, begging. People who resemble a queue for the A&E/ ED, seated in the dust, limbs bandaged, limbs in casts, palms outstretched. Todays poverty in much of the North Africa is the legacy of this colonial underdevelopment. 

So what is to be done? Let us celebrate the achievements of those hidden histories of culture. Hidden only from the curriculums in the west, celebrated by the descendants of the Middle East and North Africa. It was Iraqi’s who introduced me to the Epic of Gilgamesh! This in itself, I believe, particularly at a time like this, is an act of solidarity. Some poetry suggestions here. See also The Academy of America Poets Newsletter And the Poetry Foundation

Mahmoud Darwish. Photo by Don J. Usner.

Mahmoud Darwish is perhaps the best known Palestinian poet, arrested in the 1960s, he was imprisoned for reciting poetry and traveling between villages without a permit, find his poetry here 

The Palestinian poet Fadwa Tuqan is also well know known for her work based on the experiences of Palestinian refugees, “particularly the feelings of displacement that came with being expelled from the homeland and the dream of returning home.” More info here

I Write the Land

I want to write the land,
I want the words
to be the land itself.
But I’m just a statue the Romans carved
and the Arabs forgot.
Colonizers stole my severed hand
and stuck it in a museum.
No matter. I still want to write it –
the land.
My words are everywhere
and silence is my story.

by  Najwan Darwish

translated by Kareem James Abu-Zeid

More info here

A blog post by Anne Enith Cooper 

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Diary: November 2023

Diary: November 2023

News follows of some upcoming events, publications out now and my new blog feature ‘nurturing your practice’. Apologies this is so London focused, that’s where I’m based, it’s what I know, but realise that you dear readers are from all over the world and I appreciate that so much! You are welcome to send info of events where you are and I’m happy to feature if timely. Poetry knows no borders.

First some thoughts on the present moment. Since my last diary post the world has witnessed, is witnessing, the horrors unfolding in Israel and Palestine. I want to say something about this and how I see the role of poetry and poets at a time of war and multiple crises. I am working on that.

For now I’ll just state my position as elsewhere in Twitter and Facebook, I reiterate that while I do not support Hamas and condemn their actions against civilians on the 7th of October 2023, “the war” as far as I can see did not start on the the 7th October it began in 1948 and has continued since. 

I condemn the rising antisemitism and Islamophobia in the U.K. 

I condemn the actions of the Israeli State in Gaza which are, as always, disproportionate. The disparity between the two “states” beyond description, suffice it to say Israel controls the movement of the Palestinian people, has occupied the West Bank since 1967 and had blockaded Gaza since 2007. This I why we/ I call for a Free Palestine. 

It’s worth pointing out the Palestine solidarity protests, dubbed by the U.K. Home Secretary as “hates marches”, have held a minutes silence for the dead and injured in Israel and Palestinian and called for a ceasefire.

Humanitarian organisations across the world are arguing for a humanitarian corridor, attempting to get supplies into Gaza. At the time I write I read 20-30 lorries a day are getting through with aid compared with 500 on a “normal” day. Ask yourself why Gaza has to be supplied with aid on a “normal” day.

Join me in calling for a #CeaseFireNow


OUT NOW

Greeking is out today from Nine Arches Press who say,

“We are delighted to publish this much anticipated debut by award-winning poet Kostya Tsolakis. Moving between lament and celebration, this book explores an Athenian childhood, self-discovery, queer joy, voyages, a ‘song of exile’, the nature of motherlands and mother tongues: mesmerising and cinematic.  A Poetry Book Society Recommendation.”

We’re celebrating with an ONLINE LAUNCH featuring Kostya Tsolakis and Olga Dermott-Bond (Frieze) plus special guest poet Romalyn Ante on Wednesday 1st November, 7.30pm (GMT). Please register here”

Greekling is a dazzling and formally innovative debut” – Mary Jean Chan

There’s a new set of six posters from Poems on the Underground, if you like that sort of thing, details here


COMING UP

Thursday, 16 November 

Poems Not Bombs at the Spice of Life 3-5 GMT book to attend here 

NURTURING YOUR PRACTICE

Queer Circle present 

a weekly poetry course, details here

https://www.outsavvy.com/event/16558/four-week-poetry-course-with-fourteen-poems

Brixton poet Matthew Caley has organised a London Seminars Course

at  Somerset House, London, he writes

“Monthly seminar groups with Matthew Caley, featuring close reading, in-depth discussion and feedback on your poems-in-progress, as well guidance on your next steps as a poet and conversation around contemporary poetry. With a maximum of eight students in each group, these seminars provide an intimate setting and generate supportive and critical friendships, helping you to become part of your local poetry community.

Entry into this group is by application only. If you would like to sign up, please email administration@poetryschool.com for information and we will assist you in the application process.”

LAST WORD 

Welcome news in a tragic circumstances regarding the brilliant, young poet Gboyega Odubanjo who passed so unexpectedly recently. It is reported he is to be awarded posthumous PhD https://www.bbc.co.uk/news/newsbeat-67240506

A blog post by Anne Enith Cooper 

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Poetry by Others: Blood by Naomi Shihab Nye

Poetry by Others: Blood by Naomi Shihab Nye

Sharing this as right now the “headlines clot in my blood” and I can barely watch or listen, let alone write. 

Blood

“A true Arab knows how to catch a fly in his hands,”

my father would say. And he’d prove it,

cupping the buzzer instantly

while the host with the swatter stared.

In the spring our palms peeled like snakes.

True Arabs believed watermelon could heal fifty ways.

I changed these to fit the occasion.

Years before, a girl knocked,

wanted to see the Arab.

I said we didn’t have one.

After that, my father told me who he was,

“Shihab”—“shooting star”—

a good name, borrowed from the sky.

Once I said, “When we die, we give it back?”

He said that’s what a true Arab would say.

Today the headlines clot in my blood.

A little Palestinian dangles a truck on the front page.

Homeless fig, this tragedy with a terrible root

is too big for us. What flag can we wave?

I wave the flag of stone and seed,

table mat stitched in blue.

I call my father, we talk around the news.

It is too much for him,

neither of his two languages can reach it.

I drive into the country to find sheep, cows,

to plead with the air:

Who calls anyone civilized? 

Where can the crying heart graze?

What does a true Arab do now?

BY NAOMI SHIHAB NYE

Naomi Shihab Nye in 2002. Photo credit Karen Warren/Houston Chronicle via Getty

“Blood” from Words Under the Words: Selected Poems (Portland, Oregon: Far Corner Books, 1995). Copyright © 1995 by Naomi Shihab Nye. 

A blog post by Anne Enith Cooper 

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Diary: October 2023

Diary: October 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

A quick roundup of some events in the world of poetry, activism and beyond follows. I’ve been running to catch up with myself since I embarked on my MA in Writing Poetry shortly after returning from a somewhat tiring… let’s face it I was tired before I even left… yet fun yoga break which also included kayaking, a first for me, and plenty of sun soaking. 

When I left all the news headlines were of British infrastructure crumbling, not a metaphor, literally crumbling; school buildings, hospitals and prisons. Shortly after my return came the, not entirely unexpected, decision to develop Rosebank, a new oil and gas field, the biggest the U.K. has seen in years. 

Despite fierce opposition, despite the fact it is estimated it will not be at optimal output for fifteen years, which takes us to 2038, eight years after the Nationally Determined Contribution (NDC) to reduce emissions by 68% by 2030 relative to 1990 levels. The companies involved vow to halve their emissions by 2030, by drilling for more oil. Confused? Me too. While the development has been justified further my government ministers as, “a crucial part of our transition to net zero”. And despite the fact 80% of the oil will be exported, deemed “crucial to the UK’s energy security.” Go figure!  

In the light of that I was somewhat uplifted to receive a heads up from XR London about the following actions taking place 17th-20th October led by Fossil Free London. Full schedule here XR UK will be leading actions on 17th and 18th. (Training, workshops and networking ahead of the protests on 14th-16th October. You don’t need to come to these to attend the protest.) 

The actions are in opposition to an event nicknamed the ‘Oscars of Oil’, the biggest names in the fossil fuel industry will come to London to talk oil and money. It’s the biggest annual gathering of fossil fuel companies attended by the CEOs of Shell, BP, ExxonMobil and Total & Equinor, responsible for Rosebank. 

More info https://www.oilymoneyout.uk/

XR UK note “The official name of the summit was the ‘Oil and Money conference’ until a few years ago when it rebranded as the ‘Energy Intelligence Forum’. We’re not even joking.” 

NATIONAL POETRY DAY

Takes place on the 5th October and the theme this year is refuge.

From the Poetry Society,

“Here’s where you can find:

Happy National Poetry Day everybody!”


OUT NOW

Follow this link to find out everything you’ve always wanted to know about 14 Magazine

https://richardskinner.weebly.com/14-magazine.html

COMING UP

Red Door Poets present an online event on Sunday October 29th, from 6.00 – 6.45 pm.

Opening the Door to…  Glyn Maxwell 

Mary Mulholland will be interviewing poet, playwright, novelist, librettist and lecturer Glyn Maxwell about his writing life.

“Glyn Maxwell’s books of poetry include How The Hell Are YouPlutoHide Now and The Breakage, all of which were shortlisted for the T S Eliot or Forward Prizes; his most recent volume is The Big Calls.  His 2012 essential guidebook On Poetry was critically acclaimed and is widely read; he is currently writing an expansion of it on Substack called Silly Games To Save The World.  He has taught writing at several major universities in the US, and is currently Head of Studies on the MA at the Poetry School in London.”

NURTURING YOUR PRACTICE

Look no further than right now than Roger Robinson’s new series On Creativity, find it here


https://rogerrobinson6.gumroad.com/

#amreading about the line and line breaks in poetry and meter, the latter is almost an alien concept to me if I’m honest…

#amwriting or reworking a poem which attempts to decentre the human relation to nature or reassert our place as part of nature not above and beyond, something like that

A blog post by Anne Enith Cooper 

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Autobio: My twisting, turning, long road to poetry

Autobio: My twisting, turning, long road to poetry

As I embark on an MA in Writing Poetry I’ve been reflecting on my road to poetry. It’s been a long, slow, twisting and sometimes torturous one. If you like it happened after a series of shifts. Though our house growing up was full of books, not one was a poetry book. Art in general was considered another country. Social science scorned. Poetry was not just another country, it was another continent and we couldn’t afford foreign holidays. 

I heard often, “Science is what you want if you want to get ahead,” from school and my parents. The only other advice I got from parents was, “Don’t do what we did. Get an education.” Dad working at the time as a clerk for British Rail, Mum as a short hand typist for the NHS. Leaving school, respectively at fifteen and sixteen though mum went to night school.

Though I’d always scribbled, like many others I began writing poetry to save my life. I’d always wanted to write professionally,  when I told my mother at age 18 I wanted to write for the NME her reply was stark and forthright, “Yes, I imagine a lot of people do but you’re going to get a proper job. People like us don’t write.” 

And with that she drafted a letter, ordered me to copy it out and send it to all the chemical companies in the county. And I did. I didn’t dare defy her when she had that look on her face. My A levels had been in Maths, Chemistry and Physics. My choice of English, History and Chemistry overridden my parental persuasion. 

Hence I got my first “proper job” at ICI in Welwyn Garden City. I held this position until a shaft of redundancies coincided with an UCCA application I’d made secretly, gaining a place at the University of East Anglia in the school of Chemistry. My choice of study reflecting the still blinkered vision of my possible future. 

University was both a challenge and revelation to me with a working class background. Within a few months a decided to change tack and was offered a place in the School of Development Studies on condition I finished the first year of my chemistry course and submitted an essay, to show I could write presumably. This was the first big shift. 

When I graduated I felt directionless and adrift, in hindsight experiencing PTSD following the death of a close friend in a fire in our shared house, a fire I felt irrationally responsible for. After some years of part time work waitressing, life modelling, oh and the chip shop I walked out of after the owner sleazed on me, I trained in Welfare Rights and was offered my second “proper job” in London at the Mary Ward Legal Centre. 

At the same time I joined the Open Door Writers Workshop, just up the road from my room in a shared flat in the notorious Barrier Block in Brixton. This was the next big shift I guess. I was the only women and the only white person in the workshop. The first evening I stumbled thru the door, hesitating at the entrance to the back room, looking around thinking is this some kind of men’s therapy group, said, “Oh, I came for the writing workshop have I got the wrong night?” The bookshop owner replied, “No, this is it, come in! Sit down!”

Learnt a lot about the legacy of slavery; how it abided in the blood of those around me, etched into their last names. I was introduced to the work of James Baldwin and others and politics of Malcolm X, began writing short stories after work using the office computer. Had one published in their first and only magazine before the bookshop closed down. Though despite their encouragement and acceptance I still had a sense “people like me” don’t write. 


Image by Re-photo http://re-photo.co.uk/?page_id=5

Fast forward a few years by which time I’d met the bohemian Brixton Poets, though I never joined their open mike, I yearned to, it orientated me, another shift. I decided to give up Welfare Rights to, “do something creative and sort out my health.” By this time, despite working and everything else, I had been suffering an unrelenting crippling fatigue for five years. But had no plan, no destination. Actually I did have a plan, to take a video course, but it fell through taking me with it. Rather than release me from this fatigue this leap in the dark plunged me into a desperate state of what I know now was anxiety and depression. 

All I remember is this: sitting in bed, in an attic room of a shared house, often after a night of fractured sleep, drenched in sweat, almost too weak to make it to the kitchen or bathroom, drowning in guilt and shame, often reading. I’d read anything I could get my hands on to try and avoid the churn of cortisol and adrenaline (presumably) that ran around my body leaving my nerves jangling and feeling me with dread, remorse, more guilt and shame.

Then I found Dostoyevsky’s Crime and Punishment. I identified with it… The description of the anguish of the protagonist seemed to put into words, vividly, what I was viscerally experiencing. I began to find words that described my pain and desperation. I found other words that challenged what I knew was unjust; insane and absurd; the potential for global nuclear suicide, The Poll Tax, the way our sexuality, the most intimate part of our lives, is distorted by societal values. 

The words came out not in sentences as such but fragmentary lines, proto poems, I thought, maybe. Around the same time I stumbled upon The Gateway Clinic offering free acupuncture and chi gong. The chi gung began to release buried feeling, somewhat, dramatically at first, collapsing to the floor sobbing mid session, and I began to feel lighter. This is where I, unknowingly and accidentally, fell onto the path less traveled. Sometimes I’d sit in a Brockwell Park and just weep. And then the words would flow a little more easily. 

Only when I was introduced to someone as a poet (I’d never dared use this term) at the Gateway Clinic a few years on, did I really reach that other continent the next big shift. Andy Balcer, founder of Poets Know it, promptly invited me to perform at a benefit with them for The Landmark, a resource for people with HIV. They loved the raw, honest, painful truths in my words and I guess a poet was born or birthed…


It turned out “people like us”, or rather people like me, were working class, damaged and a bit deranged. Male, female, trans, old and young; survivors of domestic violence, personal tragedy, battling mental health issues and, in Andy’s case, openly living with HIV. I performed with them for 10 years while also graduating to be the mc for Trulips founded by the blind poet Michelle Taylor. 

It wasn’t the end of my mental health challenges midway into that part of the journey following the immense stress of an ex partner turned psychotic, unhinged and stalkery, not too mention moving house three times… I experienced a manic episode and was diagnosed bipolar. A condition I’ve spent best part of nearly 30 years learning to manage while also learning to write for the stage and eventually the page.

Joining the influential writers collective Malika’s Poetry Kitchen, which I attended for 10 years was another important big shift. It kept me afloat and I began to learn the importance of craft and was introduced to poetic forms. Witnessing the success of others I began to see new paths ahead I had had no idea existed and could never have imagined.


I guess this course is another shift. I look forward to what follows. I guess if there is a message in this for others it’s to dream, dream big, have a plan! I’ve stumbled through life! Surround yourself with like minded souls who share your dreams and supportive friends. Collaborate and co-create. Take inspiration from others, above all believe in yourself, your work. I’m only just beginning to do that and I reckon the journey would have been a lot less tortuous had I been able to before.

A blog post by Anne Enith Cooper 

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Diary: September 2023

Diary: September 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

Am in the midst of a long overdue break however here’s a few pointers to the events in the poetry world this month. I’m going to be away for a while on a combined research trip/ yoga holiday hoping to return enthused, strong and rested before embarking on my MA in Writing Poetry at the Poetry School later in the month. 

OUT NOW

indiom by Daljit Nagra

Publisher: Faber & Faber


“Daljit Nagra’s mock epic scrutinises the legacies of Empire and issues such as power and status, casteism and colourism, mimicry and mockery. What is Britishness now? How can humour help us survive hardship? The result is a capacious ‘talkie’/poem/play of resistance and redress whose ludic structures defy boundaries: a story of intertextual and misplaced identities, gods and miracles, celluloid tragedy and blushing romantic desire amid an awkwardly rolling cricket ball and rioting poodles.”

COMING UP LONDON

An innovative youth event that asks 

Who is AI, what is AI, is AI a friend or an enemy?

Come down for a special Poetry Luv showcase as part of Science Gallery London’s current season AI: Who’s Looking After Me? Science Gallery, to January 20, 2024

New work created by the poets that was written as part of a short residency at Science Gallery London. During the residency, the spoken word artists met with AI researchers at King’s College London to debate topics ranging from how AI will affect our justice, healthcare and education systems, to questioning whether it’s possible to fix bias in AI.

The event will kick-off with Poetry Luv’s usual open-mic slot, before leading into the AI: Who’s Looking After Me? poems and discussion.

POETRY LUV is a poetry and spoken word platform for up and coming artists. @poetryluv

INDIGO YOUTH is a not for profit organisation set up to deliver projects for disadvantaged young people in Lambeth and neighbouring London Boroughs. Projects focus on music, creative arts, mentorship and enterprise. @indigoyouthltd

This collaboration is part of Science Gallery London’s Creative Project Grants programme for local 18 – 25s and King’s students.

FREE entry

Science Gallery London is a place to grow new ideas across art, science and health. It is King’s College London’s unique public space that brings together academics, researchers, students, artists and local communities. Science Gallery London presents exhibitions, events, performances, live experiments, open discussions and festivals.

EXHIBITION

A timely exhibition as we see fire and flood across Greece and beyond from Gideon Mendel, entitled Fire / Flood


© Gideon Mendel

Since 2007, award-winning South African photographer Gideon Mendel has been travelling around the world photographing the devastating impact of climate catastrophes, focusing on flooding and wildfires. Over the past 15 years, he’s made 20 trips to flooded areas, most recently spending time in Nigeria and Pakistan.

Mendel said: “My subjects… are showing the world the calamity that has befallen them. They are not victims in this exchange: the camera records their dignity and resilience. They bear witness to the brutal reality that the poorest people on the planet almost always suffer the most from climate change.” The Photographers’ Gallery, to September 30; thephotographersgallery.org.uk

NURTURING YOUR PRACTICE

From Poets for the Planet

Workshop Sunday 17th September 

Campaign Sunday 24th September 

All details in the link. 

http://poetsfortheplanet.org.uk/ecopoems-for-world-rivers-day/?fbclid=IwAR2G-YZHn82a3CqD-lh9zMmP0wTYJXXSjxahwQmEQ3kFM4Jmc5rx3EyZPHU_aem_AWEMaTaO2mBdctUWmaI-zRDVRfMCN6bLxNUlky6BTcHRrO_-G4CefXnvFl5s8xmqVYs

#StopTheSewage #ClimateEmergency #WorldRiversDay 

From the Poetry Society

Catch the last month of Feedback on your poems: Poetry 1-2-1 Sessions, July – September 2023 from the Poetry Society 

Saturday 1 July 2023, 8:00 am – Saturday 30 September 2023, 5:00 pm

£10.00 – £72.00

“A one-to-one feedback session with an established poet offers a relaxed but in-depth analysis of up to 150 lines of your poetry.

It’s a unique opportunity to identify strategies for further developing your writing, discuss problems you may be experiencing and look at strategies for taking your work forward. There will be plenty time to talk about all those things you need to know about writing, revising and submitting your work.

Most feedback sessions take place online. Now Covid restrictions have lifted, some poets are offering in-person sessions again. These have a £10 supplementary fee to cover poets’ travel time and costs. Maggie Sawkins offers in-person sessions in the Isle of Wight, Carole Bromley in central York, J C Niala in Oxford, Judy Brown in London and Alison Chisholm within a 25 mile radius of Stockport.

When you have booked a session, The Poetry Society will put you directly in touch with the poet to arrange a mutually convenient date, time and (if relevant) place. Please note that this will entail swapping your email address with the poet.” 

Details about poets running feedback sessions are here.

Please contact info@poetrysociety.org.uk with any queries.

A HEADS-UP 

This year’s National Poetry Day is on Thursday 5 October 2023. The theme for National Poetry Day 2023 is Refuge.

If you’re a teacher, inviting a poet into your school is one of the best ways to celebrate National Poetry Day. We’d love to find you the perfect poet for your students through our Poets in Schools service: make an enquiry today.

The Poetry Society’s Stanza competition, open to all Stanza members who are also members of The Poetry Society, is on the theme of ‘Refuge’ and the winners will be announced on National Poetry Day. The competition is judged by Gwyneth Lewis, and the deadline is Monday 4 September.

#amwriting about smoke and air

#amreading about wildfires and it’s not for the faint hearted believe me

A blog post by Anne Enith Cooper 

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Quote: Julio Garcia Espinosa 

Quote: Julio Garcia Espinosa 

“Imperfect cinema can also be enjoyable, both for the maker and for its new audience. Those who struggle do not struggle on the edge of life, but in the midst of it. Struggle is life and vice versa. One does not stuggle in order to live ‘later on.’… And in life, as in the struggle, there is everything, including enjoyment.” 

Julio Garcia Espinosa 

Cuban film director and one of the cofounders of the Third Cinema Movement, author of For an imperfect cinema, translated by Julianne Burto

https://www.ejumpcut.org/archive/onlinessays/JC20folder/ImperfectCinema.html

Julio García Espinosa, wrote in 1969 one of the key manifestos of the New Latin American or Third Cinema. It was a polemic calling ‘For an Imperfect Cinema’, he argued that the imperfections of a low budget cinema, created in conditions of urgency, sought to create a dialogue with its audience, preferable to the movies made with high production values in contemporary cinema which merely reflected the audience passively back to themselves.

Third Cinema emerged in the late 1960s and early 1970s addressing the role of cinema in developing countries. Rather than reproducing the “First cinema” of commercial filmmaking or the “Second cinema of European art movements filmmakers from Africa, Latin America, and other parts of Asia argued for a “Third World” of revolutionary artistic practice. 

As a result Third Cinema is particularly associated with filmmakers in Latin America, though it’s influence is far wider, who used film to both document realities of social and political injustice and participate in struggles for liberation.

A blog post by Anne Enith Cooper 

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Diary: August 2023

Diary: August 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

The plan is to have a LONG BREAK once I get a bit of admin out of the way and keeping this short and sweet. So August traditionally, in the U.K. at least, is when the poetry scene goes to sleep for a bit. Does this happen where you are? Gives me a chance to do some DIY, more accurately DIWALHFVAF or do it with a little help from a friend, in this case one of my neighbours, as there are bookcases to shuffle around, yeah that! 

Though cleaning up the bomb site that has evolved after eight months without a proper break is all down to me. Ok, hyperbole! I exaggerate! And hopefully will see friends, get away with luck. So how are your summers going? Mine has been the collision of really sucky weather, the jet stream dipping again apparently, a climate change phenomenon I’ve gone into previously, and raining inside my heart. Sorry for sucky song lyric.

Have been writing though, it it just flows and flows. A recent encounter seems to have effected my practice, process, health, and soul in a very good way. Over the last couple of months been writing love stuff, actually it’s more about love, work, family, relationship, communication, miscommunication and mental health at a time of huge precarity and uncertainty, the cost of living crisis, the climate emergency and all the rest. 

I’m not sure if the new poems are to fill in what was missing in the collection in progress (it’s taken me two years to admit there’s a collection in progress) or a new collection, there a lot of editing required but I’ve got two years under the tutelage of Glyn Maxwell and Meryl Pugh to look forward to. 

The XR Rebel Library launch party was a huge success, no hitches, no glitches, when we started, confessed we were all nervous but excited, after we were all saying, can’t believe it went so smooth! 

Guest readers Ben Okri and Laline Paull were enchanting, other guests generous with their library recommendations. Liz Jensen, co-founder of XR Writers Rebel, reiterated, “We are building a community.”

We don’t seem to have a recoding of the launch it included a section on guest recommendations. You can make your recommendations to the library too. We’re always looking for contributors to our growing collection of literature to explain and explore the climate and biodiversity emergency.

If you’re a writer or poet and would like to share your work or ideas, get in touch! Contact mattroselibrary@gmail.com for prose or poetsrebelxr@gmail.com for poetry.

We raised a glass to the library and to Iggy Fox who inspired the library, a wildlife biologist and Extinction Rebellion activist who died so tragically young. The library is dedicated to his memory. 

Anyway here are shots of Laline Paull from Adrian Peacock, who read from her novel Pod, and Ben Okri, who spoke and read and illuminated. Image from @sarahmears10 in twitter quoting Ben saying “stories can capture the sunlight of the truth of the human condition.” The phrase that I will carry in my heart forever from Ben is, “a waterfall is gods tears” from a poem I believe. 



Link to the library here https://rebellibrary.com

On another tack, if you want check out and sign this Authors Guild open letter calling for “consent, credit and fair compensation for all historic and future uses of copyright materials in the training of AI systems.”

<link href=’https://actionnetwork.org/css/style-embed-v3.css&#8217; rel=’stylesheet’ type  

So I will resume full diary posts in September with notes on what’s coming up and out now and looking to interview other writers on their practice, process and influences. That kind of thing. If you think that’s you drop me a line via the blog with a brief bio and a line or two on why you write. 

If appropriate happy holidays! And if not stay strong we have a new world to build and this earth to save from the fires, floods and droughts, my heart goes out to Sudan and all the other places on this blue, green, golden planet where people struggle with war and dictatorship while at the front line of the climate emergency.

A blog post by Anne Enith Cooper 

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Comment: Technology, turbulence and tomorrows.

Comment: Technology, turbulence and tomorrows.

I wonder if you remember the Tomorrow People or Tomorrow’s World? Both broadcast by the BBC in the 1970’s. The former depicted a shiny possible space future with psychic characters who battled evil, some I seem to remember with pink or blue hair. The latter focused on technologies in development. I was always somewhat disappointed when at the end of each feature the presenter would say, “So in a few years time…” I wanted it all right now. I was after all a child.

Recently someone at XR Writers Rebel said, “The emissions of today with determine the climate of tomorrow.” I guess one could also say the technologies we adopt now will too determine the climate of tomorrow. 

Around that time I also read that the first floating wind farm in Italy is in the pipeline, so to speak, a Sicilian project. Though it’s taken time and won’t be ready for some years. See

https://www.rechargenews.com/wind/first-floating-wind-farm-off-italy-in-four-to-five-years-as-sicily-project-raises-sails/2-1-830005

Read elsewhere the Siliciam Mafia tried to get a hand in on this technology in 2010. It begs the question who owns these technologies? If the private sector invest what happens if the banks have another wobble? If government invests what if a new regime steps it and cancels it all? 

The emissions of today will also determine the growing turbulence of weather conditions we are witnessing in Europe this summer and last few summers. From a Eurocentric/ U.K. point of view,  too hot in June to August in Europe breaking records, too cool in July and August this year in the U.K. with the jet stream dipping again and low pressure. 

What do I mean by turbulence? Turn the tap on a bit see it flow smoothly, turn it too the max see the flow becomes chaotic. A better analogy would be someone turning it on and off at random. Maybe an even better example would be watch a pan of water heating up. A little heat and it will heat to simmer, more the bubbles get bigger, movement becomes agitated, it might boil over or boil dry if you are not careful. Climate change gives us both drought and flooding. 

Our movements are growing, they are globally connected, but movements rarely have much cash, money, money, money to invest in technology. At the risk of sounding like Teresa May figure we need at least ethical investment that is strong and stable and ultimately system change. 

The issue there is, as it always has been, as Engels put it, the “special bodies of armed men”. And now with surveillance technology that wouldn’t be out of place in Black Mirror I don’t pin my hopes on an uprising unless the banks and the rest have already gone down. Then it might be, as in Czechoslovakia 1989, velvet. 

Listened to Profile on Radio 4 recently focusing on the boss of Ecotricity, portrayed as a somewhat eccentric, neurodivergent trailblazer, an innovator, a grafter, now a millionaire. So he’s doing alright out of it! How much is invested back I wonder? 

At least, I like to think, we (humanity) are no longer the unknowing veritable frog in a beaker of water. It goes like this: drop a frog into boiling water it will jump out, drop it into cool water and heat slowing it will boil to death. Or are we? 

Either way I figure we can all do our bit. We can’t all drape the prime ministers home in black fabric, leading to the hysterical headlines, well done Greenpeace for that.


Further comment here https://www.dailymail.co.uk/debate/article-12371089/DAILY-MAIL-COMMENT-Targeting-families-private-homes-elected-politicians-unacceptable-criminals-ladders-walls-Rishi-Sunaks-home-subject-force-law.html

We can’t all be involved in arrestable actions, even XR recognise that, however we can all make a difference and it will take all of us to build a new world out of the ashes of the old.

And while the climate emergency is not in the future, but now, let’s not lose sight that what we do now effects tomorrow. We have a sobering choice to create a liveable future or not. Is a huge responsibility and, I feel, a huge honour to be alive at this time, to face this challenge.

And we will, I believe, with the right kind of sustained action, ingenuity, imagination and a lot of hard work, collectively, become the Phoenix, who rose from the ashes in mythology, whose qualities as a spirit animal include resilience, passion, determination, compassion and perhaps, above all, forgiveness. Be the Phoenix, not the frog!

Apologies wordpress won’t add hyperlinks right now…


A blog post by Anne Enith Cooper 

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Diary: July 2023

Diary: July 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

Well the last month has been a bit of a ride. My poetry news first, a contemplation, scroll down for poetry community news and updates. 

I’ve received confirmation of an MA place at the Poetry School/ Newcastle Uni. I will be London based. I received this in a state of unnatural calm for someone who is bipolar. That said this has led to a scramble for funding as it transpires though I thought I’d made an application for a scholarship, that nugget of information was lost and had to very swiftly write a statement to the effect of why me? Fortunately I was in flow and it didn’t take long. 

Now waiting on that and exploring funding streams. Waiting for some sign regarding a matter of the heart has been more difficult than waiting for this but poetry is flowing as has been the fizz with a few birthdays in my Brixton family.

Proud me!

I’ve been contemplating love, communication and the difficulties of making and maintaining relationships in this uncertain time, there are so many pressures on people and in the whole history of humankind the future has rarely been this uncertain. The Cuban Missile Crisis maybe. My mother told me about that though she never said, all that fear and I had just had you. She must have wondered what sort of world she was bringing me into. 

This is especially difficult for people who are traumatised and after all we are all traumatised in some way in this world, generationally, genealogically and some of us personally. I recall the words of Andy Balcer aka the Poet Poke it aka Vader ink, may he rest in peace, when I was relating to him a development in a particularly difficult relationship he was well aware of he said, “Well we’re all twisted darling!” This lightened the mood though had I had more wits and wisdom I might have said, “Well some are more twisted than others, where do you draw the line?” The line was drawn eventually, believe me!

On Cressingham Gardens we’ve had a busy time with a benefit gig and a Teddy Bears Picnic for the little ones. Plans in the pipeline for more events and gatherings. I hope Lambeth Council/Homes for Lambeth are getting the message that we will not back down, we will not let up, we are united as a community against  the insane, absurd and obscene plan to demolish an award winning council estate. It’s been 11 years of holding our ground and we are still here. 


Soooooo what’s going on besides. I feel it’s the last month before the big poetry world slow down, on this side of the pond at least. 

COMING UP

Sunday, 23th July

See a collection launch from Lucy Ingrams, Laura Theis, Jane Wilkinson

Eventbrite invite here

Same evening sees another event from Red Door Poets online at 6.00 – 6.45pm Opening the Door to Julia Webb

“Katie Griffiths will be interviewing Julia Webb

about what inspires her, what sustains her, what tools and resources she uses, and what brought her to poetry in the first place.”

 Tickets are free, register on Eventbrite here

RED DOOR POETS – Opening the Door to…Julia Webb Tickets, Sun 23 Jul 2023 at 18:00 | Eventbrite

Tuesday 25th July 7.00pm BST sees, drum roll…

the virtual launch of the Writers Rebel Rebel Library. I’m new to this team but it’s been a pleasure to work with such warm hearted, like minded people. It will include introduction to this valuable resource, an introduction to the team, with special guests Ben Okri and Laline Paull.

Eventbrite link here https://www.eventbrite.com/e/rebel-library-launch-party-tickets-675972681487?aff=oddtdtcreator

I will be cohosting with founder Liz Jensen 

OUT NOW 

Velvel’s Violin by Jacqueline Saphra


See https://www.jacquelinesaphra.com/

#amwriting about love, scallops, and angels keep popping up

#amreading about how trees talk 

A blog post by Anne Enith Cooper 

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Matter Poetry: The Way of Water

Matter Poetry: The Way of Water


In the Five Element theory of the Tao water is a yin element other correspondences are; darkness, the moon, winter, gentleness, coolness, softness, the night, yielding and passivity. (Passively without negative connotations, more akin to stillness.)

We live in a world of yin deficit. Yin and Yang are not balanced. Yang is a fire element other correspondences are; light, the sun, summer, fierceness, heat, hardness, the day, activity and strength.

There is strength too in the yin element. Water wears down rocks, carves out river beds, can undermine cliffs until they fall. Water too, like fire, can destroy. 

I think what this work is saying is let go of the stones that lodge in the heart, the hardness we hold in our bodies, embrace the yin elements, recognise our true nature is softness as much as hardness.

I suggest our purpose as humans is, in the process of rising to a more enlightened perspective and experience, is to unite the yin and yang elements; in ourselves, in relationship, in our world, in life and in the struggle as the struggle is, after all, part of life not aside from it.

I figure process is the key word here, not enlightenment as lightning strike, unless you are Ram Dass who famously wrote, “Be here now.” It’s a series of small incremental moments that become less and less fleeting with practice.

Every time we hold back from taking out our anger, every time we realise our vision has been clouded by the past; everytime we realise the wounds in our shadow have effected our perspective of events and behaviour toward another. And I could write a book about that believe me.

Every time we are able to genuinely say, “yeah, my bad.” Every time we are able to challenge another rather than judge, blame, shame or ghost them. I believe this awareness is realisation or enlightenment. Much of this I reckon, also requires yielding, a yin quality, to the higher self, the universe or God if you like. The Yang quality of that relationship is, I guess, acting with love in your heart, hence co-creating with god.

I figure it’s the foundation to see the world as it truly is. To see the true nature of reality, the true nature of ourselves and others, to eventually experience non-duality (which I’m still clueless about to be honest.) It takes practice that’s why I guess we call it practice.

The practice is mindfulness, not in the sense of the NHS proscribed CBT or worse monetarised Wellness industry but sitting in stillness and silence, or absorption in an arts practice or a manual trade. And that’s where people that repair, mend, build, have the advantage over academics who live in their heads.

I met a mountain climber in Rome who told me when he was in the process of a steep, dangerous climb, just about to reach the summit he would feel shivers even when sweating and the sun beating down. His eyes held a look of awe and wonder as he said this.

I’d asked him what he liked about climbing. It struck me that’s what I feel in deep meditation. I figure it’s the result of that single minded focus; one hand hold, one foot hold, after another enough, coupled perhaps with the awe of the view enough to bring one to a heightened state.

It’s not easy, to be present, to just be, none of this is easy, in my experience. We’re all on the path but some of us just don’t know it yet. Being conscious that the path is your path heightens the process for sure. I believe, paraphrasing Martin Luther King Jnr, at the end of his speech “I have a dream” we will all reach the mountain tops, someday.


+Not a permanent installation as I don’t have a spare bathtub, mores the pity!+

Materials wool, glass, metal. 

A blog post by Anne Enith Cooper 

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Diary: June 2023

Diary: June 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

Some thoughts on the present time then poetry news follows… Have had a month rocked by waves I don’t really understand. I’ve come to this conclusion; minds want to meet, the body yearns for touch, the heart wants to love, the soul wants to connect. This is true intimacy I guess. When faced with this potential or just the hint of it, it’s hard not to run for the hills. For me in any case. Genuine intimacy is scary. Easier to avoid, sabotage, resist. We’ll see what part in me wins, the wounded child, the fearless young adult, the wounded adult or perhaps a more mature being that is still finding its feet. 

I wonder that the earth itself is rocking us with the tremendous uncertainty we all face at this time. Reports suggest a dire situation with regard to polar ice while the smoke from wildfires in Canada reaches all the way down to Florida. Here in June in the U.K. temperatures bounced from 16 degrees Centigrade to 32 in ten days. This is not normal, I thoroughly resist the phrase “new normal”, by the way. Time to pray for the crops, biodiversity and natural carbon sinks, time to reuse, recycle, repair, reclaim and rebel! 

I wonder that the reluctance to fully embrace the reality of the climate emergency, which we all do on some level, I know I do, is also a factor of avoiding our intimate connection with the earth itself, our vulnerability in the face of that fact. As unevolved humans we seek control over the earth, we think somehow we are separate from nature not part of it. 

Perhaps it’s the avoidance of the deep contradiction that if we become fully human; connect with what I’ve heard described as our Christ consciousness or Buddha nature, all that we can be, it means recognising our mightiness yet simultaneously our smallness in the sight of everything, surrendering with awe and humility to the wonder of nature. I’ll leave it there as I’ve not fully thought it through yet. 

OUT NOW

Having struggled with my mental health most of my adult life and navigated much loss and pain am very much looking forward to reading this Define Hope by Evrah Rose Verve Poetry Press


“Define Hope is an intimate glimpse into the journey and thought process of a poet navigating debilitating chronic ill health, grief, loss and pain. From the darkness of losing faith, the bitterness of grieving her former self to the light she often found during her most trying times. Define Hope is a reflection of the extremes of emotion we each face – the exhausting and unpredictable shifts of anger, hopelessness and sadness and their relationship to our mental health and self belief. Evrah exposes herself and her conflict with the world in an unflinching look into her life since her last release.”

COMING UP 

Flaming Poetry!


An eco-poetry workshop among Poets for the Planet on the theme of fire.

Bring a prompt and your fiery imagination: Saturday 8 July 2023 on Zoom at 10am UK time. This is part of a series of workshops exploring the elements, beginning with fire.

More more details tbc soon but in the meantime, keep an eye out for updates on the Facebook page and website and register your interest by email poetsfortheplanet@gmail.com

Coming up online on Sunday 25th June, 6-7pm  –  Red Door Poets Mary Mulholland, Chris Hardy & Lesley Sharpe will be reading with special guests Clare Shaw, Gareth Writer-Davies & Dave Wakely. Tickets free on eventbrite 


This also grabbed my interest; Illusionaries Presents: Memories of a Dead Poet, directed and animated by resident artist Arash Irandoust, June 22nd to September 24th


Tickets are on sale at www.illusionaries.com

“Immerse yourself in the first-of-its-kind, story-based immersive art experience in London, where a mind-bending fusion of art and technology promises to redefine your perception of reality.

Embark on a captivating 40-minute journey through a triptych of multisensory immersion spectacles, meticulously crafted to engage your senses and challenge your intellect.

Arash Irandoust is far from your typical artist. A storyteller who views art through a philosophical lens, he defies societal norms with his creations. His art establishes a deep connection with the inner self, eliciting emotions that go beyond intellectual comprehension.”

#amwriting or rather rewriting and reworking poems addressing the climate emergency and the devastation in vulnerable areas of our home, the earth

#amreading Dear Life: an emerging young writer’s anthology 

A blog post by Anne Enith Cooper 

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On writing: John McCullough

On writing: John McCullough

“Big poetry tip: make a private anthology. Look for poems you want to learn from, ones that do things you’d like to be able to do in your writing but can’t yet. Re-read each phrase as you’re typing and feel the language pass through you. Make notes on the effects of techniques and line/stanza structures, how they conjure up emotion. This kind of reading puts tools in your toolbox, providing your brain with new strategies both for creating work but also for solving problems later when you turn to editing.”

John McCullough

I really like this idea from one of my favourite poets. Especially the idea of typing out the poems rather than just cutting and pasting. I’d suggest in addition, in a separate document, try playing with the line breaks and/or stanza breaks and see what happens.

John’s work includes Reckless Paper Birds 2019, Winner of the 2020 Hawthornden Prize and Shortlisted for the 2019 Costa Poetry Award, Spacecraft, 2016, Shortlisted for the Ledbury Forte Poetry Prize, Guardian Best Books for Summer 2016 and Longlisted for the Green Carnation Prize and most recently, Panic Response 2022, which I adore and imagine will receive similar accolades.


“John McCullough has a reputation for crafting lyric poems of the everyday with a surreal twist.
– Ben Wilkinson, The Guardian –

More info here

A blog post by Anne Enith Cooper 

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Diary: May 2023

Diary: May 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

Finally getting some down time! Well, that was after two weeks of playing catch up with a poetry admin backlog! So not much to say though my garden is blooming and I can report I got along to the XR Writers Rebel and Poets for the Planet “peoples picket” at 55 Tufton Street at the end of last month.

The sun came out after a burst of torrential rain, I’d say there was perhaps a few hundreds of people there and our love and rage in the air. Here is Zadie Smith on why we were there

Full transcript here

OUT NOW

Catch Me When I Fall: Poems of Mother Loss and Healing by Donna Stoneham

“A moving collection of poems and letters, this collection tells the story of grief, healing, and love between an adult daughter and her elderly mother. Four years of conversations are chronicled in this collection to contextualize the author’s grief after the loss of her mother. This transformational and transcendent collection shows the power of love and relationships to help us transform into our authentic selves.”

COMING UP 

Monday 5th June 7.00pm 

The Social, 5 Little Portland Street, London, W1W 7JD

The second Scarlett Sabet Curates event featuring Salena Godden, Safiya Kamaria Kinshasa, Yomi Ṣode, Oakley Flanagan, Rishi Dastidar and Scarlett herself.

Doors open 7.00pm with readings commencing at 7.30. Pamphlets and publications from the performing poets will be available to purchase on the night. The Social welcomes anyone who may have accessibility needs, however they are unfortunately unable to host wheelchairs users in the downstairs venue space.

#amreading The Thirteenth Angel by Philip Gross and Say it With Me by Vanessa Lampert

#amwriting lists, plans, spider diagrams, excel sheet of plausible poems 

A blog post by Anne Enith Cooper 

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Writing Prompt: Shigir Idol

Writing Prompt: Shigir Idol

Below is the face of the Shigir Idol, it is considered to be the world’s oldest wooden sculpture, older than the Great Pyramids of Giza. It’s on display at the Sverdlovsk Regional Museum of Local Lore in Russia.

It is named after the Shigir peat bog where it was found in the Ural Mountains in Russia in 1890. It was estimated the idol was made about 11,500 years ago, as reported here in the journal Antiquity in 2018. Now it’s believed it may be even older. Possibly as old as 12 100 years old. 

The people who created it would have before the Quaternary extinction event 10,000 years ago, when ice age species such as woolly rhinos went extinct. By comparison Stonehenge is about 5000 year old and the  Great Pyramid of Giza 4500 years old.


Use the image as a prompt. Freewrite from the point of view of the Shigir Idol. Consider things like what he/she/they have witnessed, what the idol makes of the world today or what thought of its makers. Since so little is really known you can take this whoever you like. 

Set a timer for ten or fifteen minutes, stick to whichever you choose and freewrite from the point of view of the idol. 

Rules of the freewrite after Natalie Goldberg in Writing Down the Bones 

  • Keep your hand moving, don’t stop or cross out
  • Don’t worry about spelling or grammar. 
  • Don’t think, just write
  • Go for the Jugular.
  • Follow the words, just see what comes. 

When you have finished consider what you have just made. Is it is enough as an exercise or does it feel it needs development? Does it welcome a form? 

If you feel drawn to it rework your draft. Play with your words until you find a form of words that satisfies you. 

A blog post by Anne Enith Cooper 

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Diary: April 2023

Diary: April 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

At the end of this month I’m off to a writing retreat in Wales organised by The Writing School called Journey to the Centre of the Poem with poet Vanessa Lambert. Very much looking forward to this. I’m hoping it will help with that tricky question of what is the poem doing? Hannah Lowe referred to this as “finding the nub of a poem,” in this interesting article.

I’ve booked the trains, now the dilemma is what to pack? Tee-shirts and shades or umbrella and woolies. A very British problem at all times, the only answer is both, though right now this situation is exacerbated by an inclement weather system produced by, you’ve guessed it, climate change.  Some poetry news follows but first a reflection on this phenomenon.

This time three years ago I was sitting outside my flat reading Do Androids Dream of Electric Sheep in balmy Mediterranean temperatures that whole month. I can’t help think of the contrast with this year where temperatures struggle to limp above ten degrees, feeling like six with the wind chill factor.

It’s all down to the Polar Jet Stream I hear, fast moving air currents at high altitude which form at the boundary of two different air masses. To the north cold polar air, to the south warm tropical air. By is very nature it fluctuates, it meanders, but this much? According to this article this is a direct consequence of climate change. 

“Even a slight change in the “waviness” of the polar or the subtropical jet stream can lead to dramatic weather changes in mid-latitude regions, from northern California to Moscow… In the past 30 years, scientists have observed an intensification of the waves, coinciding with increased global warming. More waviness in the jet stream means that rain and wind remain in a region longer than if the jet stream simply traveled due east with no detours.”

So there you have it. Thirty years of research yet still the deniers clamour.

The Jet Steam 15th April 2023


COMING UP

Friday 21st April 12.00-2.00pm

Poets for the Planet will be joining Writers Rebel on the first day of XR’s four days of mass non-violent protest organised by XR in partnership with more than 70 other organisations including Greenpeace and Friends of the Earth. 

We will holding a picket outside “the home of fossil fuel dark money”, the home of lobbyists and think tanks linked to climate denial, at 55 Tufton Street with speeches from Rupert Read, Juliet Stevenson, Jay Griffiths, Baroness Rosie Boycott and other leading campaigning writers and poetry readings.

The day itself is part of the People’s Picket happening across London by XR, as part of The Big One. XR are picketing numerous government offices along with Tufton Street that day. Writers Rebel won’t be the only group picketing Tufton Street. We will be joined by a 200 strong samba band XR Rhythms, The Dirty Scrubbers, XR Merseyside, XR Plymouth, XR Buddhists and other groups.

Thursday 27th Apr 7.00- 8.30pm 

The Auditorium (Level 6) at Foyles, 107 Charing Cross Road, London WC2 0DT hosts the launch of Neptune’s Projects by Rishi Dastidar.

Rishi will be joined in a conversation through their work by fellow poets Jessica Mookherjee and Tania Hershman for an evening of maritime-themed poetry. More info here.

Neptune’s Projects is published by Nine Arches Press who write, “What do you do when you are a god – but powerless to prevent one of your favourite species from their insatiable, accelerating death wish? Such is the dilemma that underpins Rishi Dastidar’s third poetry collection, Neptune’s Project, a reshaping of mythology for the climate crisis era.”

“There has always been an intersection between poetry and the natural world. Now here comes Rishi Dastidar’s Neptune to add wit, postmodern panache and mythic irony to the tradition of the open sea. A richly rewarding read.”

– Roger Robinson

£14 Book and Ticket, inc. a copy of Neptune’s Projects (RRP £10.99) / £8 General Admission

#amwriting Have discovered the Japanese form Zuihitsu just days after coming across an old draft of of poem which approximates that form so playing with that. 

#amreading What Poets Used to Know: Poetics § Mythopoesis § Metaphysics by Charles Upton

A blog post by Anne Enith Cooper 

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Poetry by Others: Linton Kwesi Johnson

Poetry by Others: Linton Kwesi Johnson

Time Come: Selected Prose by Linton Kwesi Johnson is out now, published by Pan MacMillan and he is appearing in Conversation in Liverpool on the 9th May and at Brixton Library on the 17th May. His influence of British cultural life is inestimable. ““Recognized as one of the great poets of modern times, and as a deeply respected and influential political and cultural activist and social critic, Linton Kwesi Johnson…” Pan McMillian

I’m filing this under Poetry by Others as Linton Kwesi Johnson is best known for his dub poetry. The title of this collection of prose comes from his poem Time Come on the album Forces of Victory released in 1979, a defiant lament with these last three stanzas:

“It soon come/ It soon come/ Is de shadow walkin behind yu/ Is I stannup rite before yu/  Look out! 

But it too late now/ I did warn yu/ When yu fling mi inna prison/ I did warn yu/ When yu kill Oluwale/ I did warn yu/ When yu beat Joshua Francis

I did warn yu/ When yu pick pan de Panthers/ I did warn yu/ When yu jack mi up gainst de wall/ Ha didnt bawl/ But I did warn yu”

Time Come: Selected Prose is collection of essays and lectures, book and record reviews, published in newspapers and magazines, and includes obituaries and speeches selected by Linton Kwesi Johnson brought together for the first time.

I can’t help thinking how absolutely relevant are those two words, “Time Come” now as then in the context of the multiple crises the whole world faces right now, in my opinion, multiple opportunities for us to connect and change this world. Linton Kwesi Johnson is and was always relevant with words that cut sharp, cut thru.

“Written over many decades, it is a body of work that draws creatively and critically on Johnson’s own Jamaican roots and on Caribbean history to explore the politics of race that continue to inform the Black British experience. Ranging from reflections on the place of music in Caribbean and Black British culture as a creative, defiant response to oppression, to his penetrating appraisals of music and literature, and including warm tributes paid to the activists and artists who inspired him to find his own voice as a poet and compelled him to contribute to the struggle for racial equality and social justice.” 


I also can’t help reflecting on a personal memories; the privilege of seeing LKJ live and how in the early days of punk a bunch of us decided what our sterile home town, the New Town of Stevenage, needed was a bit of graffiti. We had previously re-enacted the cover of the first Damned album, (so that would most likely make it 1977, would make me 15.) The boys up against a wall, faces covered with cream. I took the photo. Graffiti was the logical next step. 

So we set off down to the alley that led out of Peartree Park, a secluded space with a huge white wall at the end of a terrace, with our cans of spray paint and up went the words; The Clash, The Damned, U.K. Subs, Sham 69 and The Jam. Someone added at the centre the word BRIXTON and LKJ. I have a photo of this some place. 

I seem to remember asking, who’s Brixton? What’s LKJ? Someone, pretty sure it was Donald, (not his real name, who I was more than a bit in love with) said, “Punk rock init!” At that time that expression, used like that, conveyed; good, admirable, to be respected, though at the time I was none the wiser. 

Back then Stevenage New Town was almost entirely white and exclusively working class. It was The Clash that led us to dub and reggae though we were unaware of the intellectual and cultural forces rising at this fervent and formenting time.

It was the same year The Anti Nazi League and Rock Against Racism were launched bringing together dub poets including Linton Kwesi Johnson, bands such as Misty in Roots and Steel Pulse with punk bands. We wouldn’t get to discover that for another year when gigs began in the next town of Hitchin.

Time Come: Selected Prose opens with an essay called Jamaican Rebel Music which appeared in Race and Class in 1976. In this essay Linton Kwesi Johnson describes how Jamaican music “embodies the historical experience of the Jamaican masses”. And yet it transcended that, not only to appeal to the Black British experience but to white subcultures and our little provincial town. 

A few years later circa ‘79 in a punk squat in Islington I’d finally got to hear Linton Kwesi Johnson and other dub artists. It reminds me how punk, dub and reggae entwined at that time in a defiant call of resistance to what was a country riddled with racism and sexism, (just watch 1970’s sit-coms to get a flavour of that).

It was a time plagued with the rise of the right in the form of the National Front and the beginning of austerity under a Labour government, who had gone cap in hand to the International Monetary Fund and subsequently with inflation at 20% imposed a 5% pay offer on public sector workers leading to the winter of discontent. I guess in this context we felt defacing a hidden wall was small beef. 

When I moved to London never expected to end up living in Brixton, I had my sights set on Islington or Notting Hill, never imagined working literally next door, at Brixton Advice Centre, to the former offices of the Race Today Collective established by Darcus Howe, Linton Kwesi Johnson, Leila Hassan, Jean Ambrose and others. As if those words on the wall were prophetic. Can’t wait to read this book. 

In a review in the Guardian Colin Grant writes, “LKJ recalls that, aged 11, he left Jamaica for England armed with proverbs, hymns, folk songs and the sounds of mento and ska. When giving voice to his experience, he drew on the deep well of his Caribbean education, constructing verse that became “a weapon in the black liberation struggle”, making each gig a call to arms… Given the neglect of the “sufferahs” in our society and the shameful assault on refugees, the grace and power of LKJ’s writing are as necessary as ever.”

Absolutely. 

See the full review here 

https://www.theguardian.com/books/2023/apr/09/time-come-by-linton-kwesi-johnson-review-50-years-of-rhyme-and-rage

Tributes

‘Sharp and still relevant’ – Zadie Smith
‘A mosaic of wise, urgent and moving pieces’ – Kit de Waal

‘A book to be savoured and re-read’ – Derek Owusu
‘An outstanding collection’ – Caryl Phillips


‘A necessary book from a writer who continues to inspire’ – Yomi Sode
‘Incisive, engaging, fearless’ – Gary Younge

Time Come: Selected Prose is available from Rough Trade Records and all major bookshops. 

A blog post by Anne Enith Cooper 

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Diary: March 2023

Diary: March 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

Apparently there’s an anonymous saying in the U.K. “When March comes in like a lion it goes out like a lamb.” Feels to me like it came in like a lamb so what does that mean for us? The Cressingham crocuses, see February diary post, have all but shrivelled up. In this time between winter and spring, with the the push and pull of seasons, like a tug of war of the gods, it feels some days like winter is winning. 

Do we feel it and respond? I reckon we do. Today was the first day since forever I woke feeling fresh and energised in contrast to (according the new mental health monitoring system: making notes of waking state) “aching all over”, “slept baaaaad,” “in groggsville!” or “mood on the floor” and “brain fog til 5pm”

Yet then I notice the “bad days” are less frequent than I thought and actually what I thought was just bouncing off the bottom for months is more like a gradual bumpety, bumpety rise; so don’t be wondering if it’s time to call in the mental health team. Though I am a week late with this…

March the 8th was of course international women’s day, always an uplifting moment. I made this. It might make its was into insta if I can find the time and energy because in all seriousness the last few months have been a struggle. Not sure what this is? Collage? Montage? Visual poem? You decide.

That evening pulled on big boots, new latex black kecks and a frock and attended Dis-Ordered Minds with marvellous readings from Sue Johns and Sara Levy. It took place just up the road in Camberwell. T’was a night when wind whipped umbrellas inside out and the rain pooled in the gutters but there was a full house. A tribute to the talent of these writers’ who presented work from their MA Writing Poetry portfolios.


Sooooo what else is coming up in my poetry world this month? Actually more like this week as I feel woefully behind with everything. A quick round up. 

Tuesday 21st March Corrupted Poetry launch their anthology of visual verse Living With Other People 7.00pm at Chener Books 7.00- 9.00pm 14 Lordship Lane London SE22

Wednesday 22nd March Loose Muse returns —for one night only— featuring: Agnes Meadows, Sue Johns, Joolz Sparkes, Hilaire, Racheal Joseph and Charlotte Ansell at The Sun, 21 Drury Lane, Covent Garden WC2 7.00- 10.00pm

If that’s not enough excitement…

Saturday 25th March Poets for the Planet hold Candle Write for Earth Hour at 8.30-9.30pm and warmly invite you to take part by writing an ecopoem by candlelight during Earth Hour. There are prompts on the website and a series of short workshops between 8.00pm and 8.30pm, with each workshop followed by an hour of writing by candlelight. Register for workshops on the website. 

More info here:


Earth Hour is a global event organised by the World Wildlife Fund. They are calling on people do anything for the planet during this hour. They write, “Earth Hour is your time to switch off from distractions and focus on our world… to reset, recharge and re-evaluate how we can continue standing up for our world every day.” We can all be part of this. More info here: https://www.wwf.org.uk/earth-hour

Events are taking place across the world from China to Bolivia, here’s the list: https://www.earthhour.org/take-part/events


#amwriting some pretty dark stuff based on childhood memories, it’s less writing as therapy as writing to create a healthy detachment and acceptance 

#amreading a whole bunch of poetry collections most recently The Room Between Us by Denise Saul and No more Fairy Tales: stories to save our planet – an anthology from Habitat Press edited by D.A. Baden

A blog post by Anne Enith Cooper 

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Comment: Peace in our times?

Comment: Peace in our times?

As the one year anniversary of the Russian invasion of Ukraine comes around another anniversary has slipped by unremarked. Twenty years ago on 15th February 2003 the biggest peace actions in human history took place across the world. A coordinated day of protests was held in more than 600 cities expressing opposition to the imminent Iraq War. 

That day has been described by Stefan Walgrave and Dieter Rucht, as “the largest protest event in human history” in The World Says No to War: Demonstrations against the War on Iraq Social Movements, Protest, and Contention. It was depicted in the film We Are Many, a documentary. 

It was estimated, by the French academic Dominique Reynié, between 3 January and 12 April 2003, 36 million people across the globe took part in almost 3,000 anti‑war protests, the demonstrations on 15 February 2003 being the largest.

Of course numbers don’t capture the mood. The most memorable moment for me was when we were stuck on Waterloo Bridge, the sun was high and bright. The air was crisp. The march had come to a staggering halt as so many were trying to get across. 

Behind me I noticed a tall guy with thick dark hair that fell to this shoulders waving his arms about saying, “I’m talking to Athens,” then reeling off the number of people there. Around him others followed suit. “I’ve got Paris… Budapest… Istanbul…

I rang a friend in Barcelona, he wasn’t particularly ”political” but I thought it was worth a try. He sounded like he was almost in tears saying, “Estoy en una marcha. Es enorme!” – I’m on a march. It’s huge! By this point I’m almost in tears. Those feelings of jubilation, of solidarity that rise when we meet in defiance, hope and solidarity, shared across the world in real time. 

Eventually we were moving again. I’m pretty sure I saw just about everyone I knew that day on the streets of London at one point or another. I don’t even really remember Hyde Park to be honest as we spread out over the flattened muddy grass. 


Many people felt dissolutioned when the war began and I understand that but I think it’s worth remembering many of those people were transformed and didn’t go away but took part in a myriad of global protests against the G8, the G20, the WTO and began other campaigns large and small. 

I reference one of these that same year in a short story called Indian Summer about my mother, our relationship, her death which took place a year later.

“My book abandoned I read in The Observer that in Cancun, Mexico in the blazing heat Lee Kyung-hae, a young man from South Korea plunged a knife into his heart during a protest at the World Trade Organisation. It’s reported that other protesters make a shrine between two concrete blocks at the feet of the riot police; the so called ring of steel that keeps sanity out of the building. It doesn’t work, the talks break down. 

Back in his home town the tenant farmers of Jangsu come to pay their last respects bearing sticks of incense, the walls of his house are decked in yellow and white flowers sent from agricultural associations, Korean War veterans and old school friends, among them a message of condolence from the prime minister and a banner that reads, “Stop WTO agriculture negotiations which are killing millions of Korean farmers.””

Indian Summer was published in Out is the Word, an Anthology from The Word is Out 2012

After the protests in February 2003 mum told us she had been diagnosed with cancer and didn’t plan to have any treatment. She’d been through all that before and had had enough. Though she stopped saying, “Just be careful!” before a protest and when Bush came to London in the Autumn told me, “Just remember I’ll be by your side,” for a moment I thought she meant she be gone by then. In fact it was a time when her energy revived briefly while on steroids though still too tired to leave the house; her Indian Summer.

It’s worth remembering this was the time of The Project for the American Century, a Washington think tank dedicated to US global dominance and military supremacy, hugely influential on the Bush regime. 

By declaring the “axis of evil” it certainly felt like Bush was declaring permanent war. This was the opinion of the European Social Forum that met in the previous November in Florence and was instrumental in calling these coordinated protests. 

Despite the terrible destruction wreaked on Iraq, with consequences that still exist to this day; power cuts, food shortages, protests against the present government, terrible inequality and, it’s estimated, one million widows, I do not believe the global movement was defeated. 

Today I believe we see the offshoots of this incredible day. It’s been described as the birthing of “a movement of movements” for equality, justice, peace, a sustainable planet. Interlocking, global, powerful. Though I can’t help but ask – would Putin have had the audacity to launch his aggression in the Crimea and Ukraine had it not been for the blatant disregard of international law shown by Bush and Blair. 

It is so hard to imagine a world without war yet somehow we must. And as the anniversary of the Russian invasion in Ukraine approaches there is increasing anti war action across the world this weekend. If we can do nothing else at least we can hold up a light in the darkness, one that will be seen across time, across continents as our collective actions always are. We can imagine a different world, we can write of it, we can work for peace and speak of peace and know love is light and light is love. Let there be light!

A blog post by Anne Enith Cooper 

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Diary: February 2023

Diary: February 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

Poetry news follows below if you wanna skip this reflection on dealing with adversity, of being more zen. So I’ve been on crutches best part of a month. I’d like to say this was the result of abseiling or paragliding gone wrong. But oh no, nothing quite so dramatic and sexy. Literally got up off the sofa, figure my foot had gone to sleep, and suddenly there I am on the floor surrounded by broken crockery and bewilderment. Is this, I wonder, what could be defined as a proper old lady accident? 

Trying very hard to be zen about this but there’s intermittent feelings is of frustration which sounds a bit like oh no, no no no, NO! And, why now when things are going so well…

Though this injury is not something I wished for or welcome, it’s a lesson in how the body works together. For instance as I compensate in movement I can feel the pull all the way up to my neck. The worse thing about it is it seems to affect my brain – am somewhat foggy so this may be brief and please forgive any typos. The best thing about it is it reminds me everything is connected. 

Couldn’t help reflecting though how as a child, a very young one, maybe four or five, I remember another child coming into school with his arm in a cast and my immediate thought was – if I broke my leg then maybe I won’t have to come to school at all. It must be one of my earliest memories. Careful what you wish for an’ all that! 

I recall school at the age a harsh, overwhelming and confusing experience. You put your coat on this peg here and your school bag on that peg there. Can I put them together? No. Look for the stickers. My sticker is a banana. I feel a crushing sense of disappointment and embarrassment. I want a sunflower. Can I have a sunflower? No. Do as you’re told! Needless to say at one point I came home without my shoe bag and Mother said, “What do you mean you’ve lost your shoe bag, you’d lose your head if it wasn’t screwed on!” Thanks Mum!

In other news Spring has sprung in Cressingham there’s always a clutch of crocuses under these trees at the entrance to the estate but I’ve never seen so many.  Perhaps they’ve heard the recommendations of the Kerslake report into social housing provision – accepted by Lambeth Council in – and are raising their merry heads in celebration. 

The Kerslake report has recommended a ballot over the proposed demolition on Cressingham Gardens and Central Hill. After ten years of campaigning this is the closest we’ve come to victory as long as Lambeth don’t find some way of backtracking. They are still insisting of demolishing Ropers Walk which is, urm, part of the estate. 


Living here on Cressingham I am constantly reminded it takes a village, it takes empathy and compassion, the more we inform ourselves the better equipped we are to support ourselves and others. We can all be thrown off balance in this world which despite its beauty, joy and rich experiences can all too often only seem absurd, obscene and insane in its injustices, inequalities and destructive pursuit of profit. Demolishing council estates will NOT solve the housing crisis!

COMING UP

As a half term treat off to see a production of Rapunzel, penned by poet Carol Ann Duffy, at the Southbank on Friday 17th February with friend and her son (and no doubt scooter) in tow. 

Sunday 19th Poets for the Planet’s Dr Robin Lamboll will be exploring poetry and communication at Conway Hall, WC1R 4RL with host Matt Lockwood. Reserve free spot here: https://buytickets.at/sundayassemblylondon/838551 Or watch live at https://www.sundayassembly.com

Monday 6th March delivering eco poetry at the Reel News Film show in Dalston. Details tbc. 

#amwriting about dandelions and how slugs get sexy 

#amreading Eat Or We Both Starve by Victoria Kennefick

A blog post by Anne Enith Cooper 

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Poetry by me: Tanks for Peace

Poetry by me: Tanks for Peace

For lunch I had cherry bio yogurt. It slipped 

effortlessly down my throat as I digested 

a twenty minute detailed discourse of the merits 

of Challenger, Abrams and Leopard tanks for Ukraine

as the World at One went all Top Gear. 

Johnny Diamonds dulcet tones probed; question 

after question, without a nod to peril, law

or the taste of fallout. Questions to the member of the

Center for Strategic and International Studies, prior

to a meeting on a German air base, who elaborated

on the specific capabilities of each model, 

complex maintenance and the training needs 

of operatives. A bit more palatable than those dinners 

consumed over rotting bodies, strewn along a road

or dug from mass graves. The hungry Russian bear 

chews at Bakhmut and the salt mining town of Soledar.

No agreement is reached yet talk in the west turns on

getting the job done, a swift end,

learning from history.


While I’m focusing on the eco-poetry this story called to me to be told. This is new and possibly raw. I’m not sure if it’s found a form yet and in any case WordPress won’t play ball and show my suggested stanza breaks. Based on an interview 20th January on the World at One hosted by Johnny Diamond.

A blog post by Anne Enith Cooper 

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Diary: January 2023

Diary: January 2023

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

Soooooo, happy new year!

I have spent the entirety of this new year so far in Bugsville, a really unpleasant journey, so really hoping that is not going to set a trend for the rest of the year and hoping you are all warm and well.

A bit of context for my readers from the USA and elsewhere on the heating issue- our energy bills have tripled while the U.K. companies Shell and BP are making record profits. Go figure!

The big event here this month is obviously the T.S. Eliots. From the Southbank…

Shortlist Readings live at the Royal Festival Hall

“The celebrated T. S. Eliot Prize 2022 Shortlist Readings, one of poetry’s biggest and most inspiring nights out, is now just days away. The Readings will take place at the Southbank Centre’s Royal Festival Hall on Sunday 15 January 2023, from 7pm. Ian McMillan will be our genial host and the event will be British Sign Language interpreted throughout. Book tickets for you, your family and all your friends at the SBC box office. We look forward to seeing you.” 

The Southbank go on to add, “If you’re not able to attend the T. S. Eliot Prize 2022 Shortlist Readings in person, don’t worry! Book to watch the whole event live and online via the Southbank Centre’s YouTube channel in the comfort of your own home. We are always glad to welcome international attendees via our online broadcast. Listen out for all of our Eliot-shortlisted poets reading from their collections on BBC Radio 4’s Front Row in the run-up to the Readings on 15 January. Find them on BBC Sounds


Also COMING UP

Hope to join the open mic at an event featuring Sue Johns and Jacqueline Saphra at the Torriano Meeting House, 99 Torriano Avenue, London NW5 2RX 29th January 

OUT NOW

Is the entire “bundle offer” of the 2022 T.S. Eliot’s shortlist from the Poetry Book Society here https://www.poetrybooks.co.uk/products/2022-ts-eliot-prize-bundle-offer It might seem a lot to shell out midwinter with food and energy bills soaring but I figure it’s a pretty good deal. 

Oh, on the climate crisis, cost of living crisis, I’ll add this brief note. I usually set my thermostat at 21 deg C. Last winter turned that down to 20. This winter, in increments I got it down to 18 and I’m saving a small fortune! My bills are actually less than this time last year. 

We all have different needs and accommodations so I’m not suggesting what works for me is going to work for you and I’m not going to say it’s been easy. I spend much of my time in fleece pj’s and a fleece dressing gown, occasionally donning a woolly hat but both the financial reward and the feeling I’m reducing my carbon footprint feels goooooood. 

Wishing you all a creative, healthy, joy filled year. Embrace change, embrace challenges. I don’t buy that “what doesn’t kill you makes you stronger” but it can make one wiser. What are we here for unless it’s not to learn and grow and create something better. I’ll leave you with this…

I’m reminded every new year by this quote from Leon Trotsky, written the year of his assassination, which pops up most years in my Facebook memories and I have it on a poster on my kitchen wall.

Natasha has just come up to the window from the courtyard and opened it wider so that the air may enter more freely into my room. I can see the bright green strip of grass beneath the wall, and the clear blue sky above the wall, and sunlight everywhere. Life is beautiful. Let the future generations cleanse it of all evil, oppression and violence, and enjoy it to the full.” Coyoacán, Mexico City, 1940

We are doing our best Lev! Rest in peace.


Found foto from that place in Coyoacán, the last home of Leon Trotsky. I’ve stood at the window in his office, looked down on the gras. A room reached by a corridor with bullet holes in the wall. Gazed at his desk. He was still working at the time the Stalinist thug put an ice pick in his head. I wondered at the time what the state of the left would have been if he’d finish that article. Found books on the shelves in Russian, German, French, Spanish and English at least.

#amreading two anthologies of eco science fiction the first of these, Nature’s Warnings is edited by Mike Ashby and brings together classic sci-fi tales that date back to the 1920’s and earlier. Also dipping into No More Fairy Tales, edited by DA Baden, which offers a contemporary collection with the purpose “to inspire readers with positive visions of what a contemporary society would look like and how we might get there.”

#amwriting mostly lists and plans and schedules, it is a new year after all, or at least a new quarter, as my new year begins in September, plus the odd tweet about the strikes, the planet, you know that kind of thing…

Do feel free to message me about what you like or don’t like about this blog. I’m currently reflecting on its form and content. For instance do you appreciate such things as writers on writing, writing prompts, writing by others? Would you maybe like to see interviews with writers or something on form and craft? Let me know!

A blog post by Anne Enith Cooper 

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Autobio: Home Economics

Autobio: Home Economics

Recently I blinged up an ancient Standard lamp and it got me thinking about learning adult skills, I mean there’s no manual is there? The lamp was inherited from my dad, who as I understand it, made it as a teenager which would make it about seventy years old. It’s carved so carefully, he could have been an excellent carpenter but took his fathers advice and took an office job. 


It has struck me that there are loads of adulty things we don’t get taught formerly. One leaves school not knowing even how to sign a cheque! Home economics taught at school, went little further than how to make cauliflower cheese and rock cakes. I learnt to balance a household budget from mum. I helped her cook which often meant little more than chucking in an extra handful of pearl barley to bulk up a stew. 

Listened as she demonstrated “trussonomics” v Keynesian economics, while making a steak and kidney pie. Yes, it’s nothing new. They were talking about the damn pie in the 70’s. When I asked what’s the difference between the Tories and the Labour Party she replied. “One side say we need a bigger pie,” rolling out the sides of the pastry, pausing, holding the rolling pin above, flinging a bit more flour on top, “the other side say we need to divide the pie more fairly,” scoring in into sixths, scrunching it back into a ball and starting again, saying, “Now get me that pastry brush! “I look at her blankly. “In the top draw!”


It wasn’t like I left home with no adult skills, remember well watching dad making home brew, doing the gardening and woodwork, every move; exacting, slow and patient. Passing him the spirit level, the Phillips as requested. Feeling a sense of pride I knew the difference between screwdrivers. Dads tools were always laid out orderly like a row of soldiers. Watched him build a wall, made my self scarce when he was taking an engine apart. 

One time in the first flat of my own in London I mislaid my keys and a friend admonished me with a air of despair and the words, as if it actually was in a manual for adult life, “but surely you have a place you always leave your keys?”

On reflection when we were kids keys were kept in the fruit bowl, seem to recall mother saying, “ Get my car keys!” Thinking umm, where? Casting my eyes around the room. And as if she read my mind, mother said, “Come on, we’re in a hurry, the fruit bowl!” 

Yep where is the manual to adult life? And how do you cope if you have no parents to teach you the basics? Or parents that are too addled with drugs or mental health crises to cope?

I remember saying to mum and dad in my mid 30’s, in a period after I’d recovered from a severe manic episode and the meltdown that followed, “I reckon I’m grown up now; I’ve learnt to use liquid eyeliner and drink wine.” We all had a good laugh about that. 

But oh so premature methinks. 

The most repeated epithet was waste not want not. I remember one time standing in the front garden where dad had installed a yellow bubble car with no MOT, hence off the road. He was presently driving a second (or third) hand boxy Austin A40, teal with white wings and had picked up this three wheeler from a mate.

Out of the blue he said, “Remember, never a lender or borrower be.” Then continued. “When you’re older just remember you pay your rent first, then they can’t kick you out. Then you pay your bills next so they can’t cut you off. And if there’s nothing left go to your family they’ll feed you…” 


The syntax of that expression, “borrower be” makes me wonder now how many generations that advice had passed through? From the farms of Devon to the mill towns of Yorkshire to the streets of Leytonstone to the New Town of Stevenage.

I reflect often there were no food banks in the 70’s and we didn’t go hungry but it occurs to me the whole atmosphere was one of being risk adverse and anticipating scarcity as war babies gave birth to war babies and the only evidence of the white heat of technology was dad’s mum’s stainless steel kitchen sink she was so proud of.

It strikes me our parents never really leave us. The imprints of their attitudes, values and habits—good or bad— surround us. Symbolised for me in a pastry brush and a Phillips tucked away in a kitchen drawer and an ancient Standard lamp.

That generation didn’t need to be educated to reuse, recycle, repair. Make do and mend was the motto. I figure we have much to learn from the past as we move into an uncertain future. 

A blog post by Anne Enith Cooper 

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Diary: December 2022

Diary: December 2022

The year ended as it began; with the funeral of someone I admired, who inspired me, who at times I’d been close too and yet now feel never close enough. And both departing well before time or so it feels. Left with a sense of deep loss comforted only be the fact neither will be forgotten and love is everlasting. 

After Christmas last year it felt like covid feelings seized hold of me though the tests indicated negative, so I figure that was grief playing out. So began the year weakened nevertheless looking ahead thinking I wonder what will this year bring? 

It was an unnerving yet excited feeling; not really knowing where it was going. It felt like coming out of lockdown again even though that phase had passed all I knew is I was to carry on working on my poetry with my wonderful mentor Bethany Rivers. 

I haven’t been disappointed. I attended my first Arvon at Totleigh Barton in May with tutors Liz Berry and Fiona Benson and returned in September for a course facilitated by Karen McCarthy Woolf and Mimi Khalvati.

The year has kind of wound up working with Cath Drakes Climate of Change Challenge in November and simultaneously contributing to the Poets for the Planet COPlet campaign during COP 27. I feel I’ve re-entered the world of poetry in a meaningful way after the pandemic pause. 

Managed to attend a number of book and pamphlets launches online and in the real including those of Malika’s poetry buddies; Sundra Lawrence, Peter Raynard and Joolz Sparks who respectively brought out Warriors published by Fly on the Wall Press, Manland published by Nine Arches Press, Face the Strain published by Against the Grain Press into the world. 

This October also saw the launch of Manorism by Yomi Sode, another beautiful soul from the wide Kitchen alumni, published by Penguin and shortlisted for the T.S. Eliot Prize. So congratulations all round! 

Fairy Inkcap (Coprinellus disseminatus): also known as “trooping crumble cap”, a species of agaric fungus in the family Psathyrellaceae.

For the first half of the year I was regularly submitting and have had a dystopian visual poem Exhibit C accepted by Sustaining All Life and in the summer informed a poem of mine, Harbingers has been accepted by the Dear Politicians eco poetry anthology to be published next year. 

So it’s been a great year for my practice and poetry family and yes now, despite the sadnesses that swells within me I’m able to think, ooooh what does next year hold?

That said if I’m honest I’d say besides all this I still feel a bit like I’m leading a bit of a lockdown life, living through screens, apart from the odd foray into town or into Brixton and that has to change. There are plans afoot to take baby steps IRL!

I’m also at this point wondering if I want to continue with this blog in this form (or at all.) The jury is out on this. Perhaps loyal followers you can help with this. Would you miss the writing prompts? The writers on writing posts?  The poems from me and others? Or a better way to put it would to welcome the continuance? 

Wishing you all a happy and healthy Christmas and new year, hope you are warm and well. 

A blog post by Anne Enith Cooper 

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Comment: A brief history of the world

Comment: A brief history of the world

It might not look like it but the sun is shining up there. Here’s a screenshot from the Star Chart app, my favourite app, looking east, note it uses some of the original Arabic names.

Let’s face it they mapped the stars while we were all running round in loincloths, ok I exaggerate a bit, but their “golden age” overlapped our “dark ages.” What follows is the result of a morning freewrite, though I added the links later, as I pondered why this knowledge erased from history. 

I suggest that when the west colonised the Islamic countries in the 19th Century and early 20th century, simultaneous with the “scramble for Africa”, it was necessary to portray these societies as primitive and undeveloped and bury this history. 

In Morocco when the French occupied they established what they called a cordon sanitaire – a santitary corridor – around the old cities, implying the residents were disease ridden and unsanitary. This can still be seen today in the layout of cities. 

In Hollywood Arab men have been portrayed relentlessly as hook nosed characters not to be trusted or worse violent and barbaric. The 1922 film The Sheik being a good example.

It seems to me all this prejudice resurrected big style with Bush’s “axis of evil”  and the eventual invasion of Iraq 19 years ago. We saw the growth of Islamophobia on an unprecedented scale. 

Yes the regime of Saddam Hussein brutal but worse than the 45th, Bolsonrao, Orban, Erdogan? Many of the people knew it, I suggest how different Iraq would have been today if the people had brought Hussein down established their own democracy. 

Instead we saw the Iraqi people hacking pointlessly at a fallen statue while the overlords installed themselves in the Green Zone and crushed under the tracks of their tanks irreplaceable artefacts from ancient Mesopotamia circa 3000 BC. 

Yet even back then in the era of Mesopotamia the lands on the banks of the Tigris and Euphrates were passed from empire to empire. Seems to me the entire history of humanity has been one of war and domination, empires rise, empires fall, borders are redrawn, even as far back as that.

Isn’t it time to recognise our common humanity? To honour the achievements of all societies? To stop the cycle of endless war and its justifications? 

We face a crisis now, the climate emergency, which we will overcome if we unite as one human community. The biggest obstacle I see is corporate power and the governments in their pockets. Those that still pursue the profits of the black gold; oil, coal (and gas.)

They dehumanise, discriminate against and murder those who stand in their way. Often indigenous peoples who embody the experiences of poverty, racism, misogyny, the theft of their land, the degradation of their land, it’s eco systems and carbon sinks from the Amazon to Canada to Siberia  to Australia. They are at the frontlines. 

Seems to me it’s a form of neocolonialism that casts these people as ignorant and savages. Loggers in the Amazon tied an indigenous teenage girl to a tree and burned her alive.

I figure the meek won’t inherit the Earth we will have to fight for it, stand up for it. Put aside our differences, honour out differences, there no place for “these are our people, these are not,” based on human made borders carved out 100 years ago. 

One world, one people is a long way off, but we do have one responsibility. I figure we in the west must standing solidarity with those on the frontline, amplify their voices, recognise their wisdom, we, like they, need to Think Global and Act Local the fossil fuel companies have their hands in all our pockets. They pollute and potentially rob us of our future. 

The way I see it is another world is not only possible but absolutely necessary if humanity is to survive.

A blog post by Anne Enith Cooper 

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Diary: November 2022

Diary: November 2022

This month is special as I’m continuing to participate in Cath Drakes Climate of Change Challenge and joining the Poets for the Planet COPlet campaign.

What’s a COPlet? You might ask. “A COPlet is a rhyming couplet – two lines of poetry about the environmental issues being covered at COP (or not!) that matter to you. You could write one (or more) for each day and post it on Twitter.”

This kinda thing and find everything else you need to know about COPlets here


November is always a bit of a rollercoaster emotionally with the anniversary of the departure from this world of a couple of dear friends and my dad in 2008 and the highly traumatic events that followed that leaving me with glandular fever.

I had this debilitating illness as I child of ten and when the GP told me, after receiving the blood results, I said, no that’s not possible I’ve had it before. She told me it can come back, news to me! In true yin yang fashion (I guess) November is blessed with a raft of good friends birthdays too. 

That said strong emotions like this can be destabilising for someone diagnosed with bipolar. I seem to have avoided this with my “meds;” meditation and medication and a new regime based on what I call old fashioned values; early to bed, early to rise, fresh air and exercise and regular meals. 

In fact I’ve found over the past few years no amount of “meds” can achieve any semblance of balance without the “old fashioned values.” 

And it occurs to me try to be kind to yourself and to others because you don’t know, at this time in particular, who is just hanging by a thread and in my experience meanness doesn’t just affect peoples mental health but their physical health, I am witness to this and it’s well documented here

The month concludes with a special event from the Climate of Change Challenge in which a selection of poets from across UK & Europe will join feature reader, Craig Santos Perez and read poems generated during the challenge. 

About our feature reader, Craig Santos Perez is a Professor in the English Department at the University of Hawaiʻi, Mānoa, where he teaches creative writing, eco-poetry, and Pacific literature. He’s an indigenous Chamoru (Chamorro) from the Pacific Island of Guåhan (Guam), an award winning poet, editor, publisher, essayist, critic, book reviewer, artist, environmentalist and political activist. 

Craig has forged new ways to write about the climate crisis and His latest book is ‘Habitat Threshold’.

“Craig Santos Perez is a writer I seriously watch. He includes a variety of environmentally important writing, seamlessly combined with history, politics, and the familial.” –Linda Hogan, Indigenous Writer and Environmentalist

Other readers are Cath Drake, Kate Potts, Patricia Foster McKenley , Karina Fiorini , Bell Selkie Lovelock , Ness Owen , Suzanne Iuppa, Janet Harper, Clementine E Burnley, Linda Goulden, Joe Mishan, Shalini Pattabiraman, Katrina Dybzynska and myself. 

Tickets are FREE but you must register to attend here

#amwriting poems about climate all month, even in my sleep I suspect…

#amreading The Hidden Life’s of Trees by Peter Wohlleben 

A blog post by Anne Enith Cooper 

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Comment: GOOD MORNING! Lula is back!

Comment: GOOD MORNING! Lula is back!

Yesterday Luiz Inácio Lula da Silva, won 50.9% of the vote in the second round of the Brazilian election. This means the climate change and covid denier Bolsonaro is out!

The stakes could not have been higher. The New York Times commented,  “On Oct. 30, Brazilians go to the polls to elect their next president. But at stake is something far more important than just the leadership of one of the world’s largest economies.

Whoever wins will inherit control over more than half of the Amazon rainforest and, by extension, will determine the conditions for future life on Earth.” 

Following the victory Lula has committed to invite international cooperation to preserve the Amazon rainforest and said he will seek fair global trade rather than trade deals that “condemn our country to be an eternal exporter of raw materials.”

Lula vows to unify the country and bring, “new times of peace, love and hope.”

A former steel workers union leader and democracy campaigner Lula, in this first two terms of government, introduced reforms which benefitted the poorest people in Brazil. In his first term child malnutrition was reduced by 46%. He began a housing aid program to improve the lives of people in the favelas. Anyone who has seen the film City of God will know how dangerous and precarious lives are there. 

Prior to that he had campaigned for a direct popular vote in presidential elections, achieved in 1989. After the a coup in March 1964, backed by the US government, each “elected” President was a retired general.

According to The Washington Post, “Under Lula, Brazil became the world’s eighth-largest economy, more than 20 million people rose out of acute poverty and Rio de Janeiro was awarded the 2016 Summer Olympicsthe first time the Games will be held in South America.” 

— The Washington Post, October 2010 

Popularity and the commitment to improve the lives of workers and the most vulnerable in Brazil came with risks. In 2016, prosecutors filed corruption charges against Lula. In 2017 he was sentenced to nine years in prison. He appealed, in 2018 the Appeal Court of Porto Alegre found Lula guilty of corruption and money laundering and increased his sentence to 12 years. 

In 2021 all charges against Lula were annulled by the Supreme Federal Court.

It is worth noting, I think, that Judge Moro, who oversaw the conviction of Lula, who was accused of lacking impartiality leading to the annulment, became Minister of Justice and Public Security in Bolsonaro’s government. Furthermore it’s rumoured that agreement was in place prior to the election.

Lula was an inspiration not just to progressive forces across Latin America but the whole world. Reading this news this morning I felt not so much triumph but a huge relief. 

In terms of environmental protection, his previous terms of office saw the creation of conservation areas and indigenous reserves which led to a substantial decrease in deforestation. 

While the Lula pushed for progressive policies that significantly curbed deforestation in the Amazon he did not support legislation that would have required the country to phase out its fossil fuels.

Now he enters office at a time where fossil fuels are the frontline in campaigns against the climate emergency. During this 2022 election campaign, Lula has focused more on environmental issues.

Yesterday I dedicated my meditation to the Brazilian people. I sent light and love to all. When I went to bed last night I did not expect the results of the election to be out so soon. I wonder if people are dancing in the streets as I write, if so my soul dances with you. 

And though Bolanaro’s supporters will no doubt call foul, I believe, the light in the world has increased and with that all will be able to see more clearly, love more dearly, follow more nearly a path to peace, justice and sustainability. 

It is not going to be easy but I truly believe another world is possible. This is a significant step in the right direction. The obstacles facing Lula are immense with a slim majority, possible opposition from the Congress in the hands of opposition parties and Bolsonaro yet to concede.

Let’s not forget what he has overcome and perhaps our hearts can be a little lighter.

A blog post by Anne Enith Cooper 

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Diary: October 2022

Diary: October 2022

The leaves are turning though I hardly noticed summer turn to autumn, it felt so sudden. National Poetry Day, with the appropriate theme of environment on October 6th flew by. 

In the U.K. after the phenomenal meltdown of the Liz Truss Government we now have our third Prime Minister in a year with ambitious aims to have a “grown up” government. The funniest bit was when the BBC interviewer asked some Tory but how will Sunak manage to unite the party blah blah blah and the guy said, “Well he’s keeping Hunt in post and that will provide continuity and stability.” Paraphrasing. And I thought BUT HUNT HAS ONLY BEEN IN POST FOR WHAT? A WEEK?

Autumn Trails, Clapham Common, 2014. Shot with very old camera phone. Anne Enith Cooper

This month joining Cath Drakes Climate of Change Challenge. I imagine there won’t be much time for anything else and this will be brief.

OUT NOW

A new collection from one of my favourite poets, Balladz by Sharon Olds

“Sharon Olds is a long-standing influence and leader in the tradition of confessional poetry, reflecting on her own experiences with unabashed vulnerability to make larger points about gender, family, violence, and the ever-shifting world around her. In Balladz, the Pulitzer Prize winner’s 15th collection, Olds pays homage to this tradition and secures her place within it, referencing and writing in the style of Emily Dickinson as she explores the present and takes us back in time.” 

More on this and other new releases here https://www.readpoetry.com/6-october-2022-poetry-releases-to-start-the-fall-season/

COMING UP

The the launch of Manorism by Yomi Sode, another beautiful soul from the wide Malika’s Kitchen alumni, published by Penguin. All the deets here https://www.eventbrite.co.uk/e/manorism-launch-party-tickets-416930960727

While in November the Poets for the Planet launch their COPlets campaign; writing and tweeting to decision makers at COP 27 rhyming couplets.

#amreading Invisible Sun by Richard Skinner and Notes from a Shipwreck by Jessica Muckagee 

#amwriting poems amount the whole bunch of poems in the context of climate change there’s one about autumn colours and a paint hue called dead salmon. Yes really, an actual name. 

A blog post by Anne Enith Cooper 

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Photography: St Leonards-on-sea, Sussex

Photography: St Leonards-on-sea, Sussex


Shot with a fast shutter speed as the sun came out briefly, with my repaired Panasonic LUMIX, this was a lucky chance foto. I didn’t notice the bird until I went through the shots. The image is a little cropped, colour, contrast adjusted.

This camera doesn’t give the same definition as my superior Canon but it fits in my bag and I like to pack light though I kinda wish I’d taken both now!

I shared the beach with a Russian speaking family with the cutest kids who slipped between languages effortlessly. I was curious to know their story and had the chance to find out when they offered me a beer after the kids dropped pebbles on my head… but it was a chilly April afternoon and I wanted to explore.


Yeah, it had to be done, the “i woz ere” shot, though not so impressed with the focus/depth of field. I suspect this one might have been on auto! I’ve noticed some definition has been lost in the upload. Weird. Anyway you get the idea.

A blog post by Anne Enith Cooper 

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Diary: September 2022

Diary: September 2022

Below some news from the poetry world but first here in the U.K., after a summer when the government was “missing in action”, we’ve since seen a recent course of events at breakneck speed with the election of Liz Truss as PM followed swiftly by the death of the monarch with the pandering media saturation. 

In the same week we’ve seen another young black guy killed locally following “police contact” while around the world the planet and its people are inflicted with flood, fire and drought. We’ve seen the third of Pakistan, one third of an entire country under water and the West barely blinked.

Just before the of Liz Truss took up her appointment I flick on The World at One slightly later than usual and within 10 seconds hear Bernard Jenkins saying Truss will have to level with the country that we are facing “five horses of the apocalypse…”  

Yes, he actually said that and “this is worse than the energy crisis of the 70’s” he adds, “we may face power cuts, rationing…” so back to referencing the Blitz then, that will please the brexiteers who say without a hint of irony, “We ‘ad rationing in the Second World War, that did us no harm!” 

I didn’t listen to Truss making her opening statement that same day at as though I understand her first announcement was a deeply regressive measure that will do little to help families on low income and quite a bit to help those on higher incomes. Of course it will. 


In my poetry world

I’m off back to Totleigh Barton for an Arvon course at the end of the month. with tutors Karen McCarthy Woolf and Mimi Khalvati After seeing the place in late spring it will be inter to see what the countryside in like in early autumn, that’s if seasons have much meaning any more. 


After a few techy problems was thrilled to join Red Door Poets presenting a reading and Q&A with Fiona Benson at 6pm on Sunday 4th September. 

Very much looking forward to their next event on Sunday 25th September with readers Mary Mulholland, Tom Cunliffe and Katie Griffiths, and their special guests are Alex Corrin-Tachibana, Matthew Paul and Claire Collison. 

Also coming up on Tuesday 11th October at 7.30pm is the launch the Live Canon 2022 anthology and poetry prize. “All poems longlisted for the Live Canon 2022 Poetry Prize are published in the anthology. Poems shortlisted for the prize will be read at the event, and guest judge, Rebecca Goss, will announce the overall winner of the 2022 Live Canon Poetry Prize.”

OUT NOW

Placebo by Claire Collison, published by Blueprint Press

Which has been described as

“Beautiful, pin-point writing in this reflective pamphlet by Claire Collison. With gentle precision the poet leads us through life-threatening illness to new life. She conjures the people administering her hospital treatment so we feel we met them too. And we accompany her back into home, memory and the waters of pond, river and sea. A wonderful debut.”

and “Precise and beautiful as a blade, “ Fiona Larkin 

England’s Green by Zaffar Kunial, published by Faber & Faber

“Zaffar Kunial is a proven master of taking things apart, polishing up the fugitive parts of single words, of a sound, a colour, the name of a flower, and putting them back together so that we see them in an entirely different light.” Google books  

#amreading about drought and flood also embarking on Karen Lords The Best Of All Possible Words, a story of “ hope, survival and love” set on a futuristic alien world and Manland, the second collection of poetry by Peter Raynard

#amwriting poetry, or trying to, about drought and flood. The issues are so vast is difficult to find a perspective, an angle, to reduce it to images that speak to the heart as well as the head

A blog post by Anne Enith Cooper 

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Comment: Call to action to support the RMT 

Comment: Call to action to support the RMT 

Tomorrow the RMT take strike action again. Wait for the headlines, we’ll see demoralised commuters and no doubt derogatory comments about selfish and irresponsible trade unionists. This is what Mick Lynch, General Secretary of the RMT has to say:

When I listen to Radio 4 news about this dispute it sounds a bit like the reporting of strikes in the 1970’s, though no one yet has used the expression “reds under the beds.” That was a reference, I believe, to Jack Jones and Hugh Scanlon, trade union leaders in the 1970’s.

How I can remember this beats me when I can’t remember what I did last week. Is this senility? 

In my minds eye I’m in the kitchen with Mum. She’s doing the laundry, putting clothes through the wringer, while a Radio 4 commentator whines on about the trade unions insisting on “petty differentials.” The kitchen windows are steamed up, mums hands are red raw. I watch as a raindrop drop outside slips down and runs into another. I ask mum, “What’s a differential?” This leads to a fairly lengthly explanation of what both sides were saying. Mum was like that, she’d give me both sides of the argument but was in no doubt which side she was on most of the time.

I Google “reds under the beds” to check if my memory is accurate and among other things find this: Wilson government used secret unit to smear union leaders In this report from 2018 it’s all there and more. “Senior figures in Harold Wilson’s Labour government plotted to use a secret foreign office propaganda unit to smear a number of left-wing trade union leaders, according to government papers released on Tuesday to the National Archives at Kew.” Wilson’s actions make Keir Starmers threat to Labour Party members attending picket line sound a bit lame, and believe me I’m no fan of the present leader of the Labour Party who has carried out a vicious witch-hunt of the left since taking the position.

And, it would seem, this the government smear played out it the press; Radio 4, blaring from the kitchen, (Radio 1 was off limits until I was about fourteen) was the back drop to my life as as a child and teenager and the report I remember so vividly one of many that attacked trade unionists.

What is in common now and back then is the idea that the demands are completely unreasonable, that the unions are being stubborn and selfish. Read that again from Mick Lynch and decide for yourself if you think that’s the case today. 

A thought occurred to me just now: after the success of the miners in the 70’s the government really gunned for the NUM in the 80’s, and then brought down everyone else. The RMT, until recent years have been very successful at maintaining decent pay and conditions and always put safely issues on the agenda. No wonder they are such a target for scorn and misrepresentation. 

Guess I’ve  been a bit slow on the uptake, how important their action is, it’s not just another group of justifiably pissed off workers, it’s not just another strike; if they lose, what do you think will happen next? 

I figure that it game over for all public sector workers and the private sector could follow suit in pay freezes which are effectively pay cuts. So if the RMT (and Asleff and TSSA) lose we all lose. 

And let’s not forget, “A fight for public transport is a fight against climate change” RMT London Calling 2009

We can support by: 

Sending a message of support to  info@rmt.org.uk

Making a donation at  https://www.rmt.org.uk/about/national-dispute-fund

Joining a picket line find news here of upcoming action https://www.rmt.org.uk/news/rmt-news/&nbsp;

South London Action 

Lambeth and Southwark Unite are urging people to join picket lines at

Thursday 18th – RMT mainline, London Bridge Tooley St near Shipwright’s Arms, from 7am

Friday 19th – RMT London Underground – Bakerloo line station, Elephant, from 5am but we aim to get there by 7am

Saturday 20th – RMT mainline, London Bridge Tooley St near Shipwright’s Arms, from 7am

The summer of discontent made real?

According to a recent tweet from Rotherham TUC  twenty other groups of workers are set to take action in the near future over the cost of living. And looks at what’s trending… The important thing is, as the RMT do, to link the issues of pay and conditions to safety and wellbeing and the threat we face with the climate emergency. 

This situation gives us the opportunity to envision and work toward a new world in which our basics needs, whether it be housing, food and fuel, are not provided by companies further lining the bloated and bulging pockets of CE0s and the profits of multinationals. 

Surely now we can all see this neoliberalism, introduced across the world in the 1970’s, the idea that the market will solve all ills, that the state’s role is only to introduce the conditions for the market to flourish, can be seen for what is is. Not a trickle down of wealth but a flooding upwards of wealth. 

It is fitting that Rotherham TUC draw on the words of another poet, Percy Shelley who died 200 years ago, in their appeal for solidarity, as true today as then. And while Shelly in The Mask of Anarchy railed against the poverty, inequality and lack of representation at that time we too must organise against all of that and the condition of how such power and wealth in so few hands has brought the earth itself to the brink of destruction. We have now so much more to lose than our chains.

A blog post by Anne Enith Cooper 

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Diary: August 2022

Diary: August 2022

August for me is when I like to get a little down time; time to lay fallow or, as my mentor – the poet and tutor Bethany Rivers – puts it, refill the well; recharge basically. So that is precisely what I’m doing for the rest of this month. It will involve, among other things; pottering around the flat, getting a jump on the filing, decluttering and keeping this short and sweet. 

I plan to see a few friends out and about perhaps get to Kew or the coast, who knows and possibly go to see the recently renamed, (long over due) Parthenon Sculptures coz though they are on my banned list; looted in the 19th Century by the 7th Earl of Elgin; I hoping this renaming is the first step to the long overdue repatriation. 

I MUST do something about the bedroom which has got all officey, gotta be a feng shui crime. “Your bedroom should be an oasis.” Hmm. I’m not entirely sold on something that tells me, “Don’t put your bed facing the door…” Let’s face it for many of us that’s the only place to put it! That said, I’m gonna get all those lists, Post-its, plans and schedules OFF THE WALLS and relocate them in the actual office. That’s the plan. 

Beyond my little world an official drought has been announced in eight regions in the U.K. It’s reported Birmingham was hotter than Lisbon in recent days (but let’s face it not half as cute!) Hose pipe bans have been announced in some regions with some bizarre exemptions such as on the laying of new lawns, hot tubs and golf clubs.

Thames Water are dragging their feet on declaring a hose pipe ban which suggests to me memories are soooo short, I mean was London on fire a few weeks ago or not? 

Strikes me these decisions are all a bit class and ideology ridden with someone somewhere in Whitehall or Westminster sending a memo saying, “Light touch, let’s keep a light touch, let’s not go all big government on this. What ho, stiff upper lip chaps, no need to make a drama out of a crisis… “ thinking,  “Oh good god my golf course!”

A debate about water privatisation has opened up, covered in some depth in yesterday’s Any Questions on Radio 4, and leading to articles such as this What We Can Learn From Europe.

Here’s an interesting global perspective published July 20, 2022, demonstrating it’s hot, but not the hottest summer ever

and here’s why

“One of the primary drivers of the within-apocalypse variation is the weather pattern known as the El Niño-Southern Oscillation (ENSO). At the moment, the oscillation is in the midst of a La Niña period, which is associated with a cooler ocean surface in the central and eastern Pacific and cooler global temperatures — likely an important factor in 2022′s place outside the top five.” (Italics my emphasis.)

A historical perspective here.

This oughta be a humbling moment for humanity…

OUT NOW

Manland by Peter Reynard 


Peter Raynard’s Manland is a bold, brilliant and outspoken new collection of poems that scrutinise men and manhood, mental health, working class lives and disability. Aloud and alive with music, wit, anger and rebellion, this is an accomplished, politically-aware and vital book.” Order and more info here

Violet Existence by Katy Wareham Morris

“Moods, reveries, erasures; In Katy Wareham Morris’ Violet Existence surprising reflections on gender and sexuality are wrapped in the chaos of real life. The poems of Violet Existence are wild and dynamic, the lyric I fragments and splits like a river. Wareham Morris explores the world through other eyes, always bold in her use of form, creating high voltage, daring poetry.” Order and more info here

#amwriting very little for a while at least, well, it might happen…

#amreading the seminal cyberpunk classic Neuromancer by William Gibson and A Hundred and One Days: A Baghdad Journal by Asne Seierstad, a description of her time as a journalist based in Baghdad in the run up to and during the start of the 2003 war. 

A blog post by Anne Enith Cooper 

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Photography: Memetic app – Choose Love

Photography: Memetic app – Choose Love

Ok, it feels like we are in dark times what with; the climate emergency, cost of living crisis, fuel prices soaring, a worldwide recession looming, covid persisting and mutating, war in Ukraine and let’s nor forget also in Ethiopia, Syria and Yemen, while, as I write Israel are shelling Gaza, again, in a preemptive strike they are, sickeningly, calling Operation Sunrise.

I believe beneath these dark clouds a subtle silk stream of light flows in the possibility these circumstances give us to see the world as it truly is and to see our own true nature as we transform to meet these challenges, in meeting these challenges we can’t help but transform ourselves. It’s also an opportunity to build a new world, a better world with peace, justice, equality and sustainability.


With that in mind I created these memes, with a little nod to Danny Boyle’s Trainspotting, using some of my images and the Memetic app, and posted them in my insta. It’s kind of experiment; not sure about the white font on these backgrounds. I’m still getting used to the limits and possibilities of the app. I hope we are can all learn our own limits and possibilities; we will need to in order to guarantee our wellbeing as we create a new world. 

The app is £29.99 annually and has the functionality of at least three other free apps I’ve tried combined. It’s very easy to use, has a range of fonts, filters and layouts and has in app editing though I prefer to use iOS software for that. 


The third meme was inspired by the teacher at a yoga retreat in Italy in 2020 she used a version of Metta Prayer in a session I’d not heard before, adding the line, “May I know the joy of living”. I thought oh wow, I felt for the first time in my life I was being given permission to feel this emotion. Not just a luxury once we’ve healed the world.

I figure hope, love and joy need to be central to our movements moving forward. I’ve found those qualities in XR, the Glasgow Cop 26 Coalition and the indigenous struggles I’m aware of along with respect, empathy, compassion and the centring of wellbeing and self care.

We are building the new within the old.


A blog post by Anne Enith Cooper 

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Comment: Act Local and Think Global

Comment: Act Local and Think Global

Recently a reference to a campaign against the Trans Mountain Pipeline, No TMX in British Columbia popped up in my Facebook feed and it peeked my interest as I’ve been traveling virtually to this area in recent months to research for a poem about the logging protests specifically around Fairy Creek. But what is TMX? I thought, and wanted a bit of context. 

The post reported on a protest which took place two days before in Vancouver. Part of a long struggle involving, “thousands of people from every walk of life… First Nations, municipalities, unions, businesses, faith groups, student associations, environmental organizations, local politicians, famous artists and even the Premier of British Columbia have stood united to oppose the heightened risk of an oil spill, violations of Indigenous rights and expansion of the polluting tar sands that accompany this pipeline.”

The Trans Mountain Pipeline development is a story of; lack of consultation, a failure to listen to those who oppose it, rising project costs, dodgy work by contractors, risk of harm to the environment, claims the company will respect wildlife and benefit the lives of people and do you know what that sounds like? 

It sounds just like the justification for what is happening here on Cressingham Gardens and the other five council estates facing demolition in the London Borough of Lambeth and all across the country.

This is what the proponents of this project have to say, TMX will, “create thousands of good, middle-class jobs, unlock new global markets to get a fair price for Canadian oil, generate billions of dollars in revenue each year to help fund clean energy solutions, help advance reconciliation with Indigenous peoples, including through economic opportunity.”

This is what the indigenous people are arguing, “the Tsleil-Waututh Nation [pronounced sail-wha-tooth], whose territory centres around the Burrard Inlet where the pipeline terminates, found a 79% to 87% chance of a spill in their waters over the next 50 years if the project is built. They also put the chances of a worst-case scenario spill of over 100,000 barrels at 29%.

This level of risk is why their community, and over two-thirds of the First Nations impacted by the project, have not given their consent to allow it through their territories as required by the UN Declaration on the Rights of Indigenous Peoples.

Finally, building a pipeline that could last over 50 years as the global climate crisis spirals out of control is unacceptable. We know the tar sands need to close down by 2040, but this pipeline would help double the size of one of the world’s most polluting projects. Canada cannot meet its climate targets and global commitments to cut carbon pollution if it builds this pipeline – in fact, we would be betting on the world to fail to combat climate change.”

From https://www.wildernesscommittee.org/NoTMX

This gives some idea of the extent of the are of land at risk.


What I take from this is all around the world there are people actively defending the planet and their communities, thinking globally acting locally. Indigenous peoples at the frontline of defending the earth.

I first heard the expression, “Think Global Act Local” from a mysterious character called Shantum who suddenly appeared in Norwich life in the mid 1980’s. Shantum was both down to earth and a deeply spiritual individual. He took part in our struggles at the university of EastAnglia and in the City; a clear and calm speaker, an enthusiastic and imaginative activist. Famously this included erecting three tepees at the centre of the campus during a rent strike by students who lived in university accommodation. 

I honestly can’t remember the outcome of the rent strike, it was a hectic time coinciding with the ‘84/85 miners strike and trips to Greenham Common. Shantum offered me and my partner his squat when he returned to India while my partner was undergoing a bout of psychosis which contributed in no small part to our homelessness.

Shantum remains one of the most influential figures in my life. This attitude is now just as relevant today if not more. I figure we fight where we stand but know we are all connected and not alone, we build solidarity so if you are in a position to, you can donate to this struggle here

Subsequently there was a protest by London XR rebels at Lloyd’s of London in April. Lloyds are one of the backers of the TMX pipeline. The result was disinvestment by Lloyds by May. Though the struggle in Vancouver continues.

Image by XR


A blog post by Anne Enith Cooper

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Diary: July 2022

Diary: July 2022

As I write this the UK is looking forward to never-seen-before heat predicted to rise early next week to 40 deg C. A red alert has been declared by the government and TFL are advising against non essential travel on Monday and Tuesday. The NHS is at risk we are told. Lives are at risk. 

At least the cause of this extreme heat is not being entirely glossed over. This has to be a wake up call. Is still not too late to make significant changes that would prevent this becoming the norm. 

I for one am out of here, London that is, that is, on a prearranged trip to Scotland. Expecting gentler temps of 22-26 deg C. Dumfries here I come. 

Last week got along to the Carcanet book launch with Caroline Bird of her selected works Rookie Wednesday 13th July on zoom. I was impressed not only by her work but her honesty and straight talking delivery of the poems chosen. 

Looking forward to 

Wig! Out @ The Wandle curated by Sue Johns takes place Sunday, 24 July 2022 from 19:15 to 21:45 at the Colour House Theatre Watermill Way London SW19 2RD

And Cath Drake’s The Climate of Change Thursday 28th July with Karen McCarthy Woolf


Cath notes The Climate of Change Poetry Challenge, workshops and readings are supported by The Emergence Foundation.

and more events can be found on Cath Drake’The Veranda 

Out now

Candlestick Press asked Pascale Petite to edit a mini anthology, Ten Poems about Wildlife and it’s out now. It includes 9 poems she chose and a new one by her. 

@candlestickpress Candlestick Press Donation to @wildlifetrusts 

Cover @samcannonart

“With hedgehogs and hares, dragonflies and deer this mini anthology is a celebration of the wild creatures that flutter, slither, swim or stride through the British countryside. This anthology is a reminder to pay attention to the natural world and its creatures…”

Poems by Danielle Boodoo-Fortuné, John Clare, Emily Dickinson, Jen Hadfield, Norman MacCaig, Robert Macfarlane, David Morley, Les Murray, Pascale Petit and Robert Williams Parry.

Other

Enjoyed watching Ghostwriter recently  – what’s not to like – politicos, subterfuge with Euan Macgregor as the ghostwriter, a somewhat wooden Pierce Brosnan as the PM Lang and Olivia Williams as his wife. Directed by Roman Polanski  2010

“A ghostwriter is hired to work on the memoirs of former British Prime Minister Adam Lang. While Lang gets embroiled in a huge scandal, the writer uncovers secrets that put his own life in jeopardy.”

https://www.imdb.com/title/tt1139328/

Ghostwriter opens with a road side mugging of the “ghost” by a black clad motorcyclist, as cut to: revelations that Lang has been complicit in extraordinary rendition and water boarding and the stage is set for drama, reputations and a quarter of a million dollar are at stake.  

With an unrepentant prime minster central to the story comparisons have been made with Tony Blair; even going so far as to describe describing Brosnan as a dead-ringer for Blair. Umm, no. He just doesn’t have that maniacal grin and the arched eyebrows of evil that Blair had in the end. So I didn’t really feel that. 

Though it does tear into the British establishment and the cosy relationship between the US and the U.K. at the time which had such devastating consequences for the people of Iraq.

Apparently “Bliar, Bliar, pants on fire,”  took umbrage to the book this film is based on, demonstrating, I like to think, the value of art. Though I felt that despite being well crafted cinematography Polanski is losing his edge slightly though he pulls off an intriguing ending.  I’ll say no more. I’m no spoiler. 

#amwriting  about possible near future dystopias in verse 

#amreading Ubik by Phillip K Dick, Dipping into 52 Ways to Read a Poem by Ruth Padel and continuing with the Gingko Prize 2021 

A blog post by Anne Enith Cooper

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Writing Prompt: Swan

Writing Prompt: Swan

Play with this; use the image as a prompt. Set a timer for ten or fifteen minutes and freewrite from the point of view of the swan. 

Rules of the freewrite after Natalie Goldberg in Writing Down the Bones 

  • Keep your hand moving, don’t stop or cross out
  • Don’t worry about spelling or grammar. 
  • Don’t think, just write
  • Go for the Jugular.
  • Follow the words, just see what comes

Image: Anne Enith Cooper Brockwell Park 2019


When you have finished consider what you have just made. Is it for just for fun? Or does it feel it needs development? Does it welcome a form?

If you want to take it further or in a new direction create a spider diagram of all the associations you have with swans.

Using one of more of these rework your draft.

Ask yourself does the draft make an argument, see https://archive.nwp.org/cs/public/print/resource/2689

or what is the “punctum” see this article by Hannah Lowe, https://mslexia.co.uk/magazine/blog/how-to-edit-a-poem/

Just play with your words until you find a form of words that satisfies you. 

A blog post by Anne Enith Cooper 

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Poetry by Others: Fred Voss

Poetry by Others: Fred Voss

It’s rare I read a poem that literally takes my breath away. Under Their Sweaty Wings by Fred Voss is one of those. Only at the last line I realised I’d stopped breathing.

I was immediately engaged with the mention of a vice. It evoked a memory of my maternal grandfather whom I used to watch in his shed. My grandmother urged me, ”Don’t bother yer grandad when ’ee’s in ‘is shed.” Yet he permitted me if I stood still, kept quiet and didn’t touch anything. “And never put your fingers in there,” he said as I swung the handle back and forth looking out the window onto the garden.

Image, Dusty Window in Woodworking Workshop by @diydave

This poem which illustrates the reality of machine shop work with its dangers, value and skill in a way that is both tender and mesmerising. 

Under Their Sweaty Wings

by Fred Voss

I have had many fathers between tin walls
one
who told me to lay a crescent wrench across the jaws of a vice
if I left the vice untightened at the end of the workday
so I wouldn’t forget it was loose the next morning and drop a block of steel between its jaws
and send the teeth of a cutter flying through the steel and have the steel explode
in my face
another taught me how to tell what RPM to set a cutter at by putting his palm
flat against the side of a milling machine head and feeling its vibrations
like a gypsy fortune-teller
reading a palm
another told me of how when he was young he wrestled Gorgeous George to the mat
in the Olympic Auditorium in downtown L.A.
lonely
as a street urchin wandering a concrete machine shop floor trying to learn a skill to make a living
with a long-necked can of cutting oil and whatever grit I could pull out
of my guts
leaving Shakespeare a million miles behind in a graduate school I’d dropped out of
these were my fathers
from Lebanon or El Salvador or East L.A. gang or WW2 submarine or prison cell 
          or circus trapeze
who’d landed in this machine shop
too
fathers with toolboxes they’d worn shiny and smooth with decades of their fingers
opening and shutting their drawers
men who’d been shell-shocked divorced shot at who’d cut a finger off or gone mad 
howling at the moon working too many years on graveyard shift
fathers
when I hadn’t seen my father in 2 years when my mother
had disowned me and bikers with metal plates in their legs or heads
were my only friends
and I hadn’t yet written one poem to show me the way
fathers
who made cutting oil and shiny chips of brass
seem holy
giving me old tape measures and sine bars that had crossed the raging Atlantic or a Mexican 
          desert full of cactus
like I was the son they never had
their toolboxes Bibles
the invention of fire the rolling of the first wheel the hammering of the first nail
in their twinkling eyes
taking me under their sweaty wing
giving me a home where forklifts rolled and Krakatoa 2-ton drop hammers boomed
and I laced up my steel-toed boots and squared a hardhat
on my head
home at last
where the ticking of a timeclock
was the mother 
of us all.

See Culture Matters for a version that hasn’t mangled the line breaks…

https://www.culturematters.org.uk/index.php/arts/poetry/item/3876-two-new-poems-by-fred-voss

 

A blog post by Anne Enith Cooper 

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Diary: June 2022

Diary: June 2022

What was that I was saying in the last diary entry about “trying to resist the urge to take on too much as I know from experience that would be counter productive.” And what did I do? Just that! 

Agreed to a trip to Italy at the last minute. Lost the presence that was telling me there were unknown quantities, barely enough time to make the necessary bookings ahead and I already had a lot on. 

It was meant to be a break, a gentle time with a little bit of work, a little bit of sightseeing and relaxing. I reasoned I was due a break. I figured I could work away, I’ve done it before. It turned out to be far from gentle with temperatures up to 37 degrees in the humid sub tropical climate of Liguria.

My phone was telling me it was 26 degrees outside so I couldn’t understand why I was having such difficulty trying to think straight and follow directions in google maps. Only when I saw the sign outside a pharmacy at about 5.00pm registering 35 degrees I twigged. These heats can kill and seriously mangle attempts at rational thought.

It all sounded so good! A radical film festival in Genoa and a few days in Cinque Terre, a place I’ve yearned after visiting for some time. The whole experience was costly in terms of time, energy, money and potentially my mental health. The latter is intact but was put under serious strain. 

Despite that there were some good moments:- 

Screening of a  spectacular film from Marseille of the struggle of a community against gentrification- La bataille de la Plaine by Sandra Ach, Nicolas Burlaud, Thomas Hakenholz, Francia, 2020


A visit to the site of the oldest bookshop in Europe, the original location seemed to be closed with an alter new venue round the corner. According to wiki the  Libreria Bozzi bookshop was founded by a French Jewish refugee from Briançon, Antone Beuf (Antonio Beuf), in 1810. 


A visit to Lerici where the Shelley’s made their base at Villa Magni in 1822. The site has now fallen into disrepair. It was meant to be their dream home. Ultimately Percy Shelly would meet a watery death in the bay he so admired. Note only Percy appears on the plaque. Ironically, like the trip, it was not the happy and curative time the Shelley’s had hoped for, according to Louise A. DeSalvo (1942-2018)

 

“Moving to Casa Magni, even for the spring and summer, made no sense. But Shelley’s [Percy’s] desire to inhabit his presumed dream house distorted his capacity to assess what his family needed. 

The house was in that wild and out-of-the-way place inhabited by a handful of fisherfolk Shelley yearned for. And there was the “divine bay” just beyond the house where Shelley could sail.

But Mary despised the place from the first. Although she did not insist they leave, she was pregnant, ill, and unhappy. She called it “a dungeon,” feared what might happen there and warned a friend to stay away.”

#amwriting poetry about the darkness and danger of a collapsed society 

#amreading Fiona Bensons Bright Travellers and the 2021 Gingko Prize winning poems

The results of this prestigious prize were announced on 24th June. A video of the ceremony and link to the 2021 anthology can be found at 

Home

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On Writing: Elizabeth Bishop

On Writing: Elizabeth Bishop

On being asked by an interviewer what one quality every poem should have Elizabeth Bishop replied, “Surprise. The subject and the language which conveys it should surprise you. You should be surprised at seeing something new and strangely alive.”

Quoted by @JohnMcCullough_ on Twitter

A good poem, in my opinion, is “strangely alive.” It gains that quality by a mixture of inspiration, craft, form and a myriad of decisions large and small. 

The American poet Elizabeth Bishop (1911-1979) is widely quoted and commended for the “painterly quality” of her work and her tendency to, “revise and revise.” She remains hugely influential. 

Find bio at https://www.poetryfoundation.org/poets/elizabeth-bishop

Elizabeth Bishop’s second draft of One Art

Photo by lorac’s on flickr

This is an excerpt from the published version, I don’t have rights to share the whole thing

The art of losing isn’t hard to master;

so many things seem filled with the intent

to be lost that their loss is no disaster.

Lose something every day. Accept the fluster

of lost door keys, the hour badly spent.

The art of losing isn’t hard to master.

Then practice losing farther, losing faster:

See the full poem here

An overview of her work can be found at


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Quote: William Gibson

Quote: William Gibson

“The future has arrived — it’s just not evenly distributed yet.”

William Gibson. Author of Neuromancer.

Neuromancer was the seminal work of cyberpunk which has influenced decades of dystopian science fiction including The Matrix, Repo Man and Mute.

In 1990 a documentary called Cyberpunk was released that featured extensive interview footage with William Gibson. He expressed the two themes.

(1) The uneven distribution of technological advancements

(2) The presence of the ‘future’ within the present

The documentary is in five parts that can be viewed on YouTube. See also https://youtu.be/UdvxPlhTjDU

Here is an excerpt of some of Gibson’s remarks:

“I think in some very real sense part of the world’s population is already posthuman. Consider the health options available to a millionaire in Beverly Hills as opposed to a man starving in the streets in Bangladesh.

The man in Beverly Hills can, in effect, buy himself a new set of organs. I mean, when you look at that sort of gap, the man in Bangladesh is still human. He’s a human being from an agricultural planet. The man in Beverly Hills is something else. He may still be human, but he, in some way, I think he is also posthuman. The future has already happened.”


I feel what Gibson has hit upon here using a visceral and vivid image, is a metaphor for global inequality. The uneven distribution of everything; from basic needs for shelter, food, water, electricity to access to education, training and employment and of course health care.

The future is here. Smart loos, smart houses. For some. Meanwhile in parts of Madagascar people it’s reported people subsist on leaves and insects against a backdrop of drought and famine.

I can’t help thinking that while I see prototypes for flying cars bouncing into my Google news — the emblem, or trope if you like, of the cyberpunk or dystopian near future genre, rising above dark neon lit streets — I can’t help reflecting on the absurdity and obscenity of the rising the wealth of the powerful, of sea levels and temperatures; with record breaking levels recorded in the USA, the Arctic, across Europe in Siberia and Australia last year.

The great thing about this genre is it warns what can come if people don’t act against those in power. In near future dystopian fiction there is almost always a resistance.

The good news is movements across the world for equality, justice and a just transition out of this mess we’ve made, more accurately the pursuit of profit and growth have made, are rising too and have gone global. 

For Gibsons entire hugely influential back catalogue see here https://williamgibsonbooks.com/

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Diary: May 2022

Diary: May 2022

Late again posting… I finally emerged from late lingering mid winter blues early/mid May. Now charting a steady course and trying to resist the urge to play catch up or take on too much as I know from experience that would be countered productive.

Back in March I put myself on the waiting list for a course at Arvon and was delighted when a place came free at the end of April, it was a bit of a scramble but I got there. Entitled Magical Thinking the week was to explore poem as 

“spells and incantations” to look at “words that change us and thread magic through our existence” led by Fiona Benson and Liz Berry. 

This was such a pleasure, the tutors were amazing, the other participants lovely and the fresh air of Devon a blessed relief. 


Prior to this confirmation I’d also enrolled on a six week course in Death in Mythology as my writing tends to draw on these things from time to time. It’s all on zoom and though I’m having a degree of zoom fatigue, or rather zoom hesitancy, I think it will be worth it. 

Coming up (this has all pretty much happened now at time of posting)

There’s a benefit for Save Cressingham Saturday 14th May with experimental music , puppets and spoken word. This coincides with my birthday celebrates so all good.


Thursday 19th May 7.30pm sees Sundra Joanne Lawrence, Malika’s Poetry Kitchen sister, launch her Aryamati Prize winning pamphlet Warriors. With special guests Malika Booker, Be Manzini and Saradha Soobrayen and Anjan Saha to compere.

Here’s a wonderful endorsement from Rishi Dastidar

“In Warriors, Sundra Lawrence takes us into Tamil culture, the Sri Lankan civil war, and her life, in language that is tangible, evocative and visceral. There are moments here that will have you holding your breath; moments that will make you smile too. We are indeed ‘lucky monarchs’ to have these superb poems.”

Available from Foyles, Blackwells and WH Smith’s 

Thursday 26th May 7.30pm

Sees the double book launch from Nine Arches press of You have no normal country to return to by Tom Sastry and The Telling by Julia Webb.with guest poet Daniel Sluman.

You can find out more about the books and purchase copies of:

You have no normal country to return to here and

The Telling here

If you missed it you can watch here https://youtu.be/M8_q-Lf8x44

#amreading 52 Ways of Looking at a Poem by Ruth Padel. I’ve recently returned to this, it’s highly instructive if a little technical. About to embark on the 2021 Live Canon Anthology and dipping in out of The Gingko Prize Anthology 2020

#amwriting about bones and roots.  Briefly in April the sun shone on my process and poems arose clear and almost full formed but other times it’s as if I’m reaching into a swamp. I know there’s treasures in there but between me and the words is the murky depth, the tangle of weeds, the brush of an unseen creature. Yep, just like that

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Photography: Daisies

Photography: Daisies

Rudely awoken the other day by the grass cutters. The previous night I had been seized by what I can only assume was menopausal insomnia. I thought that was so over! Maybe not. ANYWAY, my first thought hearing the heavy machinery was -oh my god the daisies!

Needless to say I was in no fit state after about five hours sleep to go outside, arms flapping and plead mercy on their behalf. Fortunately they’ve done something uncharacteristically intelligent and only cut the edges of the grass verges and paths. Phew!

I’ve been desiring to snap the daisies with the camera as I’ve never seen Cressingham Gardens so replete, so copious with daisies. Never. Such swathes across many of our green spaces. Is it the late spring? Is it some function of the climate?

It’s as if nature itself is saying -wake up guys you’ve a planet to save.

So mid morning, too frayed to write, I stagger out with the camera which I’ve managed to get off the annoying post focus mode.

(This was an education in itself ie: if one has a tech issue it helps takes the attitude, “okaaay, let’s see what’s going on here,” fiddle fiddle rather than, “On my god what’s going on!” Panic? Fiddle. Panic! Fiddle, panic! Then one gets results.)

I was using the Panasonic Lumix rather than the Canon, which is not new but since a repair seems to have a new operating system and as manuals are gobbledygook to me its trial and error…

So here is result of playing with large aperture/ fast shutter trying to represent the detail and sheer scale of all this life. Which is tricky. Read: on my hands and knees, arse in the air. Bits of me creaking. Ignoring passsers by…

And this is one of the estates Lambeth Council Regen Team want to demolish…

The way is see it is if we all fight our corner, and for those of us in the cities our access to nature may well be just a little corner, resist attempts to take away the few resources that replenish our polluted air, places that are ecosystems in their own right, nurture these places, we are not just saving our communities but saving the planet.


there’s no planet b an all that

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Poetry by me: Morning Glory

Poetry by me: Morning Glory

Since the Arvon writing retreat my mind has been thrown back to the past. Childhood memories of encounters with nature mostly. This one though, I believe, was influenced Stevan Alcock’s Blood Relatives, a novel I was reading on the train down.

Alcock depicts scenes, in Leeds, circa 1978, in which punks and skinheads hung out together. Scenes I read with incredulity until I remembered those in the grimy town centre and at Bowles Lyon Youth Club in Stevenage New Town at that time.

I had a Saturday job in Littlewoods cafe in the town centre and would cringe with embarrassment when anyone I knew came in on account of the hideous uniform, the worst of it the cap that flattened my backcombed spiky hair.

The “Stevenage Skins” frequented this establishment on Saturdays, I suspect they used it to hold their “business meetings.” Pubs were mostly off limit, as we were all under age. Their cat calls of, “Oi Punk!” Were generally met from me with the eloquent, “Fuck off!”

It was on the way home from this Saturday job I first spoke to “Neil.”. The character that appears in this poem. All the names have been changed. Here’s a glimpse of my misspent youth.

The poem has been through various iterations and may not be finished. I struggled with the voice of the poem, wondering if is was the teenager or the adult looking back. Opted for the former. Successful? Nb: WordPress has seriously mangled the line breaks, long lines got broken up…


Morning Glory

A knock at the door. Mum shoots a sour look that ses,

you get it, probably for you anyway. Swing the door back,

Neil stands in the porch, Ben Sherman shirt, red boots and braces,

mouth chewing hard; emphatically gurning. Wot you eating?

Morning Glory init. Me an’ Baggy thieved ‘em from the garden centre,

they chased us out. Want some? Picture the Crombies and DM’s,

moon stomping round the greenhouses, shorn heads bobbing

above the compost and potted plants. Me and my mates

will try anything to spirit away the real – glue, cough mixture, 

banana skins roasted under a grill, scrapped and smoked.

You coming out?  No, got ‘omework. Gotta get rid,

‘ow d’you know where I live? And Mother already seething

since I dyed my hair again. Hasn’t spoken, it’s been a week. 

Last time I saw Neil in the town centre we ‘ad the usual argument

You shouldn’t beat up black people!  When laughing

I’d toll mum I’d ‘eard the only black boy at our school

had joined the NF she scolded, it’s no joke, read Anne Frank,

adding fiercely after the lecture: Never again! Just remember that. Never again!

Figure I’m doing my bit. First time I let those words fly, hands on hips,

Neil replied, We’re NF, it’s what we do and I’m the main man 

adding, we like you, you’ve got bot’all, your mates they just run.

Figure he saw something in me no one else saw, not even mum.

Never knew how much of that fight talk was real. Boasts of blood 

on baseball bats, never actually saw ‘em hit anyone. Well,

there was that time I ‘ad the boot boy Ferret in a head lock

when he, along wiv two of our mates, jumped us, rolling home

in our leathers from The Marquee, late Friday night. Got a grasp

as the shortarse leapt and swung at the fisty huddle, just before

the Old Bill carted them lot away. All round town next morning.

During my Saturday shift at Littlewoods Cafe Neil ses

‘eard bout you an Ferret you pressing charges? I laughed. Not realising ‘til then

scrapping was illegal. And that night they crashed Liz’s party

and Baggy, all six foot of ‘im, centre of the room, swaying

beer can in hand saying, as dub beats faded, if we ‘ate black people

‘ow come we dance to their music? The shuddering silence a punch,

breaking as his mates chorused, oh shut up Baggy!

There are the rumours; Liz OD’ed. Ashby tried to leap

off the multi-storey, ‘ad to ‘old ‘im back. Terry’s on a section.

Ferret got lifted. ‘E woz tooled up, carrying a screwdriver.

Probably go down. Things I can never tell mum

when she ses, lit cigarette in shaking hand, it’s just

I don’t know where you go, what you’re doing, or who with

adding, as the long ash fell at her feet, it’s just, the worry!

***

A post script to this: I ran into “Neil” about four years later, after he’d been inside and I’d started University. We had a chat in the town centre, he looked exactly the same. At some point I asked, “And what about the NF?” He replied, “Nah, that’s all over.”

When I asked, “So what changed?” The words he spoke have stuck with me all this time. He said, “It was like you felt that you had no future, coming from nowhere, going nowhere, so you pull your boots and a crombie and join the NF. It was just part of the uniform.”

I still don’t know if it was “just part of the uniform,” perhaps I’ll never know, but that attitude, so eloquently expressed as feeling like you were, “coming from nowhere and going nowhere” was prevalent at that time. I knew it well. It’s also a reminder that when times are difficult people don’t always choose a progressive route out of suffering.

It was at attitude reflected in the film Boston Kickout, written and directed by Paul Hills, a Stevenage resident. At one point a character says, (paraphrasing,) “There’s only four ways out of this place; marriage, college, prison or the psyche ward.” Words which were an accurate portrayal for our milieux and prophetic for many.



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Autobio: Cats the Size of Rats

Autobio: Cats the Size of Rats

Recently saw an article in the Daily Mirror which peeked my interest headlined

Giant rats ‘the size of cats’ invading British homes through our toilets, expert warns

It pulled from me a memory of Future Legend by David Bowie, lyric below, the intro to the album Diamond Dogs.


Future Legend by David Bowie

“And in the death

As the last few corpses lay rotting on the slimy

Thoroughfare

The shutters lifted in inches in Temperance Building

High on Poacher’s Hill

And red, mutant eyes gaze down on Hunger City

No more big wheels

Fleas the size of rats sucked on rats the size of cats

And ten thousand peoploids split into small tribes

Coverting the highest of the sterile skyscrapers

Like packs of dogs assaulting the glass fronts of Love-Me Avenue

Ripping and rewrapping mink and shiny silver fox, now legwarmers

Family badge of sapphire and cracked emerald

Any day now

The Year of the Diamond Dogs

This ain’t Rock’n’Roll

This is Genocide”

This is how I remember it. Listening to the whole of that album over and over with a friend as teenagers. Trying to work out what it was all about, what it meant. Whether it spoke of the past or future?

I sat there on the bottom bunk in the front bedroom sniffing chloroform stolen from the chemistry lab while she sat near the window trying to piece her ear with a needle and a cork. Where the cork came from I have no idea, perhaps Dad when he embarked on his home made wine experiments using bananas and purple sprouting broccoli and anything else he thought could be fermented. 

The trick with chloroform was to stop inhaling just before you totally blacked out but had enough to enter an altered state. It left a sweet taste in the back of the throat. When one side of the record ended my friend said, “Can you turn it over?” I replied, “Can’t you?” Wondering if I could walk across the room and she said, “I’m only half way through.”


You might wonder if that was really the best way to misspent one’s youth. This was circa 1975 -1978. There wasn’t much to do in the New Town of Stevenage and we’d recently been alerted to the threat of The Bomb, and joined the local CND group.

At some point later a band emerged from neighbouring Hitchin called the Bleach Boys. The had a signature track called Chloroform. They played it at an Anti Nazi League benefit in Hitchin, at one point with my friend on stage with the singer. 

I don’t know how that happened. I remember feeling immensely, possibly irrationally, proud. I wonder what happened to that band. I google. As you do. OMG they have a store in Amazon, tracks on YouTube, an album released in 2012 and still gigging! Chloroform, YouTube reliably tells me came out in 1978 so that gives sometime scale. 

The singer, if it is the same singer, still has hair and is slim and presumably fit as he pogoes up and down while he blasts out the howling lyrics. I can’t say there’s been much evolution in the musical style;  chopping guitars, wanging bass, thundering drumming and (surely by design) crescendos of feedback. I never did become a writer for the NME, mother put the kibosh on that. Another story.

As I approach 60 I look back on my life often. I think the recent style I’ve adopted is saying, “still a punk” though I never held with the spitting, the destructive urges, the “fuck you” attitude.

I stepped out recently to a friends 40th, my first post shingles outing, in ridiculously heavy patent leather-look boots, silver chains swinging from my neck and ear, a black, dayglo pink and grey dress that reached my ankles, under the long black Boohoo coat adorned with a safety pin. 

Punk was at first a place of liberation but eventually as tribes fractured into sub tribes one was as likely to be met with scorn as much as acceptance. And I figure I took Ian Dury’s “Sex and drugs and rock n roll” a way bit too literally.

Going thru this “looking back” phase that tends to be fuelled by what the hell happened —to the last 20 years? (I started running creative writing workshops.) — Or the last 30? ( I started writing.) —The last 40? (I started Uni.) Time, it seems, has slipped by. For much of it I’ve been thinking, Am I doing enough? Am I good enough? Am I ready? Back then I thought I was ready for anything.

Hard to put an accurate date to this memory and we’ve come along way from rats the size of cats. Or have we?

And now we live in a time of hunger, sterile skyscrapers, empty during a housing crisis, if I look across the park at night I see “the red mutant eyes” of cranes that surround the new tall towers under construction while beneath the people scurry on zero hours contracts, and below them the fat rats, above them the “fat cats.”

The years seem to have passed so swiftly yet some memories are as vivid as yesterday. I figure one remembers what mattered. Time, the scars it’s left, the sweetness, the inspiration.

A blog post by Anne Enith Cooper 

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Diary: April 2022

Diary: April 2022

This is the place for a bit of my news, my adventures in creativity and poetry community news…

So I am late posting this, very late and part of the reason was a very unhelpful encounter with my GP surgery. Can’t help thinking of Pixie Madison, now a writer and performer for Cardboard Citizens, who famously regaled us, more than once with, “I’ve only got one joke… What’s the definition of care in the community?” Big pause. “Here’s a ticket to Brixton.”

Well, he had a point if my experience is anything to go by…. The details of my recent encounter with community care I’ll leave ‘til the end for anyone who experiences mental health issues or knows anyone that does, see after the fun stuff…

The month began with an inspiring reading from Stav Poleg for the launch of her book The City which took place on Zoom 6th April.

The start of the month also saw my first Brixton night out in soooo long hosted by Jack Blackburn and the Conformists with special guest Michael Groce. 

Really good to see so many familiar faces though tidy reminder that what looks like not-a-lot-of-wine is in fact exactly that – this fashion for mad sized glasses! 

Held at the Brixton Art Club it was great but a bit of a stimulation overload experience with art, sound and familiar faces all at once. I reckon this is a post lockdown or post – but not really post – covid effect or something… Here’s some grainy pics. 



I’ve been following a series of events by Dear Politicians including Ecopoetry and the movement on 13th April which you can catch up here

and How to write Ecopoetry on the 20th April here

While Writers Rebel presented a star studded showcase outside Tate Britain on the 15th April with contributions from Lemn Sissay, Zena Edwards, Inua Ellams, Patience Agbabi, Sarah Winman, Greg Norminton, Joe Dunthorne, Maggie Gee, Nikita Gill and Courttia Newland as well as Monique Roffey and Alex Lockwood. Catch it all here

On a personal note had a trip to British museum with a friend’s kids. Got to see some of the plundered treasures from around the world. It’s a bit unnerving to think probably most of this stuff is stolen… 

Headed to the Egyptian section to find the mummies. That was the objective since the Natural History Musuem that had promised dinosaur bones, the first choice, was all booked up. I was a bit perturbed that my friend’s son spent a quite a lot of time saying, Re: big tombs, “I’m bored.” Re: hieroglyphics, “Boring!” Re: ancient bones, “That’s not scary!” Re: ancient skeletons with skin on them, “Not scary at all.”

I was wondering where this desire or expectation “to be scared” came from and later remembered a convo before getting the lift. Child, “I’m not scared.” Me, “Well you might be if we leave you here overnight and everything comes to life.” (Ooooh, What was I thinking ?!) Child, “I could live here.” Me, “Yes, you’re quite small, you probably could.”



On the way out I asked, “Was there anything you liked?”  Emphatic reply, “The mummies!!” Phew! Later his mum commended me on making abandonment seem exciting when I told her about the convo at the lift!


But honestly do they need to keep ALL that stuff? Much of it was duplicates, particularly the urns (in the Greek section we passed through.) I mean how many urns do you need to make the point? 

After we sat in Bloomsbury Square while I pondered the Bloomsbury Group; their antiwar activity pre 1914, their artist legacy and nurturing of young artists in the 1920’s… wondering if my feel now touched the same grass, the same ground.

Also had a brief sojourn in Hastings over the bank holiday then when I got back began the unholy STRESS of getting a repeat prescription, for my mood meds, before they ran out – this is the mental health bit – but first a picture of a beach of daffodils…

This s t r e s s happens every two months to varying degrees and in varying forms when it’s time to get a new prescription. It’s not like this is a new condition; I was diagnosed bipolar around 1995 but of course the condition varies and my ability to manage it varies though these days I’m fairly stable.

I’m not going to go into ALL the gritty details of this particular rigmarole, it would take too long. Suffice it to say at the third call (average wait each time 45 mins) abandoning any attempt at calm or courtesy, when told, “I can’t tell you if the doctor has made it up or not,” I said, “That is not acceptable!” And promptly hung up. Then voila get a call back ten minutes later, “Your prescription is ready. The doctor has sent it to the pharmacy.” Just as I was penning a complaint to the practice manager. 

I say all this because I am in no doubt I am alone in experiencing these kind of difficulties. The NHS is in crisis. What can I say? This experience would suggest get your strop on. Get mad. Yet thats not the answer. All I can suggest is the following for any encounters with GP surgeries or mental health professionals:-

Write down what you need to say before you call (or attend an appointment.) Make notes of how you feel if necessary or appropriate. If you are patronised, as I have been in the past, remind them the call is being recorded and the requirement of courtesy applies to them too.

Remind them you are a vulnerable patient. If you are feeling particularly fragile ask someone else to call (or accompany you.) Know their policies and know you are entitled to decent treatment. Keep a record of what happened, where and when in case you need to make a complaint.

Sooooooooooo

#amreading Blood Relatives by Steven Alcock, The Sagas of Ragnar Lothbrok, and Gail McConnell’s The Sun is Open

#amwriting about the remarkable beings ficaria verna, also known as pilewort or the lesser celandine. 

A blog post by Anne Enith Cooper 

Contact me here

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Photography: Filto app (and some thoughts on the future)

Photography: Filto app (and some thoughts on the future)

Have discovered a new photo app. One can do cute things with it or more disturbing things. It seems pretty limited one can only add one effect and one filter at a time, and some of the effects are really just filters.

Created the original image, the one l’ve messed with, on NYE. Yeah. Read: Trying on new lipstick and pouting into the iPhone. The first makeup I’ve bought in about 15 years if truth told.

If I’m blatantly honest at the back of my mind was the thought can I still pull it off before my lips get thin and puckered. I am not proud of this train of thought. I’ve reached that stage of life where whilst I’m all for positive images of older people though a little part of me screams ageing? Ok for you, but not me! Yes, really. 

Am playing around with this app while sitting in a great heap of exhaustion. I could do to get to Brixton Wholefoods but somehow I don’t think that’s gonna happen today. Everyday last week woke with gritty eyes, foggy mind, somewhat bloated feeling and a kind of overwhelming weakness. I’ve got some stuff done, essentials and some writing and submissions. 


Earlier I finished my book; The Parable of the Talents, the sequel to The Parable of the Sower. It was harrowing; I think I’m gonna have to take a break from near future dystopian fiction for a while coz instead of giving me the feeling things-aren’t-that-bad-yet. It’s tending to make me feel actually-things-aren’t-far-off-from-that. Both books are by Octavia E Butler, a black woman from California who has received the Hugo and Nebula awards for her work, both are an edge of your seat compelling read.

That said, these stories are also tending to make my think, as did Olamina, the narrator in the first book, that I need to repack my apocalypse bag. This is a real thing and resembles, and has been used as, camping equipment. They also make me too acutely aware of my lack of knowledge about the essentials of survival.

I mean how to you make soap or grow wheat? What plants can you eat? I know you can eat dandelion but that’s hardly going to keep us going when faced with raging famine and perhaps people who might not want to share or work collectively. And furthermore, tends to make me feel I need to enrol at a firing range and get in some shooting practice.

Yes, really, in my darker moments this crosses my mind. I was only joking about this last summer. About how come the apocalypse only the bad guys are gonna have the guns. And how I ought to know having watched every dystopian movie out there, naively wondering why they just can’t form a citizens assembly, then the penny dropped…Dark thoughts yes I know. Though the joke was funny at the time.

Anyway. I say all this at the risk of bringing you down on this fine winters day. At least it was fine earlier. That’s not my intention. It occurs to me these editing facilities of the Filto app could stand as a metaphor for possible destinies. We can make images nice or nasty. We can do the same for our future. Every day I feel it more and more its in our hands. It really is. Quite literally.

I just think we should all think very carefully about the future and what it holds, how we can shape it, what we are going to bequeath. How our action now, in activism or other ways; big and small, can make a difference between a hell or a heaven on earth or at least tend towards paradise, nostra primavera, Shangri-La, a new Eden with some almighty damage limitation and system change. 


Of course, well on one level, I don’t really believe things here will get that bad as scenes depicted in Butler’s stories in my lifetime, at least not in the West. In other parts of the world, as Margaret Atwood work also suggests, elements of these stories certainly exist already. In an early edition of the Handmaids Tale Atwood notes, paraphrasing, ”All the practices cited in this book exist now somewhere in the world.” That was the bit that really sent chills through me when I read this as a young adult.

The scenarios described by Butler might well be experienced by our children and children’s children if we don’t act now. That is why I think it’s so hard to read about. These books, though fiction, give a very realistic picture of what the future might hold if we are unable to deal sufficiently with the climate emergency, with poverty and inequality. If we don’t have a just transition and system change we face at best a bleak future.


In these stories, published in the 1990’s, we see, against a backdrop of climate change, the rise of a fundamentalist quasi fascist Christian force who take power. The president, Jarret, aims ”to make America great again.” Thugs, associated with the regime but unacknowledged by them, round up and literally enslave the dispossessed; unemployed, homeless, squatters and groups with a different world view including Olamina’s Earthseed community.

We see what a deregulated and regressively legislated society and economy could look like with the return of debt bondage, legalised torture and sex trafficking. We see the violence that ensues when people are barely surviving, traumatised, desperate and distrusting. Sound familiar?

Just a last word on the app. There’s a three day free trial. After that its £34.99 for a year. It might be worth it for social, to glam up and play with party images but as an artists tool I’d say its pretty limited. There doesnt seem to be a function to make videos for more than 5 seconds. One can trim, cut and alter the speed but thats about it. Can’t seem to loop them either. Verdict: fun but an expensive toy.

A blog post by Anne Enith Cooper 

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Poetry by others: Kate Clancy 

Poetry by others: Kate Clancy 

This poem is from the collection Slattern, published in 2001, which won Winner of the Forward Prize for Best First Collection and the Saltire Prize for the Scottish First Book of the Year. I came across it when searching for poems about hats! Sharing as an image as it contains some nice yet subtle formatting.

The text reads

Tip

Get a hat, a homberg, keep

it on bars, tipped

so just your profile shows.

Imply a smile, one-sided. Perhaps

a scar to hold it.

Seek out the half light, stand

oblique, a silhouette. Smoke

a blue edged trail

in icy air, by a lamppost, let

your few sharp words intensify

to clouds. Be lean.

Be leaning on the bar I plan

to enter. Irony’s the ice I keep

my dreams in. Drop

some in your whisky. Hold it there.


This filmic image says so much in so few words. The collection is described as, “poems about men and boys: married men, self-sufficient men, wounded men, and men ‘who own/the earth and love it’; poems about memory and time.”

If you are a women you know this scene, in fact we all do if we’ve seen enough movies. Here imaged with the emphatic line breaks, the repetition of the long i sound that runs throughout, the short lines and short sentences building tension to the bitter, “Irony’s the ice I keep/ my dreams in.” As the absent narrator becomes present sharply in focus out of all that smoke (and mirrors.)

I am aware that more recently Kate Clancy’s work has drawn controversy. This post is not an endorsement of that. I can’t comment on it specifically as I’ve not read the offending text: Some Kids I Taught and What They Taught Me. Nor as a white writer do I feel it is appropriate to comment on a debate about the representation of race.

However I can’t help think it’s quite right that writers take issue with discuss and debate not just what has been represented but how. Though in my opinion if that then leads to hounding and “cancelling” it helps noone, except perhaps the right wing who in the USA who are currently carrying out a fury of “cancelling,” benefits. I absolutely respect that was never the intentions of the critics of Clancy’s work. 

Hence I share this not as a political statement or ”taking” sides but because it is a brilliant poem. My position, if I have one, on discussions of oppressions is we are all learning and growing. We all make mistakes. We all hold unconscious bias. We all have different lived experiences which inform those bias. A very different thing from conscious prejudice, I think. Though perhaps the experience of such can seem very similar to the oppressed. These are is thoughts in progress.

Brief bio

Kate Clanchy was born and grew up in Scotland. She is a writer in several genres, and has won the BBC National Short Story Award for her fiction, a Forward Prize and the Saltire Prize for her poetry, and the Writers’ Guild Award for her much acclaimed memoir Antigona and Me. She was shortlisted for the Ted Hughes Award for We Are Writing a Poem About Home, a radio poem by the students of Oxford Spires Academy where she has been Writer in Residence since 2009.

More info

https://www.reading.ac.uk/english-literature/our-staff/kate-clanchy

A blog post by Anne Enith Cooper 

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Diary: March 2022

Diary: March 2022

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity

For the first half of February I felt like I had my head in a box in a padded cell with no windows, longing for the sap rising energy of March. Then Storm Eunice arrived and swept all that away and some of the roofs on Cressingham Gardens and thoughts and movement returned.

Unwary I joined the world once more with varying results. Now back to watching Vikings on Netflix again, (this is how I self soothe, I’m serious) back to living like the hermit on the hill and hardly noticed February swing into March. 

In the poetry world what’s up? Well, I haven’t exactly been in the world much but I can tell you am looking to seeing Salena Godden, reading from Mrs Death Meets Death at Piccadilly Waterstones on Wednesday 16th March plus zooming in with the Red Poets Sunday 20th. 

Coming up World Poetry Day on Monday 21st March and Poets for Ukraine hold ”a hybrid sponsored poetry event” on 27th March taking place at JW3, 341-351 Finchley Rd, London NW3.

Provisional timings are 11-5pm poem-a-thon in a space that seats about 40 people with a evening gala event 7-9pm in a larger auditorium. This is to be a combination of virtual and live performances and audiences will be able to come in person or watch remotely.”

Booking essential. Links below.

Day: https://www.jw3.org.uk/whats-on/poets-ukraine

Eve: https://www.jw3.org.uk/whats-on/poets-ukraine-gala

Image by Henny Beaumont

The daytime event is sponsored, to sponsor a poet go to https://www.gofundme.com/f/poets-hope-and-aid?member=17960261&utm_medium=email&utm_source=product&utm_campaign=p_email+inviteacceptedemailtoteammember&fbclid=IwAR0Vw9z7UhRpjzfj_pA2msp-I2dp4P-Ntf40m1W-EZWQBihwJFjb_oYU9N

All the funds raised will go to humanitarian organisations. My position on the war is I that support and stand in solidarity will the Ukrainian people against Russian aggression but I wonder if this would even be happening if NATO had wound their neck in after the Warsaw Pack was dissolved AND had Bush and Blair not carried out an illegal war in Iraq setting a precedent for international law breaking. Besides this, caught sight of a meme, which I can’t seem to copy or upload, which says:

I know not

what weapons world war III

will be fought, but world war IV

will be fought

with sticks and stones

Albert Einstein. 

These words have been winging around my mind every time I hear commentators on TV and radio blithely remark on the prospect of a nuclear exchange, or nuclear incident without adding, “but of course that would be UNTHINKABLE that would be THE END OF EVERYTHING.” 

I want to be informed without being overwhelmed and collapsing into stasis, uselessness, hopelessness. The only constancy in my life has been the struggle; for peace, justice, equality in various ways. Poetry came later. Right now I feel what was it all for as we stand at the abyss of all abyss’s, at times I feel what was the point and I now where that train of thought leads. How does it help knowing we swim in insanity, absurdity, obscenity it gives no succour. 

A part of me says only if we can look the darkness in the face and still hope we can overcome. Better than to be consumed by it. Yesterday at the end of a poem an acorn dropped at my feet. Hope however small is still hope. 

I wonder how on earth did I cope with these similar fears as a teen? Action I guess, we took action. We (CND) were told more than once to “go back to Russia”, leafleting on the streets, which only emboldened us. 

But before that? When alone, thinking the whole world was mad! And if not them, me? Perhaps I was stronger than I thought despite shaking before walking into a youth club. Hiding in the library at school.

Strength I call for now for me, for us all. Calm, clear sight and gentleness for the world. Thinking, really, “what’s so funny about peace, love and understanding” as we stand at the brink. 

After watching the series Vikings the first time round I dug out the Poetic Edda. It was complied around the 9th Century. (There is also the Prose Edda, which was written some centuries later and as such is an interpretation.) It appears to be a fusion of history and myth chronicling pretty much all we know of; Viking life, belief and ethos. The Edda predicted their end, they called it Ragnarok. The end not just of their way of life but of their gods. One might say that came to pass. Only the Edda remains and these modern interpretations…

Katheryn Winnick in ‘Vikings’ | Jonathan Hession/A+E Networks/History

Our “end of days” has been predicted in numerous forms. I’ve come to think of it as it as a metaphor for transformation. The ascension a metaphor for becoming fully human. Not an end but the possibility of a new beginning. At times like this with the advent of war that feels like hopeless idealism. 

I still hold with “if we can break it we can (re) make it”, here “we” is humanity, but only if there is something left beyond dust and irradiation. Or we leave the world to the cockroaches but they won’t recite, interrogate or interpret our hymns, songs and ecopoetry.

On a personal note a friend invites me to a birthday “do” closing the text with – Dress Code: Sexy. And I think how do you even do that? After spending most evenings in sweats and jumpers and (quite frankly ridiculous) knitted socks since I turned the heating down for the planet, this feels like rather a challenge. (I won’t say “jerseys” because that makes it sound even more sad, language is wonderful isn’t.)

Oh, and did I mention nestling under a furry throw? Because that way, even though it’s made of polyester, when watching Vikings I can imagine I’m one of them, Lagertha perhaps. Sorry, of course it’s Lagertha;  shieldmaidan, warrior, wife of Ragnar Lothbrok.  (While simultaneously musing I’m pretty sure there’s a pizza in the fridge but can I be bovvered.)

As regards the party, I hear “fall back on the feminine classic, get out the little black dress” I reflect there’s about four of them in sixes 8 to 12. Only one I can pull over my hips (and that was five years ago) and it rides up so far it’s comical read: a bit embarrassing. I saw the photos. And it was a book launch. Our Cressingham book launch to be precise… 306: Living Under the Shadow of Regeneration. More about that here


I hear the words of my mother or a neighbour when I were but a child, berating some poor soul, “Mutton dressed up as lamb I reckon”. I hear many voices dictating what women over fifty can, should, could, must, mustn’t wear and “Don’t have you’re hair beneath your shoulders,” and “Don’t shape your eyebrows too thin,” and finally conclude it’s all bollocks… but how deep goes the conditioning of what a women can/should/must/mustn’t dare wear. 

Still the outfit search goes on… And the war goes on… And the poetry and creativity and ingenuity of millions of souls goes on though I’m still hearing the word “nuclear” too often for my liking 

#amreading The Hidden life of Trees by Peter Wohlleben,  Entangled Life by Merlin Sheldrake and Panic Response by John McCollough 

#amwriting about trees and fungi and the war of course, and my latest contribution to the Listen Up On our Radar hub is here 

https://groundswell-listenup-hub.org/are-you-receiving-me/

A blog post by Anne Enith Cooper 

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Writing Prompt: The Magic of the Giant Cedar

Writing Prompt: The Magic of the Giant Cedar

Play with this; use the image as a prompt. This tree is located on an island in the archipelago Barkley Sound, The islands are part of a national park in British Columbia in Canada. 

What stories she could tell! Set a timer for ten or fifteen minutes and freewrite and see where it takes you. Then consider what you have just made. Is it for just for fun, or does it feel it needs development? Does it welcome a form?

Rules of the freewrite, after Natalie Goldberg, from Writing Down the Bones; keep your hand moving, don’t stop or cross out, don’t worry about spelling or grammar. Don’t think, just write, follow the words, just see what comes. 

Image by Matt Jackisch who says, 

“On a tiny island West of Vancouver Island exists this giant cedar tree. I had heard the myths and legends and followed a trail of broken hints in a kayak to find it. I’ve visited several times now and really loved the low hanging light in the forest this day.”


Have fun with the process of writing. once you have finish your freewrite be curious about what you have made. Not all writing is for submission or publication, sometimes it’s enough to exercise that writing muscle. You may feel you wish to develop the piece or take it in a different direction, if so you may want to consider this additional information. 

Close to Barkley Sound on Vancouver Island a courageous struggle has been taking place on indigenous land to stop logging of similar old growth trees.

Image by Jesse Winter/ The Guardian

Contractors and police have been vicious in their treatment of people that want to save trees such as this. The largest protest has been at Fairy Creek. Last year a protester commented, 

“We’re now at the point where River Camp, which has been occupied for the better part of seven months … has now been aggressively cleared out and there is machinery waiting at the bottom of the hill to cut down thousand-year-old trees,” said Luke Wallace

The action is organised by the Fairy Creek Blockade, “a volunteer driven, grassroots, non-violent direct action movement,” committed to  protecting the last stands of globally significant ancient temperate rainforest on Vancouver Island.

https://laststandforforests.com/

Last September it was reported, “With 882 arrests so far, the old-growth logging protest at Fairy Creek has now surpassed Clayoquot Sound as the largest act of civil disobedience in Canadian history, according to B.C. Green Party Leader Sonia Furstenau.” As of February this year more than 1100 people had been arrested and charged. 

The struggle against Teal Cedar Ltd continues, on the land and in the courts. This video contains some inaccurate information about the protest, which has been nonviolent throughout, but gives some idea of the scope of the issue.

https://www.cheknews.ca/videos/62312e12112cc000018abe3f/fairy-creek-logging-blockades-return-for-third-year-of-protes


A blog post by Anne Enith Cooper

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On Writing: Mattilda Bernstein Sycamore

On Writing: Mattilda Bernstein Sycamore

Some interesting thoughts here in Writing on your own Terms from Mattilda Bernstein Sycamore on gatekeepers, the Canon, an “imagined centre ground” and how writing is what keeps us alive.

“If writing is what allows us to dream, to engage with the world, to say everything that it feels like we cannot say … then we need to write on our own terms, don’t we?”

She concludes that writers need writers. I guess we all know this and we all read yet so often we are content to hide away in the comfort of our writing space. So join a workshop, start a course, go on a writing retreat.

Brief bio

MATTILDA BERNSTEIN SYCAMORE is the author, most recently, of The Freezer Door, a New York Times Editors’ Choice, one of Oprah Magazine’s Best LGBTQ Books of 2020, and a finalist for the PEN/Jean Stein Book Award for “a book-length work of any genre for its originality, merit, and impact, which has broken new ground by reshaping the boundaries of its form and signaling strong potential for lasting influence.”  Sycamore is the author of two nonfiction titles and three novels, and the editor of six nonfiction anthologies. 

More info

https://www.mattildabernsteinsycamore.com/

A blog post by Anne Enith Cooper contact me here

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Diary: February 2022

Diary: February 2022

My diary posts are the place for a bit of my news, poetry community news, plus my adventures in creativity.

Oh what a slow time it has been. It really feels like this month and I have been dragging our feet through the days. On rare days there is light. On one of these I took myself to the Brockwell Park Community Greenhouses which are presently being renovated. They describe themselves thus: 

“a community garden in the centre of Lambeth’s Brockwell Park. Our beautiful, large site includes an orchard, a series of demonstration gardens, a walled herb garden and two large greenhouses. We help people grow through learning, and learn through growing.” 

Adding, 

“We run a garden volunteering scheme, school visits, family events, courses and workshops.  At BPCG, people learn about conserving the environment and wildlife, to appreciate nature and to understand organic gardening and food growing – and all in a very friendly community spirit.”

I was excited to find an area dedicated to bugs -something I’ve been reading about and occasionally writing about – interesting! This unlikely structure is a home for bugs.


At the end of January stumbled upon an exhibition called SPACETIME. It’s curated by Katya Kan, featuring her work and that of eight other artists. My fave in the show was M.O.O.N. Series by Sandrine Elberg Band white inkjet on 42 x 30 cm paper. The private view took place at a rather funky little bar at 20 Hanway Street. The show is on, I understand, for three months by appointment. 

The whole thing was such a refreshing change to home time, to lockdown life with dj’s, singers, spoken word, a welcoming atmosphere and even a bit of hula hoping from poet Jade Evans. With her encouragement I performed my poem Quantum Chance which kinda fit with the theme. It felt good to be up on a mic again. 


This month see the launch of Listen Up “A lived experience-led project, kickstarting major change towards better healthcare access and life expectancy for people facing homelessness.” 


A bit of a mouth full however the project aims to challenge “the inhumanity that people experiencing homelessness face barriers to healthcare and are more likely to die young.”

It operates via a hub which “collates raw reports on experiences, concerns and feedback – a network of trained community reporters experiencing homelessness, living all around the UK.” 

The hub has been created by Groundswell and On Our Radar, funded by Comic Relief. My role in all this is as one of those reporters, my latest contribution here on the theme of connectivity.


February also saw the publication of A Fish Rots From The Head by Culture Matters. Described as a “quickfire anthology” edited by Rip Buckley. My rapidly created concrete poem didn’t make the grade but the anthology is available here 

Looking forward to the online Emma Press book launch of poetry pamphlet: “Overlap” by Valerie Bence. Taking place 7pm Thursday 24th February The event features a reading from Valerie plus Q&A with founding editor Emma Dai’an Wright. You can order a copy of the pamphlet here: https://theemmapress.com/shop/poetry/pamphlets/overlap/

The book’s blurb: Valerie Bence’s debut poetry pamphlet is a testament to ordinary lives, and a meditation on grandmothers. Part memoir, part family history, Overlap is a series of vivid vignettes from the poet’s childhood, courtship, motherhood and grandmotherhood, spanning the 20th and 21st centuries.


Coming up Your Time To Shine taking place on a barge at 2 Canal Way London W10 5AA on March 5th, 6th, 12th, 13th from midday to 7pm I’m hoping to be reading on one of these days tbc. and depending on energy levels which are a little submarine at the mo. 


And it’ll be a Brixton family day out Saturday 26th February out to see the fab Ruby Sparklepants in RAPPUNZEL at London Walthamstow Trades Hall, 61-63 Tower Hamlets Rd, Walthamstow, yep getting out of the borough! 

#amwriting about locusts and fungi, about the whole jaw jaw towards war war which is desperately disturbing quite frankly, 

#amreading O Caledonia by Elspeth Barker, The Kids by Hannah Lowe and working my way through back issues of the Gingko Prize Anthologies currently 2020

A blog post by Anne Enith Cooper

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Matter poetry: Caged

Matter poetry: Caged

Much of the modern world seems to me absurd, insane and obscene, with these objects I attempt to create art as narrative surprise, breaking down distinctions between the plastic, the digital and the written word.

Caged is a meditation on modernity, on a system driven by the relentless need for profit, ideologies that justify and support that system, one that can enslave and imprison our bodies and minds, if we let it.

Materials: wire, dried plant.

A blog post by Anne Enith Cooper

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Quote: Martin Luther King Jnr

Quote: Martin Luther King Jnr

“We must discover the power of love the power, the redemptive power of love. And when we discover that we will be able to make of this old world a new world. We will be able to make men better. Love is the only way.”

Loving Your Enemies (November 1957) 


It’s kinda funny to read this as I’ve been hastaging “love is the way” for a while unknowing of the footsteps I walked in or not quite aware of the influence of these words. I also found this and I’m not sure if what follows is a continuation of the MLK quote or from elsewhere as the source I found was ambiguous. I’m sharing it as I feel it makes concrete what love means. 

“When love is the way, then no child will go to bed hungry in this world ever again. When love is the way, we will let justice roll down like a mighty stream and righteousness like an ever-flowing brook. When love is the way, poverty will become history. When love is the way, the earth will be a sanctuary. When love is the way, we will lay down our swords and shields, down by the riverside, to study war no more. When love is the way, there is plenty of room – plenty good room – for all of God’s children.”

There’s a irony I feel, “love” is one of the most used words of the English language, the others are “sex”and “chocolate”. I’ve heard it said, in humour, if you want a bestseller make sure to include love, or sex or chocolate in the title. Yet we all love someone or something and that alone is surely motivation for our unity of the human species which we need so much at this time of climate emergency.

Yet we know so little of true love, real love; universal and unconditional. We here being humanity. Who can even honestly say they love themselves unconditionally? Let alone others. Few of us have really learned to love. We are children of trauma. We will wash ourselves clean of it down by the riverside only when we have created and built that new world that grows within the old.

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Diary: January 2022

Diary: January 2022

This is the place for a bit of my news, my adventures in creativity and poetry community news…

Happy new year to you all! The light seeping into my flat on New Years Day had a different quality – lighter, brighter. I was fairly intent on ignoring the whole NYE thing but in the end I did put on a bit of lippy and have a wee drinky, popped out at midnight and met up with few of the neighbours and together we raised a glass and watched fireworks in a 360 display that went on for a good 15-20 minutes. In true block style one of the neighbours came out in his dressing gown. 

If I’m honest I’m glad to put last year to bed even if this notion of counting time is fairly arbitrary. It was such a tough year. The third lockdown hit me hard. The whole shingles thing was a real challenge and the year was bookended by virtual funerals, not the best way to see people off. RIP Paul, Leroy, Shashi, Offshore, Gwen, Dale. What can I say. It’s almost been too much. 

There’s been some highlights I guess, little trip to Botany Bay Margate, the live launch of Too Young, Too Loud, Too Different, starting mentoring with author and poet Bethany Rivers and hence writing in a more focused and productive way plus the birthday picnic in the park with great company (and Cava and Kahlua, that went down well.) 

Think I’ve had a bit of a relapse health wise and as a result if I’m honest been feeling fed up, frustrated and somewhat forlorn. I seem to be experiencing fatiguey post viral symptoms. After a mere short exertion, 4500 steps, to put money of the gas card led to two days in bed! 

But at least not in the depths of the underworld picking up pomegranate seeds, at least not at the mo, it could be mild depression, that does tend to happen at this time of year, and not immune to the feeling life-is-passing-me-by-and-I’m-just-in-a-big-heap-oh-woe-is-me! (Dramatic sigh!) 

Hades, Persephone and Cerberus at the dog park eating Pomegranate and swimming in lava By Zelda Devon. (Cropped and with added contrast)

The T.S. Eliot’s was a massive tonic and the result even more so. For me as neither a butch women nor a lesbian, but as a women with fluid sexuality, diagnosed bipolar, decades of chronic fatigue and brain fog and a lifetime of feeling other, Joelle Taylor’s work makes me feel all kinds of different are acceptable. I find in that sense C+nto and other work by Joelle on women, young people and the precarious is poetry of and as liberation. But less from me on this in her own words here

There’s been some other inspiring moments for working class writers in the last month including this from Culture Matters featuring poems; What is History, Discuss? by Anna Robinson, where are the working class now by Martin Hayes and Struggle by Jim Aitke and two moving poems which focus on the male psyche and body from Peter Reynard in Black Nore Review

Meanwhile Poets for the Planet has had a bit of exposure in Poetry News

As regards January, this slow time, I don’t really do news years resolutions, but have resolved TO GET OUT MORE, to submit work for publishing more, (not diffic since the base line is almost zero) and let people who are important to me know they are important to me. More order, less chaos, in brief get another Billy Bookcase and some bedroom cupboards. 

Oh and get my BMI back down to 22. It’s presently hovering at around 24.5 which is not good. When I went to Malta 3 1/2 years ago my body was slim, lean and tanned. Now it resembles a crumpled dough ball. It’s not so much what it looks like but it don’t feel good. I’ve been going thru an – accept the menopause belly – phase but now I’m thinking no, no, no let’s shift it. 

Life is still dominated somewhat be screens though at least one was outside-the-in-the-world. I went to see Dune recently and oh, yes, oh so epic on so many levels. Even if you are not a fan of sci-fi I urge you to see this movie and on a big screen. Dreams, giant worms and prophesy might seem a bit far fetched but It works, in my opinion, as a critique of imperialism, capitalism and colonialism, and possibly Climate Change and is so vividly and visually engaging I wanted to freeze frames to witness the sheer complexity of scenes and it’s raw beauty. Take my word for it. Dont take my word for it, here’s a trailer.

On the small screen besides Don’t Look Up, which I liked and let’s face it is the talk of town, very much liked The Tourist and The Power of the Dog. I felt both resisted the good guy/ bad guy dichotomy and explored the grey areas that exist in human mind and behavoir while being utterly compelling. 

We’ve got our fill of real life drama and it seems Partygate isn’t going away anytime soon. My only concern is that two deeply regressive bills presently going through Parliament the Police and Crime Bill and the Nationality and Borders Bill are getting little attention. There was a protest against both of these. We mustn’t lose sight of the attacks on civil liberties and citizens rights taking place right now.  Or let the absurd and obscene manoeuvres in Downing Street and Parliament or the pandemic be a smoke screen. 

#amreading a whole bunch of stuff including the Ginkgo 2020 Anthology and The Falafel King is Dead by Sara Shilo which explores grief from the point of view of each member of an immigrant family in a small Israeli town and paints a picture of life for a marginalised community of Jewish Arabs.

#amwriting or trying to write about the earth that is earth, soil, it’s fragility and fitness, about what lives there, those complex webs within it that make the difference between it being healthy or not, I think that’s what I’m trying to do…

A blog post by Anne Enith Cooper

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Poetry by me: The Button Tin

Poetry by me: The Button Tin

A prose version of this poem was published in the Loose Muse Anthology of New Writing by Women Spring 2013. Sharing this today thinking about the women’s marches of 2017 after the election of the 45th.

Reflecting that women, in small ways and large have always been a part of the struggle; sometimes on the front line, other times carrying out unseen acts of solidarity and resistance.

Its based on a childhood memory from my maternal grandmother’s and to some degree reimagined. My mothers family were from Blackburn Lancashire. My grandmother, and possibly her sister who also moved south, were former mill workers.

This side of the family moved south to Stevenage Old Town when mum was about four. As I understood it because my grandfather was told by a doctor that with his lungs he wouldn’t live long if he stayed in the north. He got a job reading electricity meters, cycling road the villages of Hertfordshire and lived into old age.

It occurred to me writing this I was unknowingly brought up with three languages; the Standard English of school, the Lancashire dialect of my mothers family and the Yorkshire dialect of my fathers family. These last two over lap to a large degree, with a subtle difference of accent.

I spent a lot of my childhood in a blur of confusion. Frequently not understanding what was being said to me as my mother rarely “translated” sayings and expressions; you don’t know you were born… were you born in a barn… I didn’t dare or even know how to ask for explanation.

I’ve screenshotted the poem as WordPress has this annoying tendency of garbling all the line breaks. Hope it’s readable. I appreciate for anyone with limited vision the font is very small. Don’t hesitate to contact me for a large print version.



Note to the poem

During the miners strike in the winter of 1972 an event known as the Battle of Saltley Gate took place. It was turning point in the strike and a legend in trade union history.

On the morning of the 10th February, following a call from (the then little known) Arthur Scargill, 30 000 engineering and building workers from Birmingham walked out. 10 000 of them marched to the outskirts of the town to join a mass picket at the West Midlands coking depot. They succeeded in closing it down, stopping deliveries undermining the strike.

Reported by Freedom Press, among them were the engineers from SU Carburettors, ”crowds of women”  who marched at the front under a red AUEW banner. They made their way to the inner ring of the pickets and stood opposite the police lines. “It was solidarity action on an unprecedented scale, one of the largest mass pickets the country had even seen.” http://www.freedompress.org.U.K./news/2012/04/10/the-battle-of-saltley-gate/

Image copyright PA. Woman marching to join picketing miners at Saltly Gate, more info https://www.bbc.co.uk/news/uk-england-south-yorkshire-60290283

The strike lasted seven weeks ending when the NUM agreed to a pay offer on 19th February. Two years later a work to rule (overtime ban) by the miners in response to rising inflation, at over 7%, led to the three day week. When prime minister Edward Health took it to the nation in the “Who Governs Britain” election of February 1974 he lost and Labour leader Harold Wilson was returned to power at the head of a minority government.

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Diary: December 2021

Diary: December 2021

Return after a week away to Plan B Omicron Britain which mainly seems to consist of pretty-much-what-most-people-were-doing-anyway; working from home, wearing masks in enclosed public spaces, social distancing at a distance, that arguably, if any less would be considered, (in British terms) a bit creepy at best and at worse possibly verging on sexual harassment or threatening behaviour.

I’ve just got back from a retreat of sorts in the rather glorious Lanzarote. I had/have certain reservations about flying during a climate emergency but it’s hard when you hear of the number of private jets swooping into COP 26; one report states 118 (Forbes) another suggests it was as high as 670 (The Metro), hard not to develop a fuck it mentality. 

I will be donating a sizeable proportion over and above my total spend to reforestation. Is this just to placate my nagging conscience? Maybe. I’m only human. 

The trip was designed as a let’s-finally-kick-into-touch-the-whole-shingles-encounter break with yoga, tai chi, a spa, a gym and pool. I swerved the gym obvs! Though I walked every day  bathed in the sea air, if not the sea itself and the sunlight. By rights should be feeling renewed and refreshed. 

However the day after I arrived a received a message saying, “Did you know Dale is very ill?”Dale and I had spoken recently…frequently of late. He commented recently about “a gastric flu” and what sounded like a fairly alarming symptom, “limping with abdominal pain” but kind of playing it down. For someone as self deprecating as Dale hindsight tells me that should have rung alarm bells. 

I refrained from my usual barrage of unsolicited health advice, thinking he’s an adult, he can look after himself, instead suggested lightheartedly he’d better see or at least speak to a doc in case his insides felt out or words to that effect. I’d had a flu like thing myself and went into details of my treatment regime in the hope he’d take the hint. I didn’t pick up the phone. 

Yet it occurs to me post world wide web we’ve slipped into this culture of can I call? Calls are scheduled. When I say “we” here I mean people I know on the whole. Sending a Facebook comment when a text would be just as easy. Sending a text when a call would be good. Picking up the phone when when meeting up would be better. 

None of this prepared me to hear – induced coma – ICU – sepsis – leukaemia – DNR – turning off life support – And so as his life slipped away just three days later. I sat watching the sun set writing a poem to him after a day praying for a miracle. An hour and a half later I heard that Dale had passed. 

Our last messenger convo was about a writing swop. I was made up by this turn of events as Dale was, still hard to use the past tense, a brilliant writer, in fact, I was a little in awe of his writing depth and output. He had a voice that was witty, incisive, irreverent, sagacious and yet empathetic. Dale had more empathy than most people have in their big toe. And so it was agreed to start this week. 

I spent the proceeding days away in a kind of numbed blur. Going through the motions. After three days of meditating and sending light, then hearing he had succumbed to this sudden and unexpected early passing I felt bereft of meaning and purpose. 

And if I’m honest I still can’t accept it. I scroll through pics, I reread his articles, listen to his poems hearing a gentleness in his voice I’d not heard before. At the airport on the way home I read 148 messages full of condolences and wry memories from his friends in response to the inevitable Facebook post. 

The day before I left it all threw me into – into what? Perhaps a form of benign nihilism, I’d had a complimentary glass of wine with my last dinner and an amiable chat with a couple at the next table and found myself experiencing something close to cheerfulness. Consequently I wrote, 

“I’m just struck with the absolute transitory nature of everything; a mood, a sensation, an experience. A state I’m told can be achieved by years of meditation. I’ve heard this described as entering a state where one experiences the true nature of reality. Yet instead of conveying to me the deep sense of some other universal eternal with profound meaning and comfort it’s borderline terrifying and just led me back to what’s the point? A place i really don’t want to be.

If each moment comes and goes; bliss, sorrow, pain, anger, agony, ecstasy then so what? Perhaps the higher beings are not evolved beings who have transcended the human experience but those who never knew it. The stones, the plants, the trees, the burrowing insects. 

Perhaps it is we humans that are un-evolved in comparison, primitive. Let’s face it we are on the whole primitive. I have no grief for the end of humanity if I’m honest. And feel on some level nature will survive us. Look at what we’ve made; an indoor artificial waterfall, smart loos, chemical weapons…. 

I often wonder that Agent Smith was right the world would be better without us or at least we should stop trying to better nature, being the big Hu-Man, knowing so fucking much and understanding so little. And what is the point even if we are part of a big whole, a hive mind, a universal consciousness, some days I see consciousness as a giant multi faced glitter ball, shining on one side, darkened on the other…”

Image creator Marcy IPTC

After that it appears I stopped writing and presumably fell asleep. Since I’ve considered the point is not so much what we create, learn or experience but how we are with each other, what we share including thoughts, feelings and of course experiences, acts of creation, learning and dance! And yes these too are transitory. 

And though I don’t see death as an ending, rather a portal, the beginning  of another journey – otherwise really what would be the point?  If all the accumulated lessons and wisdom of a lifetime was just snuffed out. I guess the sheer existence of death gives life its meaning. And in particular those shared moments with other human bodied souls. 

(Though some days I think I’d rather come back as a tree, preferably a gnarled old oak tree or if I was really privileged a giant cedar, the kind they have in Fairy Creek, British Columbia or a Japanese platform cedar.)

Of course the pandemic has taken away so much sociability over the past two years. And now people are opening talking about how covid could go on another two years. Well it will unless we fucking get on with vaccinating the world! I wonder does all this isolation and distancing make us less human? Being human is being social. Does screen gazing and clicking and scrolling make us less or more evolved? 

I guess it depends what finds the eye. Ironically Dale and I became closer over the past two years than we had been for decades. And I will miss him terribly. While I got not much further than the park next door with more frequency he seemed to have taken advantage of the pandemic to indulge in slack lining which appears to be balencing precariously on a loose line strung across quarries and other wild spaces. A kind of apt metaphor for these times. 

At least he leaves us with an extensive body of word full of his wit and wisdom. Some of which can be accessed here 

http://dalelately.blogspot.com

https://www.huffingtonpost.co.uk/author/dale-lately

#amreading the Live Canon 2021 Anthology, Tongues of Fire by Sean Hewit and Why I Write edited by Ian Humphreys 

#amwriting about the ephemeral, impermanence if you like, bunch of poem about climate change including one about scorpion invasion, with the intervention of the Goddess Selqet, during a recent deluge in Aswan; the latter a poem I’d promised to send Dale

Signing out til 2022. Apologies if this post is a bit sweary, am grieving. Love yourselves, love each other. Let the light shine. Life, tenacious as the vines that cling to the black volcanic slopes of Lanzarote, fed only by the the dew that condenses of the basalt gravel, brought by humid trade winds, and the soil protected by that peculiar lava form. Life, desperately transient, desolately temporal, snatched away so suddenly it leaves you breathless.

Breathe, be present, as the great Ram Dass said, “be here now.” We only have the moment. And yet we have a future to bequeath, and it really is up to us what that future holds and if the earth will continue to hold us.

Earth image courtesy of Nasa at http://earthobservatory.nasa.gov/IOTD/view.php?id=885
Diary: November 2021

Diary: November 2021

So this month felt forced, by dragging health, to sit out COP 26 in Glasgow, cancelled accommodation with much reluctance. It commenced 31st October and ran on until 13th November, a day later than planned. 

On the last day, bleary eyed delegates concluded the final draft of the Conference of The Parties 26 Decision -/CMA.3 Glasgow Climate Pact was famously tweaked and phase out became phase down (of unabated coal power and phase-out of inefficient fossil fuel subsidies.) Everyone blamed Modi in a shoot the messenger disgrace. Don’t get me wrong Modi is no friend of our movements and certainly not his own farmers who recently won a spectacular victory. 

I participated, as far as possible, virtually. The COP 26 Coalition hosted a series of events on and offline. While Poets for the Planet presented Earth Song which can be seen here

An event which came about after poets and spoken word artists from around the world were matched with researchers from Imperial College London to create science inspired poetry against climate change in a range of languages. “The result will be a cross-cultural feast of poetry and science, investigating the danger our natural and human landscapes are facing across the globe and what we can do about it.” Broadcast with live Q&A.

The event involved Santiago Acosta, Adnan Al-Sayegh and Jenny Lewis, Luca Bernardini, Annsh Chawla, Moya De Feyter, Harry Josephine Giles, Tammy Lai-Ming Ho, Robin Lamboll, Yang Lian, Ian McLachlan, Jérôme Pinel, Pieta Poeta, Jacqueline Saphra, Marvin Thompson, Anton Trubaïchuk, Debra Watson, Tamar Yoseloff, Sindiswa Zulu.

Elsewhere 12-15th November sees the annual Aldeburgh Poetry festival details here

I’ll be honest I find this time of year tricky at the best of times as the days shorten and the light fades so early. I left all my clocks on BST until the end of the month in an attempt to hang onto the light. It was partially successful. Am planning an escape from all this that will involve at least yoga,  tai chi and sunlight and hopefully much more. 

Nevertheless here on Cressingham we have organised a post COP event Let’s All Go On A Tree Hunt for Sunday 21st November to be led by the engaging and informed Steve de St Croix of the Brockwell Greenhouses. 

The Cressingham Rotunda as viewed from the gate into Brockwell Park. Shot with my iphone.

#amreading New & Selected Essays by Denise Levertov and by Mama Amazonia by Pascale Petite and Poor by Caleb Femi 

#amwriting about bugs, some of the absurdities of modernity and the contradictions of COP and a bit of autobio 

Diary: October 2021 

Diary: October 2021 

It’s the end of October already! The year has slid past and yet at the same time stretches out. My birthday picnic in the park in early June seems a lifetime ago while it’s already two months, almost to the day, since the onset of the shingles encounter. Though some symptoms remain that seems like ancient history too. 

Still somewhat in recovery mode though. Hardly have energy to go out. Feeling a bit split; yesterday as excited as a child who has caught a butterfly to discover the essays of Denise Levertov on poetics. Today find myself asking why poetry? Is is my soul yearning or just a box I’ve carved myself into where I’m holding myself prisoner? 

I started reading Ben Okri’s The Famished Road recently I can’t believe it’s sat on my bookshelves untouched for so long. I find it’s so rich in imagery I can only manage a few chapters at a time. Sometimes only one. I find I have to put it down and digest it slowly. 

Some poetry news follows but first some reflections on my writing process, my identity as a human on this planet and and our role at this time. Why do writers write? Why do I write? Recently I wrote on a neon pink post it, “because it makes my soul sing.” It joins others that read, “may I know the joy of living,” “it’s about the journey,” “it takes as long as it takes” and a counter to debilitating perfectionism, “80% is good enough.” 

My writing process, closely aligned to the state of my mental health, has changed as I find myself more stable. I used to only really scribble in a state of manic frenzy then subsequently tried, and more often failed, to craft the scribbles into, into what, into something.

These days have a modicum of discipline. Generally words still tumble out fairly swiftly and I feel merely the witness. This is an example. Though for your sakes I correct the spelling,  typos and confusing syntax. There’s always a shadow of a fear this might all just stop. And then what? When I’ve pinned my identity to this? In general I prefer as description; human, or female bodied soul ( after Dom Bury) or child of god (after Marianne Williamson.) 

Some days I’m not even sure about human. As a child I felt so other. I remember when everyone was out ransacking the bureau at home. (A piece of furniture the size and shape of an upright piano with a writing desk which opened out.) It was where mum and dad kept stationary and documents. I was looking for my birth certificate. I figured I may have been adopted. When I found nothing I concluded I must therefore be an alien. 

A bit of a leap on reflection. It may well have been influenced by my fascination with The Unexplained – a magazine I subscribed to – the 1970’s equivalent of the X Files and an enchantment with Star Trek and The Sky at Night; the latter hosted by the monocled Sir Patrick Moore. That said, the feeling of otherness is rarely far away. 

I wonder if this is what makes an artist? Being somewhat outside holding a tension between wanting to fit in and stand out? I always felt at home with Poets Know it and by extension my Brixton family —perhaps as we all in individual ways were or are a bit other. One night many moons ago a group of us round a table in the Prince Albert shared how we were all the last to be (reluctantly) chosen for the team on the school sports fields. 

Possibly this otherness feeling is a symptom an inner non-acceptance of self or aspects of the self. In meditation the other day a strong image came to me. In my lap lay my perfect baby self. Meanwhile I extended my arms outward and embraced other parts of myself; present were at least the harsh critic, the driver, the fearful saboteur. And the alien? 

So it occurs to me The Way/ the road less traveled/ the spiritual path, whatever you want to call it, is as much a journey to God/ the source/ a higher power, as a journey back to the self.  

Nothing less than an acceptance of the muddled, flawed, damaged selves that we all are. How can we not be when we live in and emerge from a traumatised world shaped by wars, inequality, injustice, poverty and untold human suffering, (ironically in this state move into the climate emergency.)

I still have to confess to not feeling unlike Okri’s narrator who feels he is here on earth as a kind of penance or mistake, reluctantly. Though part of me feels – what a time to be alive!  We have the very real opportunity in the heat of the climate emergency to forge this world anew. I believe it will not change in a just and permanent way unless we all act together. 

I believe even the smallest change to behaviour by any of us is a radical repositioning towards the planet. Logically, in our individual and collective action, as we take action not only does it necessitate and demonstrate a change in consciousness it invites the possibility of transforming our relationship to each other, to non human species and to the earthy and watery aspects of this planet. This is my hope. 

So there’s a whole bunch of stuff coming up in the poetry world

Find Poets for the Planet at COP 26 at

Also worth checking out 

Human Impact on Nature, Landscape and Climate kicks off via Zoom on Sunday 7th Nov from 12-1pm and of course takes place during #cop26 

This event brings together four poets all exploring in their own way our human relationship with nature, landscape and climate, conscious of our footprint, and the impact of our lives on our environment. With Sarah Westcott, Steph Morris, Anna Saunders & Dom Bury 

Book your FREE ticket here https://www.poetryinaldeburgh.org/festival-programme 

Also the Forward Prize and Booker Prize will be awarded at the Southbank some time in November. Info here https://www.southbankcentre.co.uk/whats-on/festivals-series/london-literature-festival?type=literature-poetry

Special mention Malika’s Poetry Kitchen Friends and Family are at the Southbank Centre for the London Literature Festival in on Saturday 30th October at 1pm Presenting poems and in conversation with Malika Booker and Nick Makoha, Katie Griffiths and Kostya Tsolakis, Yomi Sode and Kareem Parkins-Brown.

Here’s the link for info: https://www.southbankcentre.co.uk/whats-on/malikas-poetry-kitchen-friends-and-family

A blog post by Anne Enith Cooper 

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